Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Edvard Petersen, 1841 – 1911

      Edvard Petersens 8 mest berømte malerier

      Aften. En bonde på vej hjem fra marken (1888) er det maleri, som Edvard Petersen er bedst kendt for; det befinder sig på Statens Museum for Kunst, København. At the Capuchin Monastery in Rome (1911) og US Soldier Battling Dragon (1917) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 8 værker af Edvard Petersen. Her er de 8 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Edvard Petersen
      Edvard Petersen · 1841 – 1911
      Født · død
      1841 – 1911, Copenhagen
      Værker i vores katalog
      8
      Mest kendte
      Aften. En bonde på vej hjem fra marken (1888)
      Flest værker hos
      Statens Museum for Kunst

      De ti mest elskede malerier af Edvard Petersen

      Aften. En bonde på vej hjem fra marken (1888) af Edvard Petersen
      1

      Aften. En bonde på vej hjem fra marken

      1888 · Oil On Canvas · Statens Museum for Kunst, København

      A solitary figure moves along a dirt path, cutting a diagonal line through a landscape of textured wheat and dense foliage. The man carries a long, thin tool over his shoulder, a silent marker of a day's end. Rendered in a monochromatic palette of black, white, and grey, the scene relies on the interplay of light and shadow rather than color to define its form. The soft, diffused light suggests…

      Håndmalet oliereproduktion fra $178 39 × 26 cm Samme størrelse som originalen $476 127 × 86 cm Bestil i original størrelse →
      At the Capuchin Monastery in Rome (1911) af Edvard Petersen
      2

      At the Capuchin Monastery in Rome

      1911 · Oil On Canvas · Statens Museum for Kunst, København

      At the Capuchin Monastery in Rome is an oil painting by the Danish artist Edvard Petersen. Executed in 1911, the work represents the final year of the artist's life. Petersen was a prominent figure in Danish art, having been born in Copenhagen, Denmark.

      Håndmalet oliereproduktion fra $278 39 × 26 cm Samme størrelse som originalen $652 142 × 94 cm Bestil i original størrelse →
      US Soldier Battling Dragon (1917) af Edvard Petersen
      3

      US Soldier Battling Dragon

      1917 · Bronze · American Numismatic Society, New York City

      In the evocative piece titled US Soldier Battling Dragon, we are transported into a moment of profound tension and mythic struggle. Though the work captures the essence of a bronze medal from 1917, it breathes with the vitality of an epic legend. The central focus is a soldier, rendered with striking realism, caught in the kinetic heat of combat. With a sword gripped firmly in his right hand, he descends…

      Emigrants on Larsens Plads (1890) af Edvard Petersen
      8

      Emigrants on Larsens Plads

      1890 · ARoS Aarhus Kunstmuseum, Aarhus

      The painting Emigrants on Larsens Plads by Edvard Petersen is a captivating oil on canvas artwork that showcases the artist's unique ability to capture the essence of everyday life in late 19th-century Denmark. Created in 1890, this masterpiece is now housed at the ARoS Aarhus Kunstmuseum in Denmark. The Artistic Vision The scene depicts a group of people gathered on Larsens Plads, a bustling city square in Copenhagen, as they…

      Håndmalet oliereproduktion fra $178 40 × 25 cm

      Hvor Edvard Petersen's lærreder hænger

      De 4 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Edvard Petersen Malerier fra denne liste
      Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 4 Aften. En bonde på vej hjem fra marken, At the Capuchin Monastery in Rome, Hollandsk landskab. En pige vasker ved en kanal
      American Numismatic Society, New York CityAmerican Numismatic Society New York City 1 US Soldier Battling Dragon
      Folketinget, KøbenhavnFolketinget København 1 Folk Scene, Dyrehaven
      ARoS Aarhus Kunstmuseum, AarhusARoS Aarhus Kunstmuseum Aarhus 1 Emigrants on Larsens Plads

      Edvard Petersens mest berømte lærred, årti efter årti

      1. 1870s
      2. 1880s
        Aften. En bonde på vej hjem fra marken (1888) af Edvard Petersen
        Lærred 1 af 8

        Aften. En bonde på vej hjem fra marken

        Alder 39 – 48 · Statens Museum for Kunst

        A solitary figure moves along a dirt path, cutting a diagonal line through a landscape of textured wheat and dense foliage. The man carries a long, thin tool…

      3. 1890s
        Emigrants on Larsens Plads (1890) af Edvard Petersen
        Lærred 8 af 8

        Emigrants on Larsens Plads

        Alder 49 – 58 · ARoS Aarhus Kunstmuseum

        The painting Emigrants on Larsens Plads by Edvard Petersen is a captivating oil on canvas artwork that showcases the artist's unique ability to capture the essence of everyday…

