Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Daniel Vertangen, 1601 – 1683

      Daniel Vertangens 15 mest berømte malerier

      Diana and Callisto (1590) er det maleri, som Daniel Vertangen er bedst kendt for; det befinder sig på Slovak National Gallery, Bratislava. A Market Scene (1647) og Diana and her Nymphs (1647) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 16 værker af Daniel Vertangen. Her er de 15 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Daniel Vertangen
      Daniel Vertangen · 1601 – 1683
      Født · død
      1601 – 1683, Amsterdam
      Værker i vores katalog
      16
      Mest kendte
      Diana and Callisto (1590)
      Flest værker hos
      Statens Museum for Kunst

      De ti mest elskede malerier af Daniel Vertangen

      Diana and Callisto (1590) af Daniel Vertangen
      1

      Diana and Callisto

      1590 · Oil On Canvas · Slovak National Gallery, Bratislava

      The air hangs heavy and still within this lush, wooded sanctuary. Sunlight filters through a dense canopy of overhanging trees, casting a soft, luminous glow upon the figures gathered near the water's edge. A sense of pastoral tranquility permeates the scene, yet a subtle tension lingers beneath the surface of the tranquil landscape. The composition draws the eye inward, using the dark, organic forms of the trees to frame a…

      Håndmalet oliereproduktion fra $378 39 × 26 cm Samme størrelse som originalen $578 106 × 72 cm Bestil i original størrelse →
      A Market Scene (1647) af Daniel Vertangen
      2

      A Market Scene

      1647 · Oil · Statens Museum for Kunst, København

      In this 1647 work, we find ourselves stepping into a moment of daily life from the Dutch Golden Age. The scene captures a bustling outdoor market, yet there is a certain stillness to the composition that invites a slower gaze. A woman in a white apron anchors the foreground, her presence grounding the movement of the crowd. Nearby, a child holds a small animal, a detail that adds a layer…

      Håndmalet oliereproduktion fra $228 35 × 28 cm
      Diana and her Nymphs (1647) af Daniel Vertangen
      3

      Diana and her Nymphs

      1647 · Oil · Statens Museum for Kunst, København

      The scene unfolds in a landscape of soft, muted tones, where the goddess Diana and her nymphs gather in a moment of repose. Shadows stretch across the rocky terrain, defining the curves of limbs and the texture of the foliage. A small dog rests near the figures, grounding the mythological assembly in a sense of earthly leisure. The light descends from the upper center, casting a gentle glow that carves…

      Håndmalet oliereproduktion fra $303 37 × 27 cm
      Cephalus and Procris (1647) af Daniel Vertangen
      4

      Cephalus and Procris

      1647 · Oil On Canvas · Statens Museum for Kunst, København

      This 1647 oil on canvas, titled Cephalus and Procris, presents a classical mythological scene rendered in a monochromatic, grayscale palette. The composition is characterized by a balanced arrangement where the two central figures are positioned in the mid-ground, slightly to the right of center. The man, Cephalus, leans toward the woman, Procris, while holding a thin object, possibly a wand or an arrow, which she holds at its tip. To…

      Håndmalet oliereproduktion fra $228 35 × 28 cm
      Nymphs and Satyrs in a Landscape (1665) af Daniel Vertangen
      5

      Nymphs and Satyrs in a Landscape

      1665 · Oil · Royal Collection, London

      Created in 1665, Nymphs and Satyrs in a Landscape is a small-scale oil painting that captures a mythological scene set within a lush, wooded environment. The composition is characterized by an asymmetrical arrangement, where a dense mass of dark foliage and trees dominates the right side and the background. This heavy greenery contrasts with the left side of the work, which opens toward a distant, hazy mountain range under a…

      Håndmalet oliereproduktion fra $328 40 × 25 cm
      Nymphs and Satyrs in a Landscape (1665) af Daniel Vertangen
      6

      Nymphs and Satyrs in a Landscape

      1665 · Oil On Panel · Royal Collection, London

      Executed in 1665, Nymphs and Satyrs in a Landscape is an oil-on-panel painting that captures a lively mythological scene set within a lush, wooded environment. The composition is characterized by a dynamic arrangement of figures distributed across a landscape that recedes into a hazy, atmospheric background. In the foreground and midground, various mythological figures engage in diverse activities: on the left, a nymph is being carried by two satyrs; in…

