Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      John Ames Mitchell, 1845 – 1918

      John Ames Mitchells 1 mest berømte malerier

      Moses in the Bulrushes (1880) er det maleri, som John Ames Mitchell er bedst kendt for; det befinder sig på Museum of Fine Arts, Boston. Vores katalog indeholder 1 værker af John Ames Mitchell. Her er de 1 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af John Ames Mitchell
      John Ames Mitchell · 1845 – 1918
      Født · død
      1845 – 1918, New York City
      Værker i vores katalog
      1
      Mest kendte
      Moses in the Bulrushes (1880)
      Flest værker hos
      Museum of Fine Arts

      De ti mest elskede malerier af John Ames Mitchell

      Hvor John Ames Mitchell's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af John Ames Mitchell Malerier fra denne liste
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Moses in the Bulrushes

      John Ames Mitchells mest berømte lærreder, år efter år

      De daterede lærreder af John Ames Mitchell på denne side stammer alle fra 1880: her er de, i rækkefølge efter berømmelse.

      1. 1880

      John Ames Mitchells lærreder, spørgsmål for spørgsmål

      Hvilket lærred er John Ames Mitchell mest kendt for?Læs svaret

      Moses in the Bulrushes (1880)

      Moses in the Bulrushes: hvor gammel var John Ames Mitchell, da det blev malet?Læs svaret

      John Ames Mitchell, født i 1845, var 35 år gammel: Moses in the Bulrushes er fra 1880.

      Hvor mange malerier har John Ames Mitchell skabt?Læs svaret

      1 værker af John Ames Mitchell er i vores katalog.

      Hvor hænger John Ames Mitchells mest berømte lærreder i dag?Læs svaret

      Primært i Museum of Fine Arts (Boston); listen ovenfor nævner hvert museum og dets lærreder.

      Hvor kan jeg købe en reproduktion af et maleri af John Ames Mitchell?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: John Ames Mitchell

      A Life of Many Forms

      John Ames Mitchell was a man of many different pursuits, moving between the worlds of architecture, literature, and publishing with a quiet, steady purpose. Born in New York City on January 17, 1845, he was shaped by a diverse education, attending Harvard University before traveling to Paris to study at the École nationale supérieure des Beaux-Arts. This training in the classical traditions of France informed his eye for design, whether he was sketching a building or a magazine masthead. In 1875, he applied his architectural training to the design of the Unity Church of North Easton, a project commissioned by his uncle, Oliver Ames Jr.

      His interests were never confined to a single discipline. He was a novelist who explored speculative themes, such as in his 1889 book The Last American, which imagined a Persian admiral rediscovering America in the distant year 2951. He also wrote Amos Judd in 1895, a story that later became the basis for a silent film. This ability to build worlds through both ink and structure defined his character, making him a man who could inhabit the mind of a storyteller and the precision of a designer simultaneously.

      The Birth of Life

      In 1883, Mitchell took a significant risk by co-founding Life magazine alongside Andrew Miller. He used a $10,000 inheritance to launch the publication, driven by a desire to see his own drawings reproduced through the then-new zinc-coated plate printing process. He was not merely the financier; he was a contributing artist who helped shape the magazine's visual identity. He drew the very first nameplate for the magazine, featuring cupids, and later designed a masthead depicting a knight leveling a lance at a fleeing devil.

      Under his leadership, the magazine became a platform for a new generation of talent. He had a keen eye for potential, encouraging many illustrators and writers who would go on to define the era. His magazine was different from its competitors, often taking on social and political issues with a warm-hearted, if sometimes impulsive, approach. He was a man of conviction, using his platform to advocate for causes he believed in, such as sanitation and the protection of animals from vivisection.

      A Legacy of Service and Change

      Beyond the printed page, Mitchell sought to make a tangible difference in the lives of others. He co-founded the Fresh Air Fund alongside Horace Greeley, an initiative that allowed city children to escape the crowded streets for the fresh air of camps in Ridgefield, Connecticut. This connection to the land remained a constant in his life, as he eventually made Ridgefield his home.

      The magazine he helped build eventually changed hands, but its origins remained tied to his vision. The headquarters of his Life was located in a building that now serves as the Herald Square Hotel in New York, a gift from Charles Dana Gibson. Mitchell passed away in Ridgefield, Connecticut, on June 29, 1918. He left behind a body of work that spanned the structural, the literary, and the visual, reflecting a life spent constantly reshaping the world around him.