Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Frederic Yates, 1854 – 1919

      De 16 mest berømte Frederic Yates-malerier, rangeret

      Det mest elskede maleri af Frederic Yates er Charlotte Mason (1842–1923) (1902). Path on Nab Scar (1900) og At Dent, August 1904 (1904) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 16 værker af Frederic Yates: her er de 16 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Frederic Yates
      Frederic Yates · 1854 – 1919
      Født · død
      1854 – 1919, Southampton
      Værker i vores katalog
      16
      Mest kendte
      Charlotte Mason (1842–1923) (1902)
      Flest værker hos
      Abbot Hall Art Gallery

      Top 10 Frederic Yates malerier: lærrederne som alle kender

      Charlotte Mason (1842–1923) (1902) af Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Håndmalet oliereproduktion fra $178 27 × 37 cm Samme størrelse som originalen $211 40 × 52 cm Bestil i original størrelse →

      Flere lærreder af Frederic Yates, fra 11 til 16

      Hvor Frederic Yates's lærreder hænger

      De 5 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Frederic Yates Malerier fra denne liste
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

      Frederic Yatess mest elskede lærreder, år for år

      15 år ved staffeliet, fra 1900 til 1914: Frederic Yatess mest elskede lærreder, år for år.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) af Frederic Yates
        16 ud af 16

        Girl with a Pigeon

        Alder 47 · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) af Frederic Yates
        Lærred 1 af 16

        Charlotte Mason (1842–1923)

        Alder 48

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914

      Om Frederic Yates's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Frederic Yates?Læs svaret

      Charlotte Mason (1842–1923) (1902), efterfulgt af Path on Nab Scar (1900) og At Dent, August 1904 (1904).

      Hvor gammel var Frederic Yates, da Charlotte Mason (1842–1923) blev malet?Læs svaret

      Frederic Yates, født i 1854, var 48 år gammel: Charlotte Mason (1842–1923) er fra 1902.

      Hvad er de 10 mest berømte malerier af Frederic Yates?Læs svaret

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard og John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange værker malede Frederic Yates i alt?Læs svaret

      16 værker af Frederic Yates er i vores katalog, dateret fra 1900 til 1914.

      Hvor kan jeg se Frederic Yatess mest berømte lærreder?Læs svaret

      Primært i Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) og Cumbria Archive And Local Studies Centre (Barrow-in-Furness); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Frederic Yates de mest elskede lærreder?Læs svaret

      I 1904, som udgør 2 af de 16 værker på denne side, herunder At Dent, August 1904.

      Hvilke er Frederic Yatess tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er Path on Nab Scar (1900); det seneste er Rydal Water (1914).

      Hvilke lærreder af Frederic Yates hænger på Abbot Hall Art Gallery?Læs svaret

      Abbot Hall Art Gallery, Kendal har 5 af værkerne på denne side, herunder Path on Nab Scar, Rydal Valley og View near Rydal.

      Kan jeg købe en reproduktion af et lærred af Frederic Yates?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Frederic Yates: et liv i maling

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.