Bush landscape with rocks (1952) er det maleri, som Jean Appleton er bedst kendt for; det befinder sig på Art Gallery of New South Wales, Sydney. Landscape og Red house, Cowan (1945) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 7 værker af Jean Appleton. Her er de 6 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jean Appleton | Malerier fra denne liste |
|---|---|---|---|
| Sydney | 6 | Bush landscape with rocks, Landscape, Red house, Cowan |
Cirka et årti ved staffeliet, fra 1945 til 1953: Jean Appleton's daterede lærreder, år efter år.
Bush landscape with rocks (1952), Art Gallery of New South Wales, Sydney. Landscape og Red house, Cowan (1945) følger efter.
Jean Appleton, født i 1911, var 41 år gammel: Bush landscape with rocks er fra 1952.
7 værker af Jean Appleton er i vores katalog, dateret fra 1945 til 1953.
Primært i Art Gallery of New South Wales (Sydney); listen ovenfor nævner hvert museum og dets lærreder.
Det tidligste lærred her er Red house, Cowan (1945); det seneste er Hillside (1953).
Art Gallery of New South Wales, Sydney har 6 af værkerne på denne side, herunder Bush landscape with rocks, Landscape og Red house, Cowan.
Born in the Sydney suburb of Ashfield, Jean Appleton was a painter, art teacher, and printmaker who demonstrated a lifelong passion for the arts. After earning an intermediate certificate in arts in 1928, she enrolled in a five-year diploma course in drawing and illustration at the East Sydney Technical College. Her formal education continued in England at the Westminster School of Art, where she studied under Bernard Meninsky and Mark Gertler. During her time in London, she produced Australia's two earliest cubist paintings, titled Still Life 1937 and Painting IX 1937.
Appleton's technical repertoire was diverse, as she worked with a variety of media including:
Throughout her career, Appleton's work evolved from the rounded geometric forms she learned in London toward an increasingly decorative and schematic cubist style characterized by a lighter colour scheme. She often found inspiration in subjects such as bottles, describing painting as a "love affair." Her professional achievements were marked by several prestigious accolades, including:
In addition to her painting, she became interested in printmaking, which she practiced until 1980. Her life and work were celebrated through various solo exhibitions and a retrospective held at the Campbelltown City Bicentennial Art Gallery.