Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Fred Roe, 1864 – 1947

      Fred Roes 24 mest berømte malerier

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) er det maleri, som Fred Roe er bedst kendt for. The Passing of John Sargent (1947) og May the Eighth fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 24 værker af Fred Roe. Her er de 24 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Fred Roe
      Fred Roe · 1864 – 1947
      Født · død
      1864 – 1947, Cambridge
      Værker i vores katalog
      24
      Mest kendte
      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915)
      Flest værker hos
      Guildhall Art Gallery

      De ti mest elskede malerier af Fred Roe

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) af Fred Roe
      1

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front

      1915 · Oil

      The darkness of the Western Front presses in from all sides, heavy and absolute, yet a small circle of light holds the night at bay. Around a central campfire, soldiers gather, their forms etched against the gloom by the flickering orange glow of the flames. Some men sit on the earth, their bodies slumped in exhaustion, while others stand, perhaps watching the embers or lost in thought. The fire acts…

      Håndmalet oliereproduktion fra $178 27 × 37 cm Samme størrelse som originalen $711 108 × 173 cm Bestil i original størrelse →
      The Passing of John Sargent (1947) af Fred Roe
      2

      The Passing of John Sargent

      1947 · Oil On Canvas · Guildhall Art Gallery, London

      The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the quietude of a grand cathedral. Fred Roe, the artist behind this large-scale work, directs our gaze toward a gathering of clergymen and dignitaries. They stand assembled around an altar, their presence filling the space with a sense of formal ritual and heavy…

      Håndmalet oliereproduktion fra $453 40 × 25 cm Samme størrelse som originalen $935 163 × 104 cm Bestil i original størrelse →
      May the Eighth af Fred Roe
      3

      May the Eighth

      Oil

      In this oil painting, titled May the Eighth, Fred Roe captures a moment of profound historical weight. Created about 1915, the work belongs to the artist's significant period of engagement with the realities of the Great War. It is a piece that reflects the gravity of the era through its specific focus on military movement and the human cost of conflict.

      Håndmalet oliereproduktion fra $178 37 × 27 cm Samme størrelse som originalen $447 116 × 85 cm Bestil i original størrelse →

      Fred Roe: lærreder fra 11 til 24 på ranglisten

      S. O. S (1929) af Fred Roe
      #17

      S. O. S

      1929 · Grundy Art Gallery

      The painting "S. O. S" by Fred Roe is a remarkable piece of art that showcases the artist's skill and attention to detail. Created in 1929, this oil…

      Bestil dette lærred fra $178 →

      Hvad Fred Roe har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Fred Roe's lærreder hænger

      De 7 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Fred Roe Malerier fra denne liste
      Guildhall Art Gallery, LondonGuildhall Art Gallery London 2 The Passing of John Sargent, Recruiting in the Guildhall, London, by Sir Charles Wakefield
      Victoria Art Gallery, BathVictoria Art Gallery Bath 1 Nelson Leaving Portsmouth for the 'Victory', 1805
      Shakespeare Birthplace Trust, AvonShakespeare Birthplace Trust Avon 1 Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire
      Wycombe District Council Offices, High WycombeWycombe District Council Offices High Wycombe 1 West Wycombe, Buckinghamshire
      Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 1 The Toast is England
      Grundy Art Gallery, BlackpoolGrundy Art Gallery Blackpool 1 S. O. S
      Doncaster Museum And Art Gallery, DoncasterDoncaster Museum And Art Gallery Doncaster 1 The News, Chelsea Pensioners

      Fred Roes mest berømte lærred, årti efter årti

      1. 1890s
      2. 1900s
      3. 1910s
      4. 1920s
      5. 1930s
      6. 1940s
        The Passing of John Sargent (1947) af Fred Roe
        2 ud af 24

        The Passing of John Sargent

        Alder 76 – 83 · Guildhall Art Gallery

        The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the…

      Fred Roes lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Fred Roe mest kendt for?Læs svaret

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915), efterfulgt af The Passing of John Sargent (1947) og May the Eighth.

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front: hvor gammel var Fred Roe, da det blev malet?Læs svaret

      Fred Roe, født i 1864, var 51 år gammel: Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front er fra 1915.

      Hvad er Fred Roes ti mest berømte lærreder?Læs svaret

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, The Passing of John Sargent, May the Eighth, Nelson Leaving Portsmouth for the 'Victory', 1805, The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London, Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire, West Wycombe, Buckinghamshire, The Toast is England, The Return of the Hero (Lord Nelson) og Nathaniel Louis Cohen. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Fred Roe skabt?Læs svaret

      24 værker af Fred Roe er i vores katalog, dateret fra 1890 til 1947.

      Hvor hænger Fred Roes mest berømte lærreder i dag?Læs svaret

      Primært i Guildhall Art Gallery (London), Victoria Art Gallery (Bath) og Shakespeare Birthplace Trust (Avon); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Fred Roe sine mest berømte lærreder?Læs svaret

      I 1920s, som udgør 5 af de 24 værker på denne side, herunder Recruiting in the Guildhall, London, by Sir Charles Wakefield.

      Hvilket berømt lærred af Fred Roe kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Nelson Leaving Portsmouth for the 'Victory', 1805 (1890); det seneste er The Passing of John Sargent (1947).

      Hvilket medie optræder hyppigst i Fred Roe's malerier?Læs svaret

      Oil, anvendt i 2 af de 24 værker på denne side.

      Hvilke malerier af Fred Roe er i Guildhall Art Gallerys samling?Læs svaret

      Guildhall Art Gallery, London har 2 af værkerne på denne side, herunder The Passing of John Sargent og Recruiting in the Guildhall, London, by Sir Charles Wakefield.

      Hvor kan jeg købe en reproduktion af et maleri af Fred Roe?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Fred Roe

      The Visionary Brush of Fred Roe

      To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

      The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

      From London Studios to the American Frontier

      A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

      This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

      A Legacy of Detail and Discovery

      Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

      As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

      • Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.
      • Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.
      • Cultural Documentation: His role as a visual historian for both the English past and the American frontier.
      • Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

      Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.