Det mest elskede maleri af David Smith er Untitled (1964). Hudson River Landscape (1951) og Cubi i følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 19 værker af David Smith: her er de 18 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af David Smith | Malerier fra denne liste |
|---|---|---|---|
| New York | 1 | Hudson River Landscape |
14 år ved staffeliet, fra 1951 til 1964: David Smiths mest elskede lærreder, år for år.
Untitled (1964), efterfulgt af Hudson River Landscape (1951) og Cubi i.
David Smith, født i 1906, var 58 år gammel: Untitled er fra 1964.
Untitled, Hudson River Landscape, Cubi i, Three planes, N08744 46 lr, Saw head, (1933), 5 And A Half (Use Half Sign), Suspended cube, Untitled og Zig iv. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
19 værker af David Smith er i vores katalog, dateret fra 1951 til 1964.
Primært i Whitney Museum of American Art (New York); listen ovenfor nævner hvert museum og dets lærreder.
Det tidligste lærred her er Hudson River Landscape (1951); det seneste er Untitled (1964).
Abstract expressionism, som lærrederne på denne side viser.
Born in Decatur, United States, David Smith was a sculptor, painter, designer, photographer, artist, writer, and visual artist. His creative journey involved studying at Ohio University and Notre Dame, and he worked on the assembly line of the Studebaker automobile factory in South Bend, Indiana. After moving to New York in 1926, he studied at the Art Students League of New York. During the Great Depression, he participated in the Works Progress Administration’s Federal Art Project. Smith later moved to Bolton Landing, New York, where he operated a studio. During World War II, he worked as a welder for the American Locomotive Company in Schenectady, New York.
His sculptural work is characterized by the use of industrial steel, which he manipulated using an oxyacetylene torch to weld metal. He often created unique works by cutting, plugging, flattening, pinching, and bending steel bars. His output included various series, such as the Agricolas and the Cubi series, which featured stainless steel. In his later years, he utilized spray paint to create stenciled shapes. Beyond sculpture, Smith produced drawings and paintings, including a series known as the Last Nudes.
Smith's body of work includes several recognized pieces, such as:
His work has been featured in numerous exhibitions globally, including the Venice Biennale and the São Paulo Bienal. His sculptures have been held in collections such as the Whitney Museum of American Art in New York.