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      Daniel Saint, 1778 – 1847

      Daniel Saints 6 mest berømte malerier

      Portrait de Mme Savary, duchesse de Rovigo (1840) er det maleri, som Daniel Saint er bedst kendt for. Portrait of Lodewijk Napoleon Bonaparte (1810) og Portrait of the duchess of berry fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 7 værker af Daniel Saint. Her er de 6 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Daniel Saint
      Daniel Saint · 1778 – 1847
      Født · død
      1778 – 1847, Saint-Lô
      Værker i vores katalog
      7
      Mest kendte
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Flest værker hos
      Nationalmuseum

      De ti mest elskede malerier af Daniel Saint

      Portrait of Lodewijk Napoleon Bonaparte (1810) af Daniel Saint
      2

      Portrait of Lodewijk Napoleon Bonaparte

      1810 · Wallace Collection, London

      Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

      Håndmalet oliereproduktion fra $178 32 × 32 cm
      Lady with a Greyhound (1842) af Daniel Saint
      6

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Håndmalet oliereproduktion fra $178 24 × 41 cm

      Hvor Daniel Saint's lærreder hænger

      De 3 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Daniel Saint Malerier fra denne liste
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Wallace Collection, LondonWallace Collection London 1 Portrait of Lodewijk Napoleon Bonaparte
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Daniel Saints mest berømte lærreder, år efter år

      33 år med Daniel Saints lys og farver, fra 1810 til 1842: de mest berømte lærreder fra hvert år, efter hinanden.

      1. 1810
        Portrait of Lodewijk Napoleon Bonaparte (1810) af Daniel Saint
        2 ud af 6

        Portrait of Lodewijk Napoleon Bonaparte

        Alder 32 · Wallace Collection

        Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the…

      2. 1840
      3. 1842
        Lady with a Greyhound (1842) af Daniel Saint
        Lærred 6 af 6

        Lady with a Greyhound

        Alder 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Daniel Saints lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Daniel Saint mest kendt for?Læs svaret

      Portrait de Mme Savary, duchesse de Rovigo (1840), efterfulgt af Portrait of Lodewijk Napoleon Bonaparte (1810) og Portrait of the duchess of berry.

      Portrait de Mme Savary, duchesse de Rovigo: hvor gammel var Daniel Saint, da det blev malet?Læs svaret

      Daniel Saint, født i 1778, var 62 år gammel: Portrait de Mme Savary, duchesse de Rovigo er fra 1840.

      Hvor mange malerier har Daniel Saint skabt?Læs svaret

      7 værker af Daniel Saint er i vores katalog, dateret fra 1810 til 1842.

      Hvor hænger Daniel Saints mest berømte lærreder i dag?Læs svaret

      Primært i Nationalmuseum (Stockholm), Wallace Collection (London) og Château de Chambord (Chambord); listen ovenfor nævner hvert museum og dets lærreder.

      Hvilket berømt lærred af Daniel Saint kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Portrait of Lodewijk Napoleon Bonaparte (1810); det seneste er Lady with a Greyhound (1842).

      Hvilke malerier af Daniel Saint er i Nationalmuseums samling?Læs svaret

      Nationalmuseum, Stockholm har 2 af værkerne på denne side, herunder Unknown Man og Charles X, King of France and Navarre.

      Hvor kan jeg købe en reproduktion af et maleri af Daniel Saint?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.