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Sir Daniel Macnee, 1806 - 1882. Artist
Håndmalet oliereproduktion fra $178 30 × 34 cm
Samme størrelse som originalen $252 56 × 61 cm Bestil i original størrelse →
James Macbeth, 1847 – 1891
James Macbeths 1 mest berømte malerier
Sir Daniel Macnee, 1806 - 1882. Artist (1870) er det maleri, som James Macbeth er bedst kendt for; det befinder sig på Scottish National Portrait Gallery, Edinburgh. Vores katalog indeholder 1 værker af James Macbeth. Her er de 1 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
- Født · død
- 1847 – 1891, Glasgow
- Værker i vores katalog
- 1
- Mest kendte
- Sir Daniel Macnee, 1806 - 1882. Artist (1870)
- Flest værker hos
- Scottish National Portrait Gallery
De ti mest elskede malerier af James Macbeth
Hvor James Macbeth's lærreder hænger
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af James Macbeth | Malerier fra denne liste |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 1 | Sir Daniel Macnee, 1806 - 1882. Artist |
James Macbeths mest berømte lærreder, år efter år
De daterede lærreder af James Macbeth på denne side stammer alle fra 1870: her er de, i rækkefølge efter berømmelse.
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1870
1 ud af 1
Sir Daniel Macnee, 1806 - 1882. Artist
James Macbeths lærreder, spørgsmål for spørgsmål
Hvilket lærred er James Macbeth mest kendt for?Læs svaret
Sir Daniel Macnee, 1806 - 1882. Artist (1870)
Sir Daniel Macnee, 1806 - 1882. Artist: hvor gammel var James Macbeth, da det blev malet?Læs svaret
James Macbeth, født i 1847, var 23 år gammel: Sir Daniel Macnee, 1806 - 1882. Artist er fra 1870.
Hvor mange malerier har James Macbeth skabt?Læs svaret
1 værker af James Macbeth er i vores katalog.
Hvor hænger James Macbeths mest berømte lærreder i dag?Læs svaret
Primært i Scottish National Portrait Gallery (Edinburgh); listen ovenfor nævner hvert museum og dets lærreder.
Hvor kan jeg købe en reproduktion af et maleri af James Macbeth?Læs svaret
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Mød maleren: James Macbeth
A Glasgow Origin
The year is 1847 in Glasgow. James Macbeth enters a world where the lines of Scottish identity are being drawn through brushstrokes and ink. He is born into a family of creators; his father, Norman Macbeth, is a portrait painter, and his brothers, Robert Walker and Henry, will also find their way into the arts. This lineage is not merely a coincidence of birth but a shared language of form and color. James moves between the creative hubs of London and Scotland, establishing a presence in both the metropolitan galleries and the local scenes of his homeland.
His work often turns toward the human figure and the quietude of domestic life. In his portrait of Sir Daniel Macnee, he captures the likeness of a contemporary artist, a choice that places him directly within the professional circles of his era. He does not merely record a face; he engages with the social fabric of the mid-nineteenth century.
Genre and Mood
As the 1880s approach, a shift occurs in the atmosphere of his compositions. His painting A quiet afternoon signals a departure from strict realism toward something more atmospheric. This work anticipates the mood of Aestheticism, a movement that prioritizes sensory experience and a specific kind of contemplative stillness. The scene is not one of action, but of a lingering, suspended moment.
His output is defined by two primary modes of expression:
- Portraiture: Capturing the likenesses of significant figures, such as Sir Daniel Macnee.
- Genre Painting: Creating scenes of everyday life that lean into the emotional textures of the era.
A Brief Legacy
The trajectory of James Macbeth is cut short in 1891. He leaves behind a body of work that bridges the gap between traditional Scottish portraiture and the emerging sensibilities of the late Victorian period. His presence in the National Galleries of Scotland ensures that his contribution to the visual history of his country remains documented, even as the movements he helped anticipate continue to evolve.