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      Eiler Rasmussen Eilersen, 1827 – 1912

      Eiler Rasmussen Eilersen: De 24 mest kendte malerier

      Af alle Eiler Rasmussen Eilersen's malerier er The church at Horne, Funen. (1855) det mest berømte. Lige efter følger Landscape on Funen at sunset. (1856) og Landskab fra Frijsenborg Dyrehave. Bygevejrsdag (1864). Blandt de 24 værker af Eiler Rasmussen Eilersen i vores katalog er disse 24 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Eiler Rasmussen Eilersen
      Eiler Rasmussen Eilersen · 1827 – 1912
      Født · død
      1827 – 1912, Svanninge Parish
      Værker i vores katalog
      24
      Mest kendte værker
      The church at Horne, Funen. (1855)
      Flest værker i
      Statens Museum for Kunst

      Eiler Rasmussen Eilersens 10 mest fejrede malerier

      Eiler Rasmussen Eilersens malerier rangeret fra 11 til 24

      Hvor Eiler Rasmussen Eilersen's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af Eiler Rasmussen Eilersen Malerier fra denne liste
      Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 1 Landskab fra Frijsenborg Dyrehave. Bygevejrsdag

      Årti for årti: Eiler Rasmussen Eilersens mest fejrede lærred

      1. 1850s
      2. 1860s
      3. 1870s
      4. 1880s
      5. 1890s
      6. 1910s

      Dine spørgsmål om Eiler Rasmussen Eilersens malerier, besvaret

      Hvilket er det mest berømte maleri af Eiler Rasmussen Eilersen?Læs svaret

      The church at Horne, Funen. (1855), efterfulgt af Landscape on Funen at sunset. (1856) og Landskab fra Frijsenborg Dyrehave. Bygevejrsdag (1864).

      Hvor gammel var Eiler Rasmussen Eilersen på tidspunktet for The church at Horne, Funen.?Læs svaret

      Eiler Rasmussen Eilersen, født i 1827, var 28 år gammel: The church at Horne, Funen. er fra 1855.

      Hvilke ti malerier er Eiler Rasmussen Eilersen mest kendt for?Læs svaret

      The church at Horne, Funen., Landscape on Funen at sunset., Landskab fra Frijsenborg Dyrehave. Bygevejrsdag, The manor Svanholm., View from Hellebæk., Mountain Landscape with View of the Sea, Forest lake with low-flying swallows., View from Dyrehaven, near Copenhagen., Forest view with a lake and some game. og Summer landscape at a river at sunset.. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier af Eiler Rasmussen Eilersen er kendt?Læs svaret

      24 værker af Eiler Rasmussen Eilersen er i vores katalog, dateret fra 1855 til 1912.

      Hvilke museer udstiller Eiler Rasmussen Eilersens mest kendte lærreder?Læs svaret

      Primært i Statens Museum for Kunst (København); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Eiler Rasmussen Eilersen sine mest berømte lærreder?Læs svaret

      I 1870s, som udgør 10 af de 24 værker på denne side, herunder View from Dyrehaven, near Copenhagen..

      Hvad er de første og de sidste af Eiler Rasmussen Eilersens berømte lærreder?Læs svaret

      Det tidligste lærred her er The church at Horne, Funen. (1855); det seneste er Landscape from the Pyrenees (1912).

      Kan jeg bestille en håndmalet kopi af et maleri af Eiler Rasmussen Eilersen?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Eiler Rasmussen Eilersen: malerens historie

      A Master of the Danish Landscape

      In the heart of the nineteenth century, a period defined by profound artistic shifts across Europe, there emerged from the quiet landscapes of Denmark a painter of remarkable sensitivity and luminous skill. Eiler Rasmussen Eilersen, born in 1827 in the village of Østerby, possessed an innate affinity for drawing that would eventually blossom into a celebrated career. The son of a local farmer and parish constable, Eilersen’s journey from the rural outskirts of Faaborg to the prestigious halls of the Royal Danish Academy of Fine Arts is a testament to both his raw talent and the vital role of patronage in the lives of nineteenth-century artists. Supported by the philanthropic efforts of the Bille-Brahe family, he was able to transcend his humble beginnings, seeking formal instruction that would eventually allow him to capture the very soul of the Danish countryside.

      His path to mastery, however, was not without its tribulations. The turbulent winds of history, specifically the outbreak of the First Schleswig War, momentarily diverted his brush for the sword, as he was drafted into the Danish army for two years of service. Yet, this interruption only seemed to deepen his connection to the land he would later immortalize on canvas. Upon returning to his studies in Copenhagen, Eilersen approached his craft with a renewed and vigorous determination. He began exhibiting his works under the name Rasmussen, quickly earning the admiration of a public captivated by his ability to breathe life into sylvan scenes and rolling meadows. His technique, characterized by a luminous realism, utilized rich colors and considerate brushwork to illuminate the nuanced beauty of regions ranging from the island of Funen to the dense forests of Northern Zealand.

      Artistic Vision and Global Reach

      Eilersen’s artistry was deeply rooted in the traditions of the Danish Golden Age, yet he infused these established styles with a personal verve that set his work apart. His vision was not confined merely to the borders of his homeland; through the acquisition of a prestigious travel scholarship from the Royal Danish Academy in 1858, he and his wife, Eleanor Vinning, embarked on an odyssey through Paris, the Pyrenees, and Switzerland. These travels expanded his aesthetic vocabulary, allowing him to integrate the grander, more dramatic light of the European continent into his intimate depictions of Danish nature. This period of exploration refined his ability to manipulate light and shadow, creating landscapes that felt both grounded in reality and touched by a poetic, almost ethereal, quality.

      As his reputation grew, so did his presence on the international stage. His membership in the Royal Danish Academy in 1871 marked a significant milestone in his professional ascent, and his participation in grand exhibitions, such as the Exposition Universelle in 1889, brought his talent to the eyes of the global art community. The significance of his work lies in this delicate balance between local devotion and international sophistication. He remained a painter of the Danish landscape at heart, yet his technical prowess and the emotional resonance of his scenes spoke a universal language of beauty.

      The legacy of Eiler Rasmussen Eilersen is found in the enduring charm of his canvases, which continue to evoke the tranquil majesty of a bygone era. His life and work represent a vital chapter in Danish art history, characterized by:

      • Technical Mastery: A sophisticated use of light and color that defines the luminous realism of his landscapes.
      • Cultural Connection: An unwavering dedication to capturing the specific character and atmosphere of the Danish terrain.
      • Historical Resilience: The ability to transform personal and national upheaval into a refined artistic pursuit.
      • Artistic Evolution: A journey from local student to an internationally recognized figure within the European art scene.