Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Daphne Todd, født 1947

      De 18 mest berømte Daphne Todd-malerier, rangeret

      Det mest elskede maleri af Daphne Todd er Professor Barry Supple, Master (1984–1993) (1991), som hænger på st Catharine's College i Cambridge. Duncan Stewart og Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 18 værker af Daphne Todd: her er de 18 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

      Portræt af Daphne Todd
      Daphne Todd · født 1947
      Født · død
      født 1947
      Værker i vores katalog
      18
      Mest kendte
      Professor Barry Supple, Master (1984–1993) (1991)
      Flest værker hos
      Girton College

      Top 10 Daphne Todd malerier: lærrederne som alle kender

      Flere lærreder af Daphne Todd, fra 11 til 18

      Hvad Daphne Todd har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Daphne Todd's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Daphne Todd Malerier fra denne liste
      Girton College, CambridgeGirton College Cambridge 4 Robin and Lesley Monckton, Farmers, Ron and Ray Pett, Butchers, Trevor Tasker, Cesspit Emptier
      University College, OxfordUniversity College Oxford 2 Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann, John (Wyndham) Albery (b.1936), FRS, Master (1989–1997)
      st Catharine's College, Cambridgest Catharine's College Cambridge 1 Professor Barry Supple, Master (1984–1993)
      Lady Margaret Hall, OxfordLady Margaret Hall Oxford 1 Duncan Stewart
      Institute of Education, LondonInstitute of Education London 1 Professor Peter Mortimore (b.1942), OBE, PhD, FBPS, Director (1994–2000)
      Lincoln College, OxfordLincoln College Oxford 1 Jim Murden (b.1946), Chef (1976–2011), and Kevin Egleston (b.1946), Butler (1981–2011)
      Nottinghamshire County Hall, NottinghamNottinghamshire County Hall Nottingham 1 Councillor Dennis Pettitt, Leader of the County Council (1981–2001)
      Royal College of Obstetricians And Gynaecologists, LondonRoyal College of Obstetricians And Gynaecologists London 1 Professor Allan Templeton, President of the Royal College of Obstetricians and Gynaecologists (2004–2007)

      Daphne Todds mest elskede lærred fra hvert årti

      1. 1990s
      2. 2000s
      3. 2010s

      Om Daphne Todd's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Daphne Todd?Læs svaret

      Professor Barry Supple, Master (1984–1993) (1991), st Catharine's College, Cambridge. Duncan Stewart og Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann følger efter.

      Hvor gammel var Daphne Todd, da Professor Barry Supple, Master (1984–1993) blev malet?Læs svaret

      Daphne Todd, født i 1947, var 44 år gammel: Professor Barry Supple, Master (1984–1993) er fra 1991.

      Hvad er de 10 mest berømte malerier af Daphne Todd?Læs svaret

      Professor Barry Supple, Master (1984–1993), Duncan Stewart, Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann, Sir Austin Pearce (1921–2004), CBE, Evan Roderic Bowen (1913–2001), President of St David's University College (1977–1992), Sir (Philip) Christopher Ondaatje, Spike Milligan, John (Wyndham) Albery (b.1936), FRS, Master (1989–1997), Robin and Lesley Monckton, Farmers og Ron and Ray Pett, Butchers. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange værker malede Daphne Todd i alt?Læs svaret

      18 værker af Daphne Todd er i vores katalog, dateret fra 1990 til 2011.

      Hvor kan jeg se Daphne Todds mest berømte lærreder?Læs svaret

      Primært i Girton College (Cambridge), University College (Oxford) og st Catharine's College (Cambridge); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Daphne Todd de mest elskede lærreder?Læs svaret

      I 1990s, som udgør 6 af de 18 værker på denne side, herunder Professor Barry Supple, Master (1984–1993).

      Hvilke er Daphne Todds tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er Sir Austin Pearce (1921–2004), CBE (1990); det seneste er Jim Murden (b.1946), Chef (1976–2011), and Kevin Egleston (b.1946), Butler (1981–2011) (2011).

      Hvilke lærreder af Daphne Todd hænger på Girton College?Læs svaret

      Girton College, Cambridge har 4 af værkerne på denne side, herunder Robin and Lesley Monckton, Farmers, Ron and Ray Pett, Butchers og Trevor Tasker, Cesspit Emptier.

      Daphne Todd: et liv i maling

      The Soul Behind the Surface: The Artistry of Daphne Todd

      In the realm of contemporary British portraiture, few names command as much respect and intrigue as Daphne Todd. Born on March 27, 1947, Todd has spent her career not merely painting faces, but excavating the very essence of human character. Her work is a profound meditation on identity, captured through a mastery of oil painting that balances unflinching realism with a delicate, psychological depth. To look upon a Todd portrait is to encounter a subject stripped of pretense, presented with a clarity that feels both timeless and startlingly immediate.

      Todd’s artistic journey began with a rigorous classical foundation, shaped by her formative years in York and her intensive studies at the Slade School of Fine Art between 1964 and 1971. Under the disciplined guidance of Sir William Coldstream, she mastered the technical nuances of light, shadow, and form. This period of academic excellence was marked by early triumphs, including the British Institute Award for Figurative Painting and the Tonks Drawing Prize, signaling the arrival of a formidable talent. Her ability to translate the physical world into emotive oil compositions would become the hallmark of her enduring legacy.

      Breaking Barriers and Defining an Era

      Beyond her technical prowess, Daphne Todd’s historical significance lies in her role as a trailblazer for women in the fine arts. She famously shattered gendered glass ceilings within the Royal Society of Portrait Painters, serving as its inaugural female president from 1994 to 2000. This achievement was not merely a personal milestone but a transformative moment for the institution, signaling a shift toward a more inclusive era of British portraiture. Her influence extended into the very fabric of London’s cultural landscape, earning her the title of Freeman of the City of London and an OBE for her contributions to the arts.

      Her career is punctuated by moments of profound recognition that highlight her versatility and courage. While many portraitists seek only the flattering, Todd has demonstrated a fearless commitment to truth, even in the most challenging subject matter. Notable milestones include:

      • The BP Portrait Award: Winning second prize in 1983 and receiving a special commendation in 1984, establishing her national prominence.
      • The Hunting Art Prize: Securing this prestigious award for her oil painting "Four Spanish Chairs," showcasing her ability to find narrative power in still life.
      • The Ondaatje Prize: Receiving the Gold Medal and the Ondaatje Prize for Portraiture, a testament to her skill in capturing the human spirit.
      • The 2010 BP Portrait Award: A moment of profound artistic bravery where she won with a hauntingly beautiful painting of her late mother.

      A Legacy of Character and Connection

      The magic of Todd’s oeuvre lies in its breadth. Her subjects range from the academic and the distinguished to the everyday worker, such as the poignant study of Trevor Tasker, Cesspit Emptier. Whether she is painting a figure in a richly furnished library, like Sir Philip Christopher Ondaatje, or exploring the quiet contemplation of Professor Barry Supple, her brushwork remains consistent in its devotion to truth. She possesses a rare ability to weave subtle symbolism into her compositions, allowing the setting and the light to speak as loudly as the sitter’s expression.

      Today, Daphne Todd remains a pivotal figure whose work continues to resonate within the halls of the National Portrait Gallery and private collections worldwide. Her legacy is one of uncompromising vision—a career dedicated to the belief that every face holds a story worth telling, and every shadow contains a truth waiting to be revealed. Through her eyes, British life is not just observed; it is immortalized with grace, dignity, and an unforgettable sense of humanity.