      Håndmalet oliereproduktion fra $403 40 × 25 cm

      Daniel Vertangen: lærreder fra 11 til 15 på ranglisten

      Hvad Daniel Vertangen har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Daniel Vertangen's lærreder hænger

      De 5 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Daniel Vertangen Malerier fra denne liste
      Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 3 A Market Scene, Diana and her Nymphs, Cephalus and Procris
      Royal Collection, LondonRoyal Collection London 2 Nymphs and Satyrs in a Landscape, Nymphs and Satyrs in a Landscape
      Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 2 Diana with bathing nymphs, Bathing nymphs
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of Dina Lems, Portrait of Jan Valckenburgh
      Slovak National Gallery, BratislavaSlovak National Gallery Bratislava 1 Diana and Callisto

      Daniel Vertangens mest berømte lærreder, år efter år

      19 år med Daniel Vertangens lys og farver, fra 1647 til 1665: de mest berømte lærreder fra hvert år, efter hinanden.

      1. 1647
        A Market Scene (1647) af Daniel Vertangen
        2 ud af 15

        A Market Scene

        Alder 46 · Statens Museum for Kunst

        In this 1647 work, we find ourselves stepping into a moment of daily life from the Dutch Golden Age. The scene captures a bustling outdoor market, yet there…

      2. 1647
        Diana and her Nymphs (1647) af Daniel Vertangen
        Rangeret som nr. 3 ud af 15

        Diana and her Nymphs

        Alder 46 · Statens Museum for Kunst

        The scene unfolds in a landscape of soft, muted tones, where the goddess Diana and her nymphs gather in a moment of repose. Shadows stretch across the rocky…

      3. 1647
        Cephalus and Procris (1647) af Daniel Vertangen
        4 ud af 15

        Cephalus and Procris

        Alder 46 · Statens Museum for Kunst

        This 1647 oil on canvas, titled Cephalus and Procris, presents a classical mythological scene rendered in a monochromatic, grayscale palette. The composition is characterized by a balanced arrangement…

      4. 1665
        Nymphs and Satyrs in a Landscape (1665) af Daniel Vertangen
        5 ud af 15

        Nymphs and Satyrs in a Landscape

        Alder 64 · Royal Collection

        Created in 1665, Nymphs and Satyrs in a Landscape is a small-scale oil painting that captures a mythological scene set within a lush, wooded environment. The composition is…

      5. 1665
        Nymphs and Satyrs in a Landscape (1665) af Daniel Vertangen
        Lærred 6 af 15

        Nymphs and Satyrs in a Landscape

        Alder 64 · Royal Collection

        Executed in 1665, Nymphs and Satyrs in a Landscape is an oil-on-panel painting that captures a lively mythological scene set within a lush, wooded environment. The composition is…

      Daniel Vertangens lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Daniel Vertangen mest kendt for?Læs svaret

      Diana and Callisto (1590), Slovak National Gallery, Bratislava. A Market Scene (1647) og Diana and her Nymphs (1647) følger efter.

      Hvad er Daniel Vertangens ti mest berømte lærreder?Læs svaret

      Diana and Callisto, A Market Scene, Diana and her Nymphs, Cephalus and Procris, Nymphs and Satyrs in a Landscape, Nymphs and Satyrs in a Landscape, Diana with bathing nymphs, Bathing nymphs, The Ascension Of The Virgin og Cimon and Iphigenia. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Daniel Vertangen skabt?Læs svaret

      16 værker af Daniel Vertangen er i vores katalog, dateret fra 1647 til 1665.

      Hvor hænger Daniel Vertangens mest berømte lærreder i dag?Læs svaret

      Primært i Statens Museum for Kunst (København), Royal Collection (London) og Finnish National Gallery (Helsinki); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Daniel Vertangen sine mest berømte lærreder?Læs svaret

      I 1647, som udgør 3 af de 15 værker på denne side, herunder A Market Scene.

      Hvilket berømt lærred af Daniel Vertangen kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er A Market Scene (1647); det seneste er Nymphs and Satyrs in a Landscape (1665).

      Hvilke motiver malede Daniel Vertangen mest?Læs svaret

      Trees (6), Landscape (5) og Nymphs (4), fordelt på de 15 værker på denne side.

