Det mest elskede maleri af Henrik Plötz er Charles Bonnet, Swizz Naturalist and Philosopher (1785), som hænger på Nationalmuseum i Stockholm. Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 4 værker af Henrik Plötz: her er de 4 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Henrik Plötz | Malerier fra denne liste |
|---|---|---|---|
| Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway | |
| Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800) følger efter.
Henrik Plötz, født i 1747, var 38 år gammel: Charles Bonnet, Swizz Naturalist and Philosopher er fra 1785.
4 værker af Henrik Plötz er i vores katalog, dateret fra 1785 til 1800.
Primært i Nationalmuseum (Stockholm) og Rijksmuseum (Amsterdam); listen ovenfor nævner hvert museum og dets lærreder.
Det tidligste lærred her er Charles Bonnet, Swizz Naturalist and Philosopher (1785); det seneste er Portrait of a woman (1800).
Nationalmuseum, Stockholm har 2 af værkerne på denne side, herunder Charles Bonnet, Swizz Naturalist and Philosopher og King Khristian VII of Denmark and Norway.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.