Det mest elskede maleri af Francis Devlan er End of the Day (1857), som hænger på Reading Public Museum i Reading. Study in Rocks (1861) og Gibraltar Furnace - Seyfert's Mill (1868) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 15 værker af Francis Devlan: her er de 15 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Francis Devlan | Malerier fra denne liste |
|---|---|---|---|
| Reading | 15 | End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill |
12 år ved staffeliet, fra 1857 til 1868: Francis Devlans mest elskede lærreder, år for år.
End of the Day (1857), Reading Public Museum, Reading. Study in Rocks (1861) og Gibraltar Furnace - Seyfert's Mill (1868) følger efter.
Francis Devlan, født i 1835, var 22 år gammel: End of the Day er fra 1857.
End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill, Seyfert's Forge, Gibraltar, Summer, Landscape Study - Autumnal, Landscape Study, Landscape, Cattle (White Bull) og Cows in Pasture. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
15 værker af Francis Devlan er i vores katalog, dateret fra 1857 til 1868.
Primært i Reading Public Museum (Reading); listen ovenfor nævner hvert museum og dets lærreder.
I 1864, som udgør 3 af de 15 værker på denne side, herunder Landscape Study - Autumnal.
Det tidligste lærred her er End of the Day (1857); det seneste er Gibraltar Furnace - Seyfert's Mill (1868).
Reading Public Museum, Reading har 15 af værkerne på denne side, herunder End of the Day, Study in Rocks og Gibraltar Furnace - Seyfert's Mill.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Francis Devlan was an American painter who lived a relatively brief life, passing away in 1870. His work focused heavily on the natural world, capturing the quiet details of the land and the animals that inhabited it. Though his time was short, his presence in the mid-19th century art scene is felt through the surviving pieces that remain in public collections.
His hands were often busy with oil on canvas, a medium that allowed him to build texture and depth in his depictions of the earth. He had a particular interest in the ruggedness of the terrain, as seen in his 1855 work, a rocky landscape. This piece shows an early interest in the structural elements of nature, focusing on the physical presence of stone and earth.
Devlan’s brushwork often turned toward the living creatures that moved through these landscapes. He had a way of grounding his scenes with a sense of stillness. One of his notable subjects was a white bull, a piece titled Cattle (White Bull), which is held in the collection of the Reading Public Museum. This work, alongside his other landscape paintings, remains a part of the legacy associated with his style of painting.
His compositions often included:
His paintings are held in places like the Reading Public Museum, where they offer a glimpse into the visual language of the 1860s. These works provide a window into how the American landscape was perceived during his lifetime, focusing on the tangible reality of the environment rather than the abstract.