Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      John Dalby, 1810 – 1865

      De 23 mest berømte John Dalby-malerier, rangeret

      Det mest elskede maleri af John Dalby er 'Duke of Northumberland' (1839). 'Duke of Northumberland' (A Bull) (1839) og Beagles in Full Cry (1845) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 27 værker af John Dalby: her er de 23 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af John Dalby
      John Dalby · 1810 – 1865
      Født · død
      1810 – 1865
      Værker i vores katalog
      27
      Mest kendte
      'Duke of Northumberland' (1839)
      Flest værker hos
      Walker Art Gallery

      Top 10 John Dalby malerier: lærrederne som alle kender

      'Duke of Northumberland' (1839) af John Dalby
      1

      'Duke of Northumberland'

      1839 · Oil

      A white cow with brown spots occupies the center of the frame, its presence commanding the immediate foreground. The animal is positioned before a barn, which provides a sense of structural depth to the composition. To the right, a figure stands near the barn, appearing to observe the animal or attend to the tasks of the farmstead. The scene is grounded by a potted plant on the left and animated…

      Håndmalet oliereproduktion fra $178 37 × 27 cm
      'Duke of Northumberland' (A Bull) (1839) af John Dalby
      2

      'Duke of Northumberland' (A Bull)

      1839

      This work emerges from a period when the relationship between land and life was undergoing profound shifts. While the era often looks toward the future, this painting looks inward at the steady, rhythmic existence of the countryside. The precision of the rendering reflects a deep familiarity with the anatomy of animals and the architecture of rural dwellings. There is a certain gravity in the animal's posture, a quiet dignity that…

      Håndmalet oliereproduktion fra $178 37 × 27 cm Samme størrelse som originalen $313 85 × 64 cm Bestil i original størrelse →
      Beagles in Full Cry (1845) af John Dalby
      3

      Beagles in Full Cry

      1845 · Oil On Canvas · Yale Center for British Art, New Haven

      The chase unfolds in Beagles in Full Cry, a work that captures the sudden, frantic energy of the hunt. Painted in 1845, this piece brings the viewer directly into the path of the hounds. The scene is a product of the hand of John Dalby, an artist who emerged from a lineage of specialists. Born in 1810 in York, United Kingdom of Great Britain and Ireland, Dalby carries the influence…

      Håndmalet oliereproduktion fra $178 37 × 27 cm Samme størrelse som originalen $203 49 × 37 cm Bestil i original størrelse →
      Three Foxhounds in a Landscape (1846) af John Dalby
      4

      Three Foxhounds in a Landscape

      1846 · Oil · Walker Art Gallery, Liverpool

      The scene unfolds within the frame of Three Foxhounds in a Landscape, an oil painting that captures a quiet moment of animal interaction. Created in 1846, this work brings the viewer into a specific slice of the nineteenth century. The piece measures 36 x 45 cm, a size that invites a close, intimate look at the subjects within the grassy field.

      Håndmalet oliereproduktion fra $178 36 × 28 cm Samme størrelse som originalen $197 45 × 36 cm Bestil i original størrelse →
      Foxhound in a Landscape (facing to the left) (1846) af John Dalby
      5

      Foxhound in a Landscape (facing to the left)

      1846 · Oil · Walker Art Gallery, Liverpool

      The painting titled Foxhound in a Landscape (facing to the left) captures a single moment of stillness within the English countryside. Created by the artist John Dalby, this work emerged around 1846. It belongs to a period when the quiet rhythms of rural life were etched into oil and canvas with meticulous care.

      Håndmalet oliereproduktion fra $178 37 × 27 cm Samme størrelse som originalen $180 38 × 28 cm Bestil i original størrelse →
      Foxhound in a Landscape (facing to the right) (1846) af John Dalby
      6

      Foxhound in a Landscape (facing to the right)

      1846 · Oil · Walker Art Gallery, Liverpool

      In this work, titled Foxhound in a Landscape (facing to the right), the artist John Dalby presents a focused study of a single subject. Painted in 1846, the piece captures a foxhound positioned within a grassy setting. The dog is depicted with its head raised, looking toward something situated off-camera, which lends a sense of quiet alertness to the scene. It is a moment of stillness amidst a countryside environment.

      Håndmalet oliereproduktion fra $178 38 × 27 cm Samme størrelse som originalen $180 38 × 28 cm Bestil i original størrelse →
      Two Foxhounds in a Landscape (1846) af John Dalby
      7

      Two Foxhounds in a Landscape

      1846 · Oil · Walker Art Gallery, Liverpool

      Two Foxhounds in a Landscape is an oil painting by the British artist John Dalby. Created in 1846, the work depicts two dogs positioned within a grassy environment. The animals are situated in close proximity to one another, with one dog located on the left side of the frame and the second dog positioned toward the center. The two hounds are oriented toward each other, appearing to look directly at…

      Håndmalet oliereproduktion fra $178 36 × 28 cm Samme størrelse som originalen $198 46 × 36 cm Bestil i original størrelse →
      The End of the Day (1849) af John Dalby
      8

      The End of the Day

      1849 · Oil

      The End of the Day is a painting from 1849 that captures a quiet moment of outdoor activity. The scene is set within a field and features several horses. In the foreground, two horses are prominently positioned, with one situated toward the left and the other near the center. A third horse is visible further in the background on the right side.

