Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      James Smith, 1890 – 1948

      James Smith: De 1 mest kendte malerier

      Af alle James Smith's malerier er Benjamin West (1770) det mest berømte; det hænger på National Portrait Gallery i Washington, D.C.. Blandt de 1 værker af James Smith i vores katalog er disse 1 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af James Smith
      James Smith · 1890 – 1948
      Født · død
      1890 – 1948
      Værker i vores katalog
      1
      Mest kendte
      Benjamin West (1770)
      Flest værker hos
      National Portrait Gallery

      James Smiths 10 mest fejrede malerier

      Hvor James Smith's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af James Smith Malerier fra denne liste
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 Benjamin West

      Dine spørgsmål om James Smiths malerier, besvaret

      Hvilket er det mest berømte maleri af James Smith?Læs svaret

      Benjamin West (1770)

      Hvor mange malerier af James Smith er kendt?Læs svaret

      1 værker af James Smith er i vores katalog.

      Hvilke museer udstiller James Smiths mest kendte lærreder?Læs svaret

      Primært i National Portrait Gallery (Washington, D.C.); listen ovenfor nævner hvert museum og dets lærreder.

      Kan jeg bestille en håndmalet kopi af et maleri af James Smith?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      James Smith: malerens historie

      The Quiet Presence of James Smith

      Born in 1890, James Smith lived through a period of profound change, yet his own artistic footprint remains a subtle one. He was a painter who focused his attention on the human form and the quiet dignity of portraiture. His life, which spanned until 1948, was marked by a commitment to the craft of capturing a likeness, often working in ways that sought to find the essence of his subjects through paint.

      His work suggests a man deeply interested in the individual. Rather than chasing grand movements, he seemed content to observe the people around him, translating their presence onto canvas with a steady hand. This dedication to the portrait is reflected in the surviving records of his output, which highlight his ability to engage with the character of those who sat for him.

      Works and Legacy

      The surviving evidence of his career points to a specific interest in the portraiture of gentlemen. His ability to render a subject is preserved in collections that hold his contributions to the history of painting. His work is noted in the following contexts:

      One of his notable subjects, An Unknown Gentleman, serves as a window into his approach to the genre. In such works, the focus remains on the sitter, using light and shadow to define the features of a man lost to time but preserved through Smith's brush.

      A Life in Paint

      Smith's career was defined by the steady application of pigment and the patience required to master the portrait. He did not seek to overshadow his contemporaries but instead focused on the fundamental task of the painter: to see and to record. By the time of his death in 1948, he had left behind a body of work that remains a part of the public record, offering a glimpse into the visual language of his era.