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      Eric Ravilious, 1903 – 1942

      Eric Ravilious: De 9 mest kendte malerier

      Af alle Eric Ravilious's malerier er Paddle steamer Britannie - Bristol Quay (1938) det mest berømte. Lige efter følger De-Icing Aircraft (1942) og Coastal defences (1940). Blandt de 9 værker af Eric Ravilious i vores katalog er disse 9 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Eric Ravilious
      Eric Ravilious · 1903 – 1942
      Født · død
      1903 – 1942, London
      Bevægelse
      Magic realism
      Værker i vores katalog
      9
      Mest kendte
      Paddle steamer Britannie - Bristol Quay (1938)
      Flest værker hos
      Imperial War Museums

      Eric Raviliouss 10 mest fejrede malerier

      Paddle steamer Britannie - Bristol Quay (1938) af Eric Ravilious
      1

      Paddle steamer Britannie - Bristol Quay

      1938 · Watercolor

      In this watercolor, titled Paddle steamer Britannie - Bristol Quay, we encounter a quiet moment from 1938. The artist, Eric Ravilious, captures the paddle steamer 'Britannia' as it rests docked at Bristol Quay. It is a work that reflects the artist's specific way of seeing the English landscape and its industrial elements during the interwar period.

      Håndmalet oliereproduktion fra $178 35 × 29 cm
      De-Icing Aircraft (1942) af Eric Ravilious
      2

      De-Icing Aircraft

      1942 · Acrylic On Canvas · Imperial War Museums, London

      De-icing Aircraft – A Study in Texture and Isolation Eric Ravilious’s “De-icing Aircraft” (1942) isn't merely a depiction of a snowy airfield; it’s a masterful distillation of the anxieties and aspirations inherent in wartime Britain. Painted during Ravilious’s stint at RAF Clifton near York – a location chosen partly for its stark, wintry landscapes – this watercolour transcends simple observation to become a poignant meditation on resilience and the precarious…

      Håndmalet oliereproduktion fra $203 37 × 27 cm Samme størrelse som originalen $260 62 × 46 cm Bestil i original størrelse →
      Coastal defences (1940) af Eric Ravilious
      3

      Coastal defences

      1940 · Watercolor · Te Papa, Wellington

      Eric Ravilious’s Coastal defences, painted in 1940, transports the viewer directly to a moment of profound national tension. This is not merely a depiction of stone and sea; it is an artifact imbued with the palpable anxiety and stoic resilience of Britain during the shadow of invasion. The scene centers on a hillside fortification, its geometry starkly contrasted against the organic sweep of the English landscape. Ravilious masterfully captures the…

      Håndmalet oliereproduktion fra $178 36 × 28 cm
      RNAS Sick Bay, Dundee (1941) af Eric Ravilious
      8

      RNAS Sick Bay, Dundee

      1941 · Watercolor · Imperial War Museums, London

      A Moment Frozen in Time: Ravilious’s Reflection of Resilience Eric William Ravilious (1903-1942), a British painter whose distinctive style blended modernist principles with an unwavering fascination for English landscape and traditional art forms, captured the essence of wartime Britain in “RNAS Sick Bay, Dundee,” completed in 1941. This watercolor isn’t merely a depiction of a hospital room; it's a carefully orchestrated tableau that speaks volumes about hope amidst adversity—a testament…

      Håndmalet oliereproduktion fra $178 33 × 30 cm Samme størrelse som originalen $227 54 × 48 cm Bestil i original størrelse →

      Hvor Eric Ravilious's lærreder hænger

      De 4 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Eric Ravilious Malerier fra denne liste
      Imperial War Museums, LondonImperial War Museums London 2 De-Icing Aircraft, RNAS Sick Bay, Dundee
      Te Papa, WellingtonTe Papa Wellington 1 Coastal defences
      Tate Britain, LondonTate Britain London 1 Submarines in Dry Dock
      Tate Modern, LondonTate Modern London 1 Tiger Moth

      Årti for årti: Eric Raviliouss mest fejrede lærred

      1. 1920s
      2. 1930s
        Paddle steamer Britannie - Bristol Quay (1938) af Eric Ravilious
        Rangeret som nr. 1 ud af 9

        Paddle steamer Britannie - Bristol Quay

        Alder 27 – 36

        In this watercolor, titled Paddle steamer Britannie - Bristol Quay, we encounter a quiet moment from 1938. The artist, Eric Ravilious, captures the paddle steamer 'Britannia' as it…

      3. 1940s
        De-Icing Aircraft (1942) af Eric Ravilious
        Lærred 2 af 9

        De-Icing Aircraft

        Alder 37 – 39 · Imperial War Museums

        De-icing Aircraft – A Study in Texture and Isolation Eric Ravilious’s “De-icing Aircraft” (1942) isn't merely a depiction of a snowy airfield; it’s a masterful distillation of the…

      Dine spørgsmål om Eric Raviliouss malerier, besvaret

      Hvilket er det mest berømte maleri af Eric Ravilious?Læs svaret

      Paddle steamer Britannie - Bristol Quay (1938), efterfulgt af De-Icing Aircraft (1942) og Coastal defences (1940).

      Hvor gammel var Eric Ravilious på tidspunktet for Paddle steamer Britannie - Bristol Quay?Læs svaret

      Eric Ravilious, født i 1903, var 35 år gammel: Paddle steamer Britannie - Bristol Quay er fra 1938.

      Hvor mange malerier af Eric Ravilious er kendt?Læs svaret

      9 værker af Eric Ravilious er i vores katalog, dateret fra 1925 til 1942.

      Hvilke museer udstiller Eric Raviliouss mest kendte lærreder?Læs svaret

      Primært i Imperial War Museums (London), Te Papa (Wellington) og Tate Britain (London); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Eric Ravilious sine mest berømte lærreder?Læs svaret

      I 1940s, som udgør 7 af de 9 værker på denne side, herunder De-Icing Aircraft.

      Hvad er de første og de sidste af Eric Raviliouss berømte lærreder?Læs svaret

      Det tidligste lærred her er May, woodcut of the Long Man of Wilmington (1925); det seneste er De-Icing Aircraft (1942).

      Hvad malede Eric Ravilious normalt med?Læs svaret

      Watercolor, anvendt i 3 af de 9 værker på denne side.

      Hvilken kunstretning tilhører Eric Ravilious?Læs svaret

      Magic realism, som lærrederne på denne side viser.

      Hvad kan jeg se af Eric Ravilious på Imperial War Museums?Læs svaret

      Imperial War Museums, London har 2 af værkerne på denne side, herunder De-Icing Aircraft og RNAS Sick Bay, Dundee.

      Kan jeg bestille en håndmalet kopi af et maleri af Eric Ravilious?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Eric Ravilious: malerens historie

      A Vision of England: The Life and Art of Eric Ravilious

      Eric Ravilious, born in 1903 in Eastbourne, Sussex, was an artist whose work became inextricably linked with a romanticized yet deeply felt vision of interwar Britain. His life, though tragically cut short, produced a body of paintings, watercolors, wood engravings and designs that continue to resonate today as powerful evocations of landscape, place, and the English temperament. Ravilious wasn’t a product of formal artistic lineage; his early training was at Eastbourne School of Art followed by the Royal College of Art in London, where he studied under Paul Nash and K.R. Henderson. This period proved pivotal, exposing him to both the modernist currents sweeping Europe and the enduring traditions of British landscape painting. However, Ravilious quickly forged his own path, rejecting outright abstraction for a style that was uniquely personal – a blend of meticulous observation, subtle color palettes, and a quiet, almost melancholic lyricism. He wasn’t interested in grand statements or dramatic compositions; instead, he found beauty in the everyday, the overlooked corners of the English countryside, the functional elegance of industrial architecture, and the intimate details of domestic life.

      From Modernism to National Identity

      Ravilious's early work demonstrated a clear engagement with modernist principles, particularly Cubism and Futurism. He experimented with fractured forms and dynamic perspectives, but these explorations were always tempered by his inherent love for representational imagery. A turning point came in the 1930s when he became associated with the Unit One group, alongside artists like Nash, Henry Moore, and Barbara Hepworth. This association further solidified his position within the avant-garde, yet it also prompted a shift towards more explicitly British subject matter. He began to travel extensively throughout England, documenting its landscapes, buildings, and people with an almost archaeological precision. His paintings of chalk hills, coastal towns, and rural interiors are not merely depictions; they are imbued with a sense of history, memory, and the weight of tradition. This period saw him develop his signature style – smooth, precise watercolor washes, often combined with delicate pen and ink detailing. He wasn’t simply painting what he *saw*, but rather what he *felt* about England, its past glories and present anxieties. The looming threat of war subtly permeated his work, adding a layer of poignancy to his idyllic scenes.

      War Artist and Lasting Legacy

      With the outbreak of World War II, Ravilious was commissioned as an official war artist in 1939. Unlike many artists who focused on dramatic battle scenes, Ravilious’s wartime work remained true to his artistic sensibilities. He documented naval operations, aircraft production, and life on military bases with a quiet dignity and understated realism. His paintings of submarines interiors, for example, are remarkable for their claustrophobic intensity and the meticulous rendering of machinery and equipment. However, it was while stationed in Iceland, documenting meteorological work, that tragedy struck. In September 1942, his plane crashed in the North Atlantic, and Ravilious perished at the age of only 39. His death cut short a career that had barely begun to reach its full potential. Despite his premature demise, Ravilious left behind a substantial body of work that has continued to grow in recognition and appreciation since his death.

      Influences and Artistic Techniques

      Ravilious’s artistic influences were diverse, ranging from the early watercolorists like J.M.W. Turner and Samuel Palmer to the modernist painters Paul Nash and Edward Bawde. He admired the precision of Pieter Bruegel the Elder and the Japanese woodblock prints he encountered at the British Museum. However, he synthesized these influences into a style that was uniquely his own. His technique involved a meticulous process of observation, sketching, and watercolor washes. He often worked *en plein air*, capturing the light and atmosphere of a scene before refining it in the studio.
      • Watercolor Mastery: Ravilious’s watercolors are characterized by their smooth, translucent washes and delicate color palettes. He built up layers of color gradually, creating a sense of depth and luminosity.
      • Pen and Ink Detailing: He often combined his watercolors with precise pen and ink detailing, adding texture and definition to his compositions.
      • Wood Engraving: Ravilious was also a skilled wood engraver, producing numerous prints that shared the same aesthetic qualities as his paintings – meticulous observation, subtle color palettes, and a quiet lyricism.
      • Design Work: Beyond painting, Ravilious worked extensively in design, creating ceramics for Wedgwood, wallpaper patterns, and book illustrations. This diverse output demonstrates his versatility and commitment to integrating art into everyday life.

      Historical Significance and Enduring Appeal

      Eric Ravilious’s work occupies a unique place in British art history. He captured the spirit of interwar England at a time of profound social and political change, offering a vision that was both romanticized and deeply realistic. His paintings are not simply nostalgic depictions of a bygone era; they are imbued with a sense of melancholy, anxiety, and the weight of tradition. His work speaks to a longing for stability and continuity in a world increasingly fractured by conflict and uncertainty. In recent years, there has been a renewed appreciation for Ravilious’s art, fueled by a growing interest in British landscape painting and the rediscovery of overlooked artists. His paintings are now widely exhibited and collected, and his designs continue to inspire contemporary artists and designers. He remains a powerful symbol of English identity, reminding us of the beauty and fragility of our cultural heritage. The enduring appeal of Ravilious’s work lies in its quiet intimacy, its meticulous observation, and its profound sense of place – qualities that resonate deeply with audiences today.