      Håndmalet oliereproduktion fra $178 38 × 26 cm
      Jumping the Brook (1849) af John Dalby
      9

      Jumping the Brook

      1849 · Oil · Fitzwilliam Museum

      The air feels thick with the scent of damp grass and the rhythmic thud of hooves against soft earth. Two riders surge through a lush, green landscape, their bodies leaning into the momentum of the chase. On the left, a man in a striking red jacket and a dark hat guides a white horse, its muscles tensed as it leaps. Beside him, a second rider, also clad in red, follows…

      Håndmalet oliereproduktion fra $178 38 × 26 cm
      Racing at Hoylake (1851) af John Dalby
      10

      Racing at Hoylake

      1851 · Walker Art Gallery, Liverpool

      is a depiction of a horse race featuring several jockeys riding horses upon a track. The composition captures the energy and excitement of the competition as the horses and their riders race against one another. The scene includes multiple horses positioned at various points on the track, with some riders at the front of the pack and others trailing behind. The jockeys are shown wearing different outfits, which showcase their…

      Håndmalet oliereproduktion fra $178 49 × 20 cm Samme størrelse som originalen $233 78 × 36 cm Bestil i original størrelse →

      Flere lærreder af John Dalby, fra 11 til 23

      A Steeplechase (1853) af John Dalby
      #11

      A Steeplechase

      1853 · Walker Art Gallery

      The pulse of a high-stakes race beats within A Steeplechase, a work that captures a fleeting moment of equestrian intensity. This painting, created by John Dalby, brings the…

      Bestil dette lærred fra $178 →

      Hvad John Dalby har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor John Dalby's lærreder hænger

      De 4 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af John Dalby Malerier fra denne liste
      Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 15 Three Foxhounds in a Landscape, Foxhound in a Landscape (facing to the left), Foxhound in a Landscape (facing to the right)
      Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Beagles in Full Cry
      Fitzwilliam MuseumFitzwilliam Museum 1 Jumping the Brook
      Fitzwilliam-museet, CambridgeFitzwilliam-museet Cambridge 1 The End of the Day

      John Dalbys mest elskede lærred fra hvert årti

      1. 1830s
        'Duke of Northumberland' (1839) af John Dalby
        1 ud af 23

        'Duke of Northumberland'

        Alder 20 – 29

        A white cow with brown spots occupies the center of the frame, its presence commanding the immediate foreground. The animal is positioned before a barn, which provides a…

      2. 1840s
        Beagles in Full Cry (1845) af John Dalby
        Rangeret som nr. 3 ud af 23

        Beagles in Full Cry

        Alder 30 – 39 · Yale Center for British Art

        The chase unfolds in Beagles in Full Cry, a work that captures the sudden, frantic energy of the hunt. Painted in 1845, this piece brings the viewer directly…

      3. 1850s
        Racing at Hoylake (1851) af John Dalby
        Lærred 10 af 23

        Racing at Hoylake

        Alder 40 – 49 · Walker Art Gallery

        is a depiction of a horse race featuring several jockeys riding horses upon a track. The composition captures the energy and excitement of the competition as the horses…

      Om John Dalby's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af John Dalby?Læs svaret

      'Duke of Northumberland' (1839), efterfulgt af 'Duke of Northumberland' (A Bull) (1839) og Beagles in Full Cry (1845).

      Hvor gammel var John Dalby, da 'Duke of Northumberland' blev malet?Læs svaret

      John Dalby, født i 1810, var 29 år gammel: 'Duke of Northumberland' er fra 1839.

      Hvad er de 10 mest berømte malerier af John Dalby?Læs svaret

      'Duke of Northumberland', 'Duke of Northumberland' (A Bull), Beagles in Full Cry, Three Foxhounds in a Landscape, Foxhound in a Landscape (facing to the left), Foxhound in a Landscape (facing to the right), Two Foxhounds in a Landscape, The End of the Day, Jumping the Brook og Racing at Hoylake. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange værker malede John Dalby i alt?Læs svaret

      27 værker af John Dalby er i vores katalog, dateret fra 1839 til 1855.

      Hvor kan jeg se John Dalbys mest berømte lærreder?Læs svaret

      Primært i Walker Art Gallery (Liverpool), Yale Center for British Art (New Haven) og Fitzwilliam Museum; listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede John Dalby de mest elskede lærreder?Læs svaret

      I 1840s, som udgør 10 af de 23 værker på denne side, herunder Beagles in Full Cry.

