1
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)
Håndmalet oliereproduktion fra $178 26 × 39 cm
Daswanth, 1500 – 1584
De 4 mest berømte Daswanth-malerier, rangeret
Det mest elskede maleri af Daswanth er The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), som hænger på Cleveland Museum of Art i Cleveland. The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) og The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 4 værker af Daswanth: her er de 4 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
- Født · død
- 1500 – 1584
- Værker i vores katalog
- 4
- Mest kendte
- The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560)
- Flest værker hos
- Cleveland Museum of Art
Top 10 Daswanth malerier: lærrederne som alle kender
2
The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night
Håndmalet oliereproduktion fra $328 25 × 39 cm
3
The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night
Håndmalet oliereproduktion fra $178 26 × 39 cm
4
Umar Defeats a Dragon
Håndmalet oliereproduktion fra $1453 28 × 36 cm
Samme størrelse som originalen $1540 55 × 70 cm Bestil i original størrelse →
Hvor Daswanth's lærreder hænger
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Daswanth | Malerier fra denne liste |
|---|---|---|---|
 Cleveland Museum of Art |
Cleveland | 3 | The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night, The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night |
 MAK – Museum of Applied Arts |
Wien | 1 | Umar Defeats a Dragon |
Daswanths mest elskede lærreder, år for år
Daswanth ved staffeliet gennem 18 år, fra 1560 til 1577: de mest elskede lærreder fra hvert år, i rækkefølge.
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1560
Rangeret som nr. 1 ud af 4The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)
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1560
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1560
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1577
Lærred 4 af 4
Umar Defeats a Dragon
Om Daswanth's lærreder: dine spørgsmål besvaret
Hvad er det mest kendte maleri af Daswanth?Læs svaret
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), Cleveland Museum of Art, Cleveland. The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) og The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) følger efter.
Hvor gammel var Daswanth, da The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) blev malet?Læs svaret
Daswanth, født i 1500, var 60 år gammel: The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) er fra 1560.
Hvor mange værker malede Daswanth i alt?Læs svaret
4 værker af Daswanth er i vores katalog, dateret fra 1560 til 1577.
Hvor kan jeg se Daswanths mest berømte lærreder?Læs svaret
Primært i Cleveland Museum of Art (Cleveland) og MAK – Museum of Applied Arts (Wien); listen ovenfor nævner hvert museum og dets lærreder.
Hvornår malede Daswanth de mest elskede lærreder?Læs svaret
I 1560, som udgør 3 af de 4 værker på denne side, herunder The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot).
Hvilke er Daswanths tidligste og seneste berømte lærreder?Læs svaret
Det tidligste lærred her er The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560); det seneste er Umar Defeats a Dragon (1577).
Hvilke lærreder af Daswanth hænger på Cleveland Museum of Art?Læs svaret
Cleveland Museum of Art, Cleveland har 3 af værkerne på denne side, herunder The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night og The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night.
Kan jeg købe en reproduktion af et lærred af Daswanth?Læs svaret
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Daswanth: et liv i maling
The Creative Spirit of the Mughal Era
Daswanth was a Mughal-era painter serving under the emperor Akbar. Born the son of a palanquin-bearer, he was a Hindu who demonstrated a natural talent for painting and drawing on walls. This talent led him to be taught by the Persian master painter Khwāja 'Abd al-Samad. While 'Abd al-Samad's work was traditional and conservative, Daswanth's own works were noted for being imaginative and original. He was recognized in the Ain-i-Akbari as one of the three most important artists of his period, and the Akbarnama also credited him with great artistic talent.
His artistic style was characterized by a chaotic and creative energy that distinguished him from his contemporaries. His illustrations often appeared otherworldly, sometimes described as scary, with figures that were proportionally inconsistent and weightless. He possessed a unique technique involving the free application of wet pigment and a beautiful understanding of perspective through the use of character size, architectural details, and backgrounds. His work often focused on storytelling, depicting gods, demigods, courtly figures, and warriors, frequently portraying scenes of battle and gory violence.
Masterpieces and Contributions
Daswanth contributed significantly to several major works, including the Hamzanama and the Tarikh e Khandan e Timuriyah. He is also associated with the Razmnama, a Persian translation of the Hindu epic the Mahabharata, where he drew as many as 31 full-page miniatures. His work in this collection included diverse compositions, such as:
- Arjun hitting the target: A scene depicting a crowd of kings and the protagonist Arjuna near a cauldron of hot oil.
- Abhimanyu's Chakravyuha: A unique double-page composition featuring thousands of figures arranged in a maze formation.
His repertoire also included illustrations for the Tūtīnāma, such as The Wounded Monkey Bites the Hand of the Prince. His style occasionally incorporated elements from other traditions, such as Chinese-style clouds or Western techniques and idioms. His life ended in 1584 after he wounded himself with a dagger.