Af alle Émile Bin's malerier er Jean-Baptiste-Philibert Vaillant, Marshal of France (1853) det mest berømte; det hænger på Opera House i Versailles. Lige efter følger Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin (1869) og Sketch for the Church of Saint-Sulpice: The Death of the Virgin (1869). Blandt de 6 værker af Émile Bin i vores katalog er disse 6 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Émile Bin | Malerier fra denne liste |
|---|---|---|---|
| Paris | 3 | Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin, Sketch for the Church of Saint-Sulpice: The Death of the Virgin, Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling) | |
| Versailles | 1 | Jean-Baptiste-Philibert Vaillant, Marshal of France | |
| Tours | 1 | Perseus Freeing Andromeda |
Jean-Baptiste-Philibert Vaillant, Marshal of France (1853), Opera House, Versailles. Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin (1869) og Sketch for the Church of Saint-Sulpice: The Death of the Virgin (1869) følger efter.
Émile Bin, født i 1825, var 28 år gammel: Jean-Baptiste-Philibert Vaillant, Marshal of France er fra 1853.
6 værker af Émile Bin er i vores katalog, dateret fra 1853 til 1880.
Primært i Petit Palais (Paris), Opera House (Versailles) og Musée Des Beaux (Tours); listen ovenfor nævner hvert museum og dets lærreder.
I 1860s, som udgør 3 af de 6 værker på denne side, herunder Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin.
Det tidligste lærred her er Jean-Baptiste-Philibert Vaillant, Marshal of France (1853); det seneste er Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling) (1880).
Petit Palais, Paris har 3 af værkerne på denne side, herunder Sketch for the Church of Saint-Sulpice: The Assumption of the Virgin, Sketch for the Church of Saint-Sulpice: The Death of the Virgin og Sketch for the Wedding Hall of the Mairie of the 19ème Arrondissement: Allegory of the Arts (ceiling).
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Born in Paris, Émile Bin was a multifaceted artist whose career spanned painting, printmaking, and draftsmanship. He received his initial instruction from his father, Jean-Baptiste François Bin, and later studied under his uncle, Nicolas Gosse. After working with Léon Cogniet, he entered the École des Beaux-arts in 1842. His artistic output was diverse, encompassing portraiture, mythology painting, and watercolor. As a decorative painter, he contributed to the interiors of various locations, including the Hôtel du Louvre, the Church of Saint-Sulpice, and the National Museum of Natural History. His skill in decorative arts was recognized at the International Exposition in 1867, where his collaboration on the Egyptian Pavilion earned him the Order of the Medjidie.
Beyond the studio, Bin was a staunch Republican and a man of deep political conviction. He fought on the barricades in 1848 and 1851 and famously refused to paint a portrait of Napoleon III for the Town Hall of Montmartre. His political involvement extended to serving as the Mayor of the Eighteenth Arrondissement in 1883. In 1878, he was named a Knight of the Légion d'honneur, and he later became a founder of the Société des Artistes Français. His pedagogical influence was significant, as he taught several notable students, including:
Bin passed away in Marly-la-Ville.