      Hvilke er John Dalbys tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er 'Duke of Northumberland' (1839); det seneste er Mare and Foal in a Landscape (1855).

      Hvad malede John Dalby oftest?Læs svaret

      Horse (11), Grass (8) og Trees (6), fordelt på de 23 værker på denne side.

      Hvilket medie malede John Dalby oftest i?Læs svaret

      Oil, anvendt i 16 af de 23 værker på denne side.

      Hvilke lærreder af John Dalby hænger på Walker Art Gallery?Læs svaret

      Walker Art Gallery, Liverpool har 15 af værkerne på denne side, herunder Three Foxhounds in a Landscape, Foxhound in a Landscape (facing to the left) og Foxhound in a Landscape (facing to the right).

      Kan jeg købe en reproduktion af et lærred af John Dalby?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      John Dalby: et liv i maling

      Early Life and Family Roots

      John Dalby, a name resonating with the charm of 19th-century British rural life, was born in York in 1810. While biographical details remain somewhat elusive, we know he emerged from a family deeply entrenched in the artistic tradition. His father, David Dalby (1794-1836), was also a sporting artist, painting landscapes and animals – a foundation upon which John would build his own distinctive style. The presence of at least two other painter members within the family—Thomas and Joshua—adds to the intriguing complexity of the Dalby lineage; some scholars even suggest that Joshua’s work is so stylistically similar to John's it may, in fact, be attributable to him. This familial artistic environment undoubtedly fostered John’s early inclinations and provided a crucial initial training ground.

      The practice of signing works simply as “Dalby” or “J Dalby,” versus his father’s more specific “D. Dalby,” hints at an attempt to establish a separate identity, yet the close stylistic connections suggest a shared artistic heritage. John's early career was shaped by this familial context and the burgeoning demand for sporting art in England during the Victorian era.

      A Focus on Hunting Scenes and Equestrian Life

      Dalby quickly carved out a niche for himself as a painter of hunting scenes, a genre particularly popular amongst the landed gentry. Unlike his father’s broader landscape work, John specialized in capturing the dynamic energy and detailed narrative of the hunt. His paintings are characterized by a remarkable precision—almost miniaturist in quality—with strong color palettes and compositions brimming with action. The influence of Henry Alken, another prominent sporting artist, is readily apparent in Dalby's work; however, Dalby’s style possesses a unique tightness and meticulousness that sets it apart.

      He wasn’t merely documenting the sport itself but also portraying a way of life—the social rituals, the camaraderie, and the inherent drama of the chase. His scenes often feature not just horses and hounds, but also richly attired huntsmen and riders, adding layers of narrative and social commentary to his compositions. This attention to detail extended beyond figures to include meticulously rendered tack, landscapes, and even the expressions on the animals themselves.

      Style and Technique: Precision and Narrative

      Dalby’s technical skill is perhaps his most defining characteristic. His paintings are renowned for their incredible level of detail—every muscle in a horse's flank, every strand of hair on a hound, every fold in a rider’s coat is rendered with painstaking accuracy. This precision wasn’t simply about realism; it was integral to conveying the energy and excitement of the hunt. The tight brushwork and strong color create a sense of immediacy, drawing the viewer directly into the scene.

      He masterfully balanced action with composition, ensuring that even the most dynamic scenes remained visually coherent. His use of light and shadow further enhanced the drama, highlighting key figures and creating a sense of depth and atmosphere. While his style is often described as tight, it never feels rigid; instead, it conveys a controlled energy that perfectly captures the spirit of the Victorian sporting world.

      Legacy and Historical Significance

      John Dalby’s work provides a valuable glimpse into the social and cultural landscape of 19th-century England. His paintings are not simply depictions of hunting scenes; they are windows into a specific way of life, reflecting the values, rituals, and aesthetics of the landed gentry. He captured a moment in time—a world increasingly threatened by industrialization and social change.

      Although he may not be as widely recognized as some of his contemporaries, Dalby’s paintings continue to captivate audiences with their technical skill, narrative richness, and evocative portrayal of rural life. His work is held in numerous public and private collections, serving as a testament to his enduring artistic legacy. The detailed depictions of horses and hunting scenes remain highly sought after by collectors and art enthusiasts alike, ensuring that the charm and precision of John Dalby’s paintings will continue to be appreciated for generations to come.

      • Key Characteristics: Detailed depiction of hunting scenes, equestrian life, meticulous brushwork, strong color palettes, narrative richness.
      • Influences: David Dalby (father), Henry Alken.
      • Historical Context: Victorian England, the popularity of sporting art amongst the landed gentry, a changing social landscape.
      Further research is ongoing to uncover more details about John Dalby’s life and career. However, his existing body of work stands as a testament to his skill and enduring artistic vision.