Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Hendrik Scheffer, 1798 – 1862

      De 36 mest berømte Hendrik Scheffer-malerier, rangeret

      Det mest elskede maleri af Hendrik Scheffer er Portrait of Saint-Amand Bazard (1821), som hænger på Musée de la Vie Romantique i Paris. The First Child (1818) og Portrait of Adélaïde Rousseau-Scheffer (1830) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 36 værker af Hendrik Scheffer: her er de 36 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Hendrik Scheffer
      Hendrik Scheffer · 1798 – 1862
      Født · død
      1798 – 1862, The Hague
      Værker i vores katalog
      36
      Mest kendte
      Portrait of Saint-Amand Bazard (1821)
      Flest værker hos
      Musée de la Vie Romantique

      Top 10 Hendrik Scheffer malerier: lærrederne som alle kender

      Flere lærreder af Hendrik Scheffer, fra 11 til 36

      Hvor Hendrik Scheffer's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Hendrik Scheffer Malerier fra denne liste
      Musée de la Vie Romantique, ParisMusée de la Vie Romantique Paris 10 Portrait of Saint-Amand Bazard, Portrait of Adélaïde Rousseau-Scheffer, Portrait of Cornélia Scheffer-Lamme
      Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 4 Portrait of Ms. Nepomucène Lemercier, from the feet up, The Admonition, Portrait of Arnoldus Lamme (1771-1865)
      Carnavalet Museum, ParisCarnavalet Museum Paris 2 Portrait of a Man, Portrait of Armand Carrel
      Galerie des Batailles, VersaillesGalerie des Batailles Versailles 2 ENTREE DE JEANNE D'ARC A ORLEANS. 8 MAI 1429, BATAILLE DE CASSEL.23 AOUT 1328
      Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The First Child
      Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Study for a Battle Scene
      Opera House, VersaillesOpera House Versailles 1 Louis-Joseph, Duke of Vendôme, Marshal of France
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 Charles Dickens (1812-1870)

      Hendrik Scheffers mest elskede lærred fra hvert årti

      1. 1810s
        The First Child (1818) af Hendrik Scheffer
        Lærred 2 af 36

        The First Child

        Alder 12 – 21 · Museum Boijmans Van Beuningen
      2. 1820s
      3. 1830s
      4. 1840s
      5. 1850s
      6. 1860s

      Om Hendrik Scheffer's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Hendrik Scheffer?Læs svaret

      Portrait of Saint-Amand Bazard (1821), Musée de la Vie Romantique, Paris. The First Child (1818) og Portrait of Adélaïde Rousseau-Scheffer (1830) følger efter.

      Hvor gammel var Hendrik Scheffer, da Portrait of Saint-Amand Bazard blev malet?Læs svaret

      Hendrik Scheffer, født i 1798, var 23 år gammel: Portrait of Saint-Amand Bazard er fra 1821.

      Hvad er de 10 mest berømte malerier af Hendrik Scheffer?Læs svaret

      Portrait of Saint-Amand Bazard, The First Child, Portrait of Adélaïde Rousseau-Scheffer, Study for a Battle Scene, Don Juan asleep on Haidée's lap, Portrait of a Man, Portrait of Cornélia Scheffer-Lamme, Louis-Joseph, Duke of Vendôme, Marshal of France, Presumed Portrait of Jeanne Scheffer og Presumed Portrait of Ary-Arnold Scheffer. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange værker malede Hendrik Scheffer i alt?Læs svaret

      36 værker af Hendrik Scheffer er i vores katalog, dateret fra 1818 til 1860.

      Hvor kan jeg se Hendrik Scheffers mest berømte lærreder?Læs svaret

      Primært i Musée de la Vie Romantique (Paris), Dordrechts Museum (Dordrecht) og Carnavalet Museum (Paris); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Hendrik Scheffer de mest elskede lærreder?Læs svaret

      I 1830s, som udgør 7 af de 36 værker på denne side, herunder Portrait of Adélaïde Rousseau-Scheffer.

      Hvilke er Hendrik Scheffers tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er The First Child (1818); det seneste er Young Woman in Prayer (1860).

      Hvilke lærreder af Hendrik Scheffer hænger på Musée de la Vie Romantique?Læs svaret

      Musée de la Vie Romantique, Paris har 10 af værkerne på denne side, herunder Portrait of Saint-Amand Bazard, Portrait of Adélaïde Rousseau-Scheffer og Portrait of Cornélia Scheffer-Lamme.

