Summer (1972) er det maleri, som John Moore er bedst kendt for; det befinder sig på Pennsylvania Academy of Fine Arts, Philadelphia. Vores katalog indeholder 2 værker af John Moore. Her er de 2 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Moore | Malerier fra denne liste |
|---|---|---|---|
| Philadelphia | 1 | Summer | |
| New York | 1 | Thursday |
Cirka et årti ved staffeliet, fra 1972 til 1980: John Moore's daterede lærreder, år efter år.
Summer (1972)
John Moore, født i 1941, var 31 år gammel: Summer er fra 1972.
2 værker af John Moore er i vores katalog, dateret fra 1972 til 1980.
Primært i Pennsylvania Academy of Fine Arts (Philadelphia) og Metropolitan Museum of Art (New York); listen ovenfor nævner hvert museum og dets lærreder.
Det tidligste lærred her er Summer (1972); det seneste er Thursday (1980).
Born in St. Louis, United States, John Moore began his professional journey as a draftsman and technical illustrator at McDonnell Douglas in 1960. He transitioned to art full-time in 1962, pursuing his studies at Washington University in St. Louis, the Chautauqua Institution, and the Yale University summer program. After enrolling at Yale, he studied under Lennart Anderson, Lester Johnson, Richard Lindner, and Jack Tworkov, eventually earning an MFA in 1968.
Moore’s career in academia was extensive. He served at the Tyler School of Art of Temple University until 1988, when he became the head of graduate painting at Boston University. Later, he was appointed chair of the Department of Fine Arts at the University of Pennsylvania, a role he held until his retirement in 2009. He currently lives and works in Belfast, Maine.
As a contemporary realist painter, Moore’s work has evolved through several distinct thematic stages. His early career focused on spare still lifes of ordinary objects, utilizing them to investigate light, transparency, reflection, color, volume, and perspective. In the late 1970s, his focus expanded into interior and studio views, often incorporating window views of urban scenes to explore the relationship between the observed and the formal.
His mature body of work is characterized by three recurring subjects:
His depictions of industrial sites include locations in Pennsylvania, Boston, St. Louis, and Maine. These works often feature structures such as smokestacks, factories, and aging metal, sometimes juxtaposing industrial elements with natural settings.