Af alle John Mclean's malerier er Corbie (1993) det mest berømte; det hænger på British Council Collection i London. Lige efter følger Strathspey (1994) og Hunter (1993). Blandt de 13 værker af John Mclean i vores katalog er disse 13 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
The painting Gaillac by John Mclean is a stunning example of modern art, characterized by its bold colors and geometric shapes. Created in 1993, this acrylic on canvas…
The British Council Collection in London is home to a stunning array of artworks, including the captivating piece Buff Bay by John Mclean. Created in 1993 using acrylic…
De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Mclean | Malerier fra denne liste |
|---|---|---|---|
| London | 3 | Corby, Inchgrundle, Hill o' Saughs | |
| London | 2 | Corbie, Buff Bay | |
| London | 1 | Untitled |
Et langt liv i farver: 16 år, fra 1993 til 2008, og John Mcleans mest fejrede lærreder fra hvert år.
The painting Gaillac by John Mclean is a stunning example of modern art, characterized by its bold colors and geometric shapes. Created in 1993, this acrylic on canvas…
The British Council Collection in London is home to a stunning array of artworks, including the captivating piece Buff Bay by John Mclean. Created in 1993 using acrylic…
Corbie (1993), British Council Collection, London. Strathspey (1994) og Hunter (1993) følger efter.
John Mclean, født i 1939, var 54 år gammel: Corbie er fra 1993.
Corbie, Strathspey, Hunter, Gunwale, Peninsula, Untitled, Inchcape, Balalaika, Corby og Inchgrundle. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
13 værker af John Mclean er i vores katalog, dateret fra 1993 til 2008.
Primært i Chelsea And Westminster Hospital (London), British Council Collection (London) og Royal College of Art (London); listen ovenfor nævner hvert museum og dets lærreder.
I 1993, som udgør 6 af de 13 værker på denne side, herunder Corbie.
Det tidligste lærred her er Corbie (1993); det seneste er Inchgrundle (2008).
Chelsea And Westminster Hospital, London har 3 af værkerne på denne side, herunder Corby, Inchgrundle og Hill o' Saughs.
John McLean (1939 – 2019) emerged as a significant figure in British abstract painting, captivating audiences with his distinctive approach to color and form. His artistic journey was marked by profound influences from masters like Matisse and Miró, shaping a vision of art as an exploration of emotional resonance and spatial suggestion—a belief that underpinned his entire oeuvre. Through his work, McLean sought to transcend the literal, inviting viewers into a world where pigment and pattern communicate directly with the soul.
The artist’s style developed organically from early explorations into watercolor and gouache, steadily progressing towards larger canvases dominated by bold color palettes and geometric abstraction. He eschewed representational imagery altogether, prioritizing instead the expressive potential of pigment itself. Recurring motifs—often interlocking blocks of color—became a hallmark of his compositions, mirroring the rhythmic patterns found in nature and reflecting an underlying preoccupation with visual harmony. The artist’s meticulous attention to detail ensured that each brushstroke contributed to the overall impact of the artwork, creating immersive experiences for those who stood before them.
A pivotal influence on McLean's artistic sensibilities was Henri Matisse, whose masterful use of color and simplified forms served as a guiding principle. Similarly, Joan Miró’s surrealist explorations—characterized by whimsical imagery and dreamlike landscapes—provided inspiration for McLean’s imaginative visual language. These artists championed the idea that art could transcend literal depiction, communicating feelings and ideas directly through visual elements. McLean embraced this ethos wholeheartedly, striving to evoke emotion and contemplation in his audience.
In masterpieces such as Buff Bay and Gaillac, one can witness his ability to balance vibrant colors and textures. In Buff Bay, a dominant red background is punctuated by blue and yellow accents, creating a sense of energy and movement that draws the viewer into its dynamic world. His work often features:
Throughout his prolific career, McLean produced a substantial body of work encompassing paintings, prints, and sculptures. His contributions to the medium of abstract expressionism earned him recognition within some of the most prestigious institutions in the United Kingdom. His works have been featured in collections such as:
McLean’s legacy remains etched in the history of 20th-century abstraction. By stripping away the necessity for recognizable subjects, he allowed the pure essence of color to speak, leaving behind a body of work that continues to resonate with beauty, balance, and an enduring sense of wonder.