      Kan jeg købe en reproduktion af et lærred af Hendrik Scheffer?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Hendrik Scheffer: et liv i maling

      The Soul of Romanticism: The Life and Legacy of Henry Scheffer

      In the vibrant, turbulent landscape of nineteenth-century European art, few figures embody the transition from the fervent idealism of Romanticism to the burgeoning clarity of modern vision as gracefully as Henry Scheffer. Born Hendrik Scheffer in The Hague in 1798, this Dutch master spent much of his life in France, where he became known as Henri Scheffer. His journey was one of profound connection, not only to the shifting tides of art history but to a lineage of creative brilliance. As the younger brother of the celebrated painter Ary Scheffer and the grandson of Arie Lamme, Henry was immersed in an environment where the brush and canvas were the primary languages of expression. This familial heritage provided him with more than just technical foundations; it instilled a deep-seated understanding of compositional balance and the psychological weight that a single stroke can carry.

      Scheffer’s artistic formation was marked by rigorous academic discipline, beginning at the Academy for Industrial Design in Eindhoven and progressing to the prestigious “Vrije Academie” Art College in The Hague. Under the mentorship of Pierre-Narcisse Guérin, a teacher renowned for championing expressive painting, Scheffer learned to navigate the delicate interplay between structure and emotion. This training allowed him to master the dramatic aesthetic that would define his career—a style characterized by intense emotionality, vivid color palettes, and dynamic brushwork. His work often sought to capture the very essence of a moment, whether through the monumental scale of historical narratives or the quiet, introspective depths of a portrait.

      A Master of Drama and Introspection

      The oeuvre of Henry Scheffer is a testament to his ability to breathe life into both the grand stage of history and the intimate corners of the human psyche. He was particularly adept at depicting biblical narratives and historical milestones, using chiaroscuro to create a sense of theatrical tension. His masterpiece, “The Arrest of Charlotte Corday,” remains one of his most arresting achievements. In this work, the chaotic energy of the French Revolution is palpable; through a masterful use of impasto technique, Scheffer captures the frantic movement and the heavy atmosphere of a pivotal historical tragedy. This ability to render history not merely as a record of events, but as a visceral experience, cemented his reputation among the luminaries of his era.

      Yet, beyond the sweeping drama of his historical canvases, Scheffer possessed a remarkable sensitivity for portraiture and genre painting. In works such as “Portrait de Jeune Homme,” the viewer is invited into a state of profound contemplation. Here, the artist moves away from the external chaos of revolution to explore the internal landscape of the subject. The soft, diffused light that caresses the sitter’s features suggests a moment suspended in time, where thought becomes as tangible as the dust motes dancing in a sunbeam. Through his portraits, Scheffer demonstrated that greatness could be found in the subtle gradations of shadow and the quiet dignity of a single, searching gaze.

      Historical Significance and Artistic Transition

      While his work was celebrated by many, Scheffer’s career also navigated the sharp critiques of contemporary literary giants like Charles Baudelaire and Théophile Gautier. This tension between traditional Romanticism and the emerging modern sensibilities reflects the very era in which he lived. He stood at a crossroads, bridging the gap between the grand, emotive traditions of the past and the nascent explorations of what would eventually become Impressionism. His technical brilliance—seen in his ability to manipulate light and texture—provided a foundation upon which future generations could build.

      The enduring legacy of Henry Scheffer is found in his versatility and his commitment to the emotional truth of his subjects. His contributions to the art world include:

      • Technical Innovation: The masterful use of impasto and chiaroscuro to evoke atmosphere and movement.
      • Historical Preservation: Capturing the spirit of the French Revolution and significant historical figures like the Marquis de Lafayette.
      • Psychological Depth: Elevating portraiture from mere likeness to a study of human introspection and intellect.
      • Artistic Lineage: Serving as a pivotal link in the evolution of European painting, connecting the academic traditions of Guérin to the modern era.

      Though he passed away in Paris in 1862, Scheffer’s influence remains etched in the canvases that continue to captivate audiences. He remains a painter of transitions, an artist who could command the roar of a battlefield and the silence of a library with equal, breathtaking mastery.