Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Edwin White, 1817 – 1877

      De 6 mest berømte Edwin White-malerier, rangeret

      Det mest elskede maleri af Edwin White er The Antiquary (1855), som hænger på Metropolitan Museum of Art i New York. Olden Times (also known as Spinning Flax, Olden Times) (1861) og Thoughts of the Future (Thoughts of Liberia, Emancipation) (1861) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 6 værker af Edwin White: her er de 6 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Edwin White
      Edwin White · 1817 – 1877
      Født · død
      1817 – 1877, South Hadley
      Værker i vores katalog
      6
      Mest kendte
      The Antiquary (1855)
      Flest værker hos
      New York Historical Society

      Top 10 Edwin White malerier: lærrederne som alle kender

      Hvor Edwin White's lærreder hænger

      De 3 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Edwin White Malerier fra denne liste
      New York Historical Society, New York CityNew York Historical Society New York City 3 Olden Times (also known as Spinning Flax, Olden Times), Thoughts of the Future (Thoughts of Liberia, Emancipation), Murillo Sketching the Beggar Boy
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Studio Interior, A Room in the Bargello, Florence
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 The Antiquary

      Edwin Whites mest elskede lærred fra hvert årti

      1. 1850s
        The Antiquary (1855) af Edwin White
        1 ud af 6

        The Antiquary

        Alder 33 – 42 · Metropolitan Museum of Art
      2. 1860s
      3. 1870s

      Om Edwin White's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Edwin White?Læs svaret

      The Antiquary (1855), Metropolitan Museum of Art, New York. Olden Times (also known as Spinning Flax, Olden Times) (1861) og Thoughts of the Future (Thoughts of Liberia, Emancipation) (1861) følger efter.

      Hvor gammel var Edwin White, da The Antiquary blev malet?Læs svaret

      Edwin White, født i 1817, var 38 år gammel: The Antiquary er fra 1855.

      Hvor mange værker malede Edwin White i alt?Læs svaret

      6 værker af Edwin White er i vores katalog, dateret fra 1855 til 1872.

      Hvor kan jeg se Edwin Whites mest berømte lærreder?Læs svaret

      Primært i New York Historical Society (New York City), Museum of Fine Arts (Boston) og Metropolitan Museum of Art (New York); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Edwin White de mest elskede lærreder?Læs svaret

      I 1860s, som udgør 3 af de 6 værker på denne side, herunder Olden Times (also known as Spinning Flax, Olden Times).

      Hvilke er Edwin Whites tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er The Antiquary (1855); det seneste er Studio Interior (1872).

      Hvilke lærreder af Edwin White hænger på New York Historical Society?Læs svaret

      New York Historical Society, New York City har 3 af værkerne på denne side, herunder Olden Times (also known as Spinning Flax, Olden Times), Thoughts of the Future (Thoughts of Liberia, Emancipation) og Murillo Sketching the Beggar Boy.

      Kan jeg købe en reproduktion af et lærred af Edwin White?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Edwin White: et liv i maling

      Edwin White (1817–1877): A Pioneer of American Historical Painting

      Edwin White stands as a pivotal figure in the landscape of 19th-century American art, recognized primarily for his masterful depictions of historical narratives and monumental scenes—particularly ‘The Antiquary’ and Washington Resigning His Commission. Born in South Hadley, Massachusetts, in 1817, White embarked on an artistic journey marked by rigorous study abroad and a dedication to anatomical precision that distinguished him from many of his contemporaries. This unwavering commitment to observation and technique cemented his legacy as one of the foremost painters of his era.
      • Early Life & Education: White’s formative years were spent honing his artistic skills under the tutelage of Philip Hewins in Harford, Connecticut. Recognizing the importance of foundational knowledge, he pursued a Bachelor of Arts degree at Amherst College by 1856, demonstrating an intellectual curiosity that extended beyond mere visual representation.
      • European Training: White’s artistic maturation unfolded during extensive travels across Europe—Paris, Düsseldorf, Rome, and Florence—where he absorbed the influences of celebrated masters like François Edouard Picot and Carl Wilhelm Hubner. These formative experiences instilled in him a profound understanding of classical composition and anatomical accuracy, elements that would permeate his subsequent works.
      • National Academy of Design & Anatomical Studies: White’s affiliation with the National Academy of Design in New York City provided invaluable opportunities for artistic refinement and intellectual exploration. He diligently pursued lectures on anatomy, recognizing its crucial role in conveying human form with realism and conviction—a practice that would become a hallmark of his oeuvre.

      Notable Achievements & Artistic Style

      White’s artistic style was characterized by meticulous detail and an unwavering commitment to capturing the essence of historical events. His paintings possessed a solemn grandeur, reflecting the intellectual currents of his time—a fascination with classical ideals and a desire to elevate art as a vehicle for conveying moral truths. The success of ‘The Antiquary,’ which explored themes of erudition and contemplation, established White’s reputation as an artist capable of engaging viewers on both aesthetic and intellectual levels. Equally significant was the monumental ‘Washington Resigning His Commission,’ commissioned by Maryland State Senate—a work that captured a pivotal moment in American history with remarkable precision and emotional resonance. The painting's sale for $6,000 underscored White’s artistic prowess and solidified his position as one of the leading painters of his generation.
      • ‘The Antiquary’: This masterpiece exemplifies White’s stylistic approach—a careful balance between classical composition and nuanced observation of human psychology.
      • ‘Washington Resigning His Commission’: The painting's grandeur and dramatic lighting powerfully conveyed the solemnity of the occasion, securing its place as a cornerstone of American art history.

      Legacy & Influence

      Edwin White’s influence extended beyond his own artistic output; he served as a teacher at the National Academy of Design, nurturing the talents of future generations of artists and shaping the trajectory of American painting. His dedication to anatomical study—a practice uncommon for his time—established him as an innovator who championed scientific rigor alongside artistic expression. Furthermore, White’s depiction of Washington Resigning His Commission served as inspiration for a 5-cent stamp issued in 1920 commemorating the Pilgrim Tercentenary—a testament to the enduring power of his artwork and its resonance within American cultural memory. The unfinished painting of Washington Resigning, bequeathed to Yale University Art Museum, continues to fascinate scholars and artists alike, representing a poignant reminder of White’s artistic ambition and creative vision.

      Further Exploration

      To delve deeper into Edwin White's life and work, consider visiting these resources: