Along the River Front, New York (1912) er det maleri, som Everett Warner er bedst kendt for; det befinder sig på Toledo Museum of Art, Toledo. "Manhattan Contrasts," New York City (1917) og Falling Snow, New York (1920) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 5 værker af Everett Warner. Her er de 4 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Everett Warner | Malerier fra denne liste |
|---|---|---|---|
| Washington, D.C. | 2 | Falling Snow, New York, Bridge at Bristol, New Hampshire | |
| Toledo | 1 | Along the River Front, New York | |
| New York City | 1 | "Manhattan Contrasts," New York City |
Along the River Front, New York (1912), Toledo Museum of Art, Toledo. "Manhattan Contrasts," New York City (1917) og Falling Snow, New York (1920) følger efter.
Everett Warner, født i 1877, var 35 år gammel: Along the River Front, New York er fra 1912.
5 værker af Everett Warner er i vores katalog, dateret fra 1912 til 1931.
Primært i Smithsonian American Art Museum (Washington, D.C.), Toledo Museum of Art (Toledo) og New York Historical Society (New York City); listen ovenfor nævner hvert museum og dets lærreder.
I 1910s, som udgør 2 af de 4 værker på denne side, herunder Along the River Front, New York.
Det tidligste lærred her er Along the River Front, New York (1912); det seneste er Bridge at Bristol, New Hampshire (1931).
Smithsonian American Art Museum, Washington, D.C. har 2 af værkerne på denne side, herunder Falling Snow, New York og Bridge at Bristol, New Hampshire.
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.