      Hvilket medie optræder hyppigst i Daniel Vertangen's malerier?Læs svaret

      Oil, anvendt i 3 af de 15 værker på denne side.

      Hvilke malerier af Daniel Vertangen er i Statens Museum for Kunsts samling?Læs svaret

      Statens Museum for Kunst, København har 3 af værkerne på denne side, herunder A Market Scene, Diana and her Nymphs og Cephalus and Procris.

      Hvor kan jeg købe en reproduktion af et maleri af Daniel Vertangen?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Daniel Vertangen

      The Master of Italianate Visions: The Life and Legacy of Daniel Vertangen

      In the golden light of the seventeenth-century Dutch Republic, a period defined by unparalleled artistic flourishing and intellectual expansion, the name Daniel Vertangen emerged as a profound voice for those seeking beauty in both the natural world and the divine. Born in Amsterdam around 1601, Vertangen lived and worked during an era when the Netherlands was becoming the epicenter of European commerce and culture. His life, spanning until approximately 1683, was deeply rooted in the vibrant atmosphere of Amsterdam, yet his artistic gaze often wandered far beyond the city's canals, seeking the sun-drenched landscapes and classical grandeur of the Italianate tradition.

      The foundations of Vertangen’s mastery were laid during his formative years, a period marked by significant artistic associations. While historical records offer glimpses into his training, they suggest a lineage connected to some of the most influential figures of the age. Some accounts, such as those from the historian Houbraken, suggest he was a pupil of Cornelis van Poelenburch, an artist renowned for bringing Italianate elegance to Dutch soil. Whether he served as a direct apprentice or worked alongside Poelenburch in a workshop capacity, this connection undoubtedly infused Vertangen’s work with a sophisticated understanding of classical composition and the delicate interplay of light. Other records point toward an apprenticeship under Hendrick Jacobsz. van Uylenburgh, a figure closely linked to the legendary Rembrandt. This exposure to the principles of chiaroscuro—the dramatic manipulation of shadow and illumination—would become a cornerstone of his technique, allowing him to imbue his landscapes with a sense of atmospheric mystery and emotional depth.

      A Tapestry of Landscape and Allegory

      Vertangen’s oeuvre is most celebrated for its seamless integration of breathtaking scenery and profound narrative. Unlike many of his contemporaries who focused on the intimate details of daily Dutch life, Vertangen turned his brush toward the monumental. He possessed a singular ability to conjure mountainous vistas and serene, rolling terrains that evoked the spirit of Italy, catering to the seventeenth-century fascination with classical ideals. His landscapes are rarely mere topographical studies; instead, they serve as stages for historical and biblical allegories, where the grandeur of nature reflects the weight of human drama.

      In his compositions, one might encounter scenes such as The Penitent Magdalen in a Landscape or the dramatic tension found in Cimon and Iphigenia. These works demonstrate his skill in using the environment to mirror internal psychological states. The ruggedness of a cliffside or the soft glow of a setting sun becomes an extension of the characters' struggles or triumphs. His palette, often characterized by muted greens, deep blues, and earthy browns, creates a sense of timelessness and contemplative stillness. Through his meticulous attention to detail, Vertangen could guide the viewer’s eye through layers of atmospheric perspective, making the distant horizon feel both reachable and infinitely vast.

      Historical Significance and Artistic Enduring Spirit

      Beyond the sheer beauty of his landscapes, Vertangen’s contribution to the Dutch Golden Age lies in his ability to bridge the gap between the local and the universal. By blending the specific technical rigors of Dutch painting with the idealized themes of Southern European art, he helped cultivate a unique stylistic movement that resonated across borders. His portraits, such as the Portrait of Dina Lems, further showcase his versatility, revealing a capacity for capturing human dignity and character with the same precision he applied to the natural world.

      The legacy of Daniel Vertangen remains etched in the annals of art history as a testament to the power of imaginative vision. He did not merely paint what he saw; he painted what he felt through the lens of classical tradition and spiritual inquiry. His works continue to invite viewers into a world where the boundaries between reality and allegory are blurred, offering a sanctuary of beauty and reflection that transcends the centuries. Through his mastery of light, shadow, and landscape, Vertangen ensured that his place in the pantheon of the great Dutch masters would remain forever luminous.