1
The Mill Valley, Karekare Bay
Hand-painted oil reproduction from $178 40 × 25 cm
Same size as the original $450 126 × 80 cm Order at original size →
Frank Wright, 1860 – 1923
Frank Wrights 5 mest berømte malerier
The Mill Valley, Karekare Bay (1899) er det maleri, som Frank Wright er bedst kendt for; det befinder sig på Auckland Art Gallery Toi o Tāmaki, Auckland. The Close of day (1909) og Morning after rain (1912) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 5 værker af Frank Wright. Her er de 5 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
- Født · død
- 1860 – 1923, Nottingham
- Værker i vores katalog
- 5
- Mest kendte
- The Mill Valley, Karekare Bay (1899)
- Flest værker hos
- Auckland Art Gallery Toi o Tāmaki
De ti mest elskede malerier af Frank Wright
2
The Close of day
Hand-painted oil reproduction from $178 42 × 24 cm
Same size as the original $805 194 × 113 cm Order at original size →
3
Morning after rain
Hand-painted oil reproduction from $178 39 × 25 cm
Same size as the original $314 91 × 60 cm Order at original size →
4
The Last Gleam
Hand-painted oil reproduction from $178 39 × 25 cm
Same size as the original $319 92 × 61 cm Order at original size →
Hvor Frank Wright's lærreder hænger
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Frank Wright | Malerier fra denne liste |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
Frank Wrights mest berømte lærred, årti efter årti
-
1890s
1 ud af 5The Mill Valley, Karekare Bay
-
1900s
Rangeret som nr. 2 ud af 5The Close of day
-
1910s
3 ud af 5
Morning after rain
Frank Wrights lærreder, spørgsmål for spørgsmål
Hvilket lærred er Frank Wright mest kendt for?Læs svaret
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. The Close of day (1909) og Morning after rain (1912) følger efter.
The Mill Valley, Karekare Bay: hvor gammel var Frank Wright, da det blev malet?Læs svaret
Frank Wright, født i 1860, var 39 år gammel: The Mill Valley, Karekare Bay er fra 1899.
Hvor mange malerier har Frank Wright skabt?Læs svaret
5 værker af Frank Wright er i vores katalog, dateret fra 1899 til 1912.
Hvor hænger Frank Wrights mest berømte lærreder i dag?Læs svaret
Primært i Auckland Art Gallery Toi o Tāmaki (Auckland) og Te Whare O Rehua Sarjeant Gallery; listen ovenfor nævner hvert museum og dets lærreder.
Hvornår malede Frank Wright sine mest berømte lærreder?Læs svaret
I 1910s, som udgør 2 af de 5 værker på denne side, herunder Morning after rain.
Hvilket berømt lærred af Frank Wright kom først, og hvilket kom sidst?Læs svaret
Det tidligste lærred her er The Mill Valley, Karekare Bay (1899); det seneste er Morning after rain (1912).
Hvilke malerier af Frank Wright er i Auckland Art Gallery Toi o Tāmakis samling?Læs svaret
Auckland Art Gallery Toi o Tāmaki, Auckland har 4 af værkerne på denne side, herunder The Mill Valley, Karekare Bay, The Close of day og Morning after rain.
Hvor kan jeg købe en reproduktion af et maleri af Frank Wright?Læs svaret
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Mød maleren: Frank Wright
The Auckland Legacy
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Technical Focus and Subject Matter
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
- Oil on canvas works depicting Maori villages and figures, such as his 1901 piece of the Tamaki Estuary.
- Watercolour studies of coastal scenes, including views of Whangarei Harbour.
- Collaborative recognition through joint exhibitions alongside his brother, Walter Wright.
Historical Standing
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.