Else Hertzer, 1884 – 1978
Else Hertzer: De 1 mest kendte malerier
Af alle Else Hertzer's malerier er Small Harbor near Wittenberg (1935) det mest berømte. Blandt de 1 værker af Else Hertzer i vores katalog er disse 1 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
- Født · død
- 1884 – 1978, Lutherstadt Wittenberg
- Værker i vores katalog
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- Mest kendte
- Small Harbor near Wittenberg (1935)
Else Hertzers 10 mest fejrede malerier
År for år: Else Hertzers mest fejrede lærreder
Et år, 1935, indeholder alle daterede lærreder af Else Hertzer på denne side: her er de, de mest berømte først.
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1935
Lærred 1 af 1Small Harbor near Wittenberg
Dine spørgsmål om Else Hertzers malerier, besvaret
Hvilket er det mest berømte maleri af Else Hertzer?Læs svaret
Small Harbor near Wittenberg (1935)
Hvor gammel var Else Hertzer på tidspunktet for Small Harbor near Wittenberg?Læs svaret
Else Hertzer, født i 1884, var 51 år gammel: Small Harbor near Wittenberg er fra 1935.
Hvor mange malerier af Else Hertzer er kendt?Læs svaret
1 værker af Else Hertzer er i vores katalog.
Else Hertzer: malerens historie
The Artistic Journey of Else Hertzer
Born Else Heintze, this German artist began her creative evolution in the early 20th century. After marrying Otto Hertzer in 1909, she moved to the Tiergarten district of Berlin. Her early artistic explorations took place between 1911 and 1913 in Buttstadt, Thuringia, where she produced several paintings and drypoint etchings. As her career progressed, she joined the Berlin Secession Movement and began formal studies at the Academy of Arts in Berlin. Her pursuit of artistic development led her to Paris, where she took lessons under Andre Lhote in 1929. Her work, which spanned various media, eventually moved toward abstraction in her later years.
Style and Recognition
Hertzer’s body of work is noted for its versatility in thematic and stylistic aspects. Art historians have highlighted her early creative phase, specifically pointing to her powerfully expressionist watercolors from the 1920s. During the Second World War, she received a commission from her hometown to create a series of wall murals depicting the history of Wittenberg for a communal bunker. While her work initially fell into oblivion after her death, a subsequent rediscovery led to a new art-historical reassessment and various exhibitions in locations such as Berlin, Wittenberg, and Füssen.