Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      John Bogle, 1746 – 1803

      John Bogle: De 6 mest kendte malerier

      Af alle John Bogle's malerier er Självporträtt (1775) det mest berømte; det hænger på Nationalmuseum i Stockholm. Lige efter følger Okänd man, James Bogle (1775) og A Woman with the Initials MCC (1773). Blandt de 6 værker af John Bogle i vores katalog er disse 6 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af John Bogle
      John Bogle · 1746 – 1803
      Født · død
      1746 – 1803, Edinburgh
      Værker i vores katalog
      6
      Mest kendte
      Självporträtt (1775)
      Flest værker hos
      Nationalmuseum

      John Bogles 10 mest fejrede malerier

      Hvor John Bogle's lærreder hænger

      De 3 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af John Bogle Malerier fra denne liste
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Självporträtt, Okänd man, James Bogle
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 A Woman with the Initials MCC, A Man with the Initials AC
      Yale Center for British Art, New HavenYale Center for British Art New Haven 2 Portrait of a Gentleman, Portrait of a Gentleman

      År for år: John Bogles mest fejrede lærreder

      Et langt liv i farver: 20 år, fra 1773 til 1792, og John Bogles mest fejrede lærreder fra hvert år.

      1. 1773
      2. 1774
      3. 1775
      4. 1775
      5. 1792

      Dine spørgsmål om John Bogles malerier, besvaret

      Hvilket er det mest berømte maleri af John Bogle?Læs svaret

      Självporträtt (1775), Nationalmuseum, Stockholm. Okänd man, James Bogle (1775) og A Woman with the Initials MCC (1773) følger efter.

      Hvor gammel var John Bogle på tidspunktet for Självporträtt?Læs svaret

      John Bogle, født i 1746, var 29 år gammel: Självporträtt er fra 1775.

      Hvor mange malerier af John Bogle er kendt?Læs svaret

      6 værker af John Bogle er i vores katalog, dateret fra 1773 til 1792.

      Hvilke museer udstiller John Bogles mest kendte lærreder?Læs svaret

      Primært i Nationalmuseum (Stockholm), Metropolitan Museum of Art (New York) og Yale Center for British Art (New Haven); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede John Bogle sine mest berømte lærreder?Læs svaret

      I 1775, som udgør 2 af de 6 værker på denne side, herunder Självporträtt.

      Hvad er de første og de sidste af John Bogles berømte lærreder?Læs svaret

      Det tidligste lærred her er A Woman with the Initials MCC (1773); det seneste er Portrait of a Gentleman (1792).

      Hvad kan jeg se af John Bogle på Nationalmuseum?Læs svaret

      Nationalmuseum, Stockholm har 2 af værkerne på denne side, herunder Självporträtt og Okänd man, James Bogle.

      Kan jeg bestille en håndmalet kopi af et maleri af John Bogle?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      John Bogle: malerens historie

      The Delicate Precision of a Scottish Master

      In the intimate, luminous world of eighteenth-century portraiture, few artists captured the fleeting essence of a human gaze as tenderly as John Bogle. A master of the miniature, Bogle’s life and work represent a bridge between the rugged traditions of Scotland and the refined elegance of the London art scene. Born around 1746 in Glasgow, the son of an excise officer, Bogle’s journey began in the hallowed halls of the Foulis Academy. Under the tutelage of Robert and Andrew Foulis, he immersed himself in the disciplined study of drawing, a foundation that would later allow him to execute works of extraordinary delicacy on the most unforgiving of surfaces: ivory.

      Bogle’s early career was marked by a burgeoning reputation that transcended borders. By the late 1760s, he was already exhibiting his miniatures at the Society of Artists in London, though his heart and roots remained tethered to Edinburgh. His talent possessed a unique duality; while his technique was rooted in the rigorous Scottish tradition, his move to London allowed him to engage with the burgeoning sophistication of the English school. This period of his life saw him establishing himself at 1, Panton Square, a prestigious address that placed him at the very center of the British art world.

      A Legacy Etched in Ivory

      The true magic of Bogle’s artistry lies in his ability to breathe life into tiny, precious objects. Working primarily with gouache and watercolor on ivory, he mastered the art of layering translucent washes to create a sense of depth and warmth that belied the miniature scale of his subjects. His portraits were not merely likenesses but emotional windows; whether depicting a noble gentleman or a delicate young lady, Bogle possessed an uncanny ability to capture the subtle nuances of character and the soft glow of skin through meticulous brushwork.

      His contributions to the Royal Academy, where he exhibited regularly from 1772 until 1794, solidified his status among the elite painters of his era. Some of his most notable achievements include:

      • The Self-Portrait of 1772: A rare glimpse into the artist's own perception and technical prowess during his early London years.
      • Portraits of Notable Figures: His ability to capture the likeness of contemporary luminaries, such as his 1783 miniature of the celebrated novelist Fanny Burney, which showcased his skill in rendering both fame and intimacy.
      • The Mastery of Medium: His seamless integration of watercolor and gouache on ivory, a technique that allowed for a luminous, almost ethereal quality in his portraits.

      The Twilight of an Era

      As the eighteenth century drew to a close, Bogle’s life came full circle. In 1800, he returned to Scotland with his wife, seeking the familiarity of his homeland. This final chapter of his life was spent in Edinburgh, the city where his artistic journey had been shaped by the Foulis Academy. His death in 1803 marked the end of a career that had navigated the shifting tides of British art history, leaving behind a collection of works that continue to enchant collectors and historians alike.

      Today, the historical significance of John Bogle resides in his role as a stylistic conduit. His work epitomizes the subtle tension between the austere, disciplined Scottish style and the more decorative English approach. Through his miniatures, we are invited to witness a vanished world of elegance and poise, preserved forever in the tiny, radiant portraits that remain some of the most cherished treasures of the late Georgian period.