      4. 1910s
        At the Capuchin Monastery in Rome (1911) af Edvard Petersen
        Rangeret som nr. 2 ud af 8

        At the Capuchin Monastery in Rome

        Alder 69 – 70 · Statens Museum for Kunst

        At the Capuchin Monastery in Rome is an oil painting by the Danish artist Edvard Petersen. Executed in 1911, the work represents the final year of the artist's…

      Edvard Petersens lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Edvard Petersen mest kendt for?Læs svaret

      Aften. En bonde på vej hjem fra marken (1888), Statens Museum for Kunst, København. At the Capuchin Monastery in Rome (1911) og US Soldier Battling Dragon (1917) følger efter.

      Aften. En bonde på vej hjem fra marken: hvor gammel var Edvard Petersen, da det blev malet?Læs svaret

      Edvard Petersen, født i 1841, var 47 år gammel: Aften. En bonde på vej hjem fra marken er fra 1888.

      Hvor mange malerier har Edvard Petersen skabt?Læs svaret

      8 værker af Edvard Petersen er i vores katalog, dateret fra 1876 til 1911.

      Hvor hænger Edvard Petersens mest berømte lærreder i dag?Læs svaret

      Primært i Statens Museum for Kunst (København), American Numismatic Society (New York City) og Folketinget (København); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Edvard Petersen sine mest berømte lærreder?Læs svaret

      I 1880s, som udgør 3 af de 8 værker på denne side, herunder Aften. En bonde på vej hjem fra marken.

      Hvilket berømt lærred af Edvard Petersen kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Hollandsk landskab. En pige vasker ved en kanal (1876); det seneste er At the Capuchin Monastery in Rome (1911).

      Hvilket medie optræder hyppigst i Edvard Petersen's malerier?Læs svaret

      Oil On Canvas, anvendt i 2 af de 8 værker på denne side.

      Hvilke malerier af Edvard Petersen er i Statens Museum for Kunsts samling?Læs svaret

      Statens Museum for Kunst, København har 4 af værkerne på denne side, herunder Aften. En bonde på vej hjem fra marken, At the Capuchin Monastery in Rome og Hollandsk landskab. En pige vasker ved en kanal.

      Hvor kan jeg købe en reproduktion af et maleri af Edvard Petersen?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Edvard Petersen

      Edvard Petersen: Life and Legacy

      Early Life and Education

      Edvard Petersen (born February 4, 1841, in Copenhagen, Denmark; died December 5, 1911) was a prominent Danish painter. He began his artistic journey by attending the Royal Danish Academy of Fine Arts from 1851, laying the foundation for his future career.

      Artistic Development and Influences

      Petersen’s early work, during the 1860s and 1870s, was heavily influenced by Vilhelm Kyhn, resulting in romantic landscape paintings. He developed a close friendship with fellow painter Theodor Philipsen, and together they embarked on several travels, including two extended stays in Italy (between 1875 and 1880) and a visit to France. Despite these experiences, Petersen maintained a relatively conservative style; his paintings from abroad generally depicted traditional scenes of local life.

      Shift Towards Realism

      In the 1880s, Petersen’s artistic focus shifted towards figure painting and realist depictions of street life in Copenhagen. This change was influenced by the French Realist movement, allowing him to capture the everyday lives of ordinary people with greater accuracy and detail.

      Major Works and Achievements

      • Emigrants on Larsens Plads (1890): Perhaps Petersen’s most famous work, this painting poignantly captures a scene of Danish emigrants departing for America.
      • A Return, the America Liner at Larsens Plads (1894): A companion piece to “Emigrants,” depicting the return journey and offering a contrasting perspective on emigration.
      • Stork Fountain (1904): Petersen won the competition for the design of this iconic fountain in Amagertorv, Copenhagen, in 1888. The sculpture was realized by Vilhelm Bissen.
      • Folk Scene, Dyrehaven: A vibrant depiction of Danish life and scenery.

      Historical Significance

      Petersen’s work provides valuable insights into 19th-century Danish society, particularly the themes of emigration and urban life. His paintings offer a realistic portrayal of his time, capturing both the beauty and challenges faced by ordinary people. The Stork Fountain remains a beloved landmark in Copenhagen, demonstrating Petersen's lasting contribution to the city’s cultural landscape.

      Legacy

      While not as widely celebrated as some of his contemporaries, Edvard Petersen occupies an important place in Danish art history. His ability to blend romantic sensibilities with realist techniques created a unique artistic voice that continues to resonate with viewers today. He is remembered for his sensitive depictions of everyday life and his enduring contribution to Copenhagen’s public spaces.