1
John Burton
Håndmalet oliereproduktion fra $178 28 × 36 cm
Samme størrelse som originalen $449 88 × 113 cm Bestil i original størrelse →
John Windass, 1843 – 1938
De 1 mest berømte John Windass-malerier, rangeret
Det mest elskede maleri af John Windass er John Burton (1843), som hænger på York Art Gallery i York. Vores katalog indeholder 1 værker af John Windass: her er de 1 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
- Født · død
- 1843 – 1938, York
- Værker i vores katalog
- 1
- Mest kendte
- John Burton (1843)
- Flest værker hos
- York Art Gallery
Top 10 John Windass malerier: lærrederne som alle kender
Hvor John Windass's lærreder hænger
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Windass | Malerier fra denne liste |
|---|---|---|---|
 York Art Gallery |
York | 1 | John Burton |
Om John Windass's lærreder: dine spørgsmål besvaret
Hvad er det mest kendte maleri af John Windass?Læs svaret
John Burton (1843)
Hvor mange værker malede John Windass i alt?Læs svaret
1 værker af John Windass er i vores katalog.
Hvor kan jeg se John Windasss mest berømte lærreder?Læs svaret
Primært i York Art Gallery (York); listen ovenfor nævner hvert museum og dets lærreder.
Kan jeg købe en reproduktion af et lærred af John Windass?Læs svaret
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
John Windass: et liv i maling
The Portraitist of York
John Windass remains a figure defined by the specificities of Victorian portraiture. Born in York, United Kingdom, in 1843, his life and output are anchored to the regional identity of Yorkshire. He was a painter who operated within a structured social hierarchy, capturing the likenesses of those who shaped the cultural landscape of his time. His work is not a collection of abstract ideas but a record of presence, rendered in oil on canvas.
His technical approach focused on the tangible. In his most notable surviving work, he captured the likeness of John Burton, a gallery benefactor. This portrait is a study of character through physical detail, depicting a man with a bald head and a substantial beard, caught in a moment of quiet contemplation while holding a painting and smoking a long clay pipe. It is a direct, unadorned representation of a specific individual.
Technical Execution and Subject Matter
Windass worked primarily with oil on canvas, a medium that allowed for the heavy, textured application necessary for Victorian portraiture. His ability to render the textures of skin, hair, and fabric provided a sense of weight to his subjects. The scale of his work, such as the 113 cm by 88 cm dimensions of his portrait of Burton, suggests a commitment to life-sized, intimate encounters between the viewer and the sitter.
The nature of his output can be categorized by the following elements:
- Medium: Oil on canvas.
- Genre: Portraiture.
- Subject Focus: Benefactors and prominent local figures.
Historical Context and Legacy
The significance of Windass lies in his role as a visual documentarian of the Victorian era. He did not seek to reinvent the medium but to master the depiction of the people who funded and frequented the art institutions of his day. His work exists in the permanent collections of the York Museums Trust, specifically within the York Art Gallery, ensuring his contribution to the visual history of York remains intact. He died in 1938, leaving behind a body of work that serves as a factual, painted record of a bygone social order.