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      Joost Schmidt, 1893 – 1948

      De 1 mest berømte Joost Schmidt-malerier, rangeret

      Det mest elskede maleri af Joost Schmidt er 2nd preliminary study for billiard ball poster (notes for own class) (1931), som hænger på Bauhaus Dessau Foundation i Dessau-Roslau. Vores katalog indeholder 1 værker af Joost Schmidt: her er de 1 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Joost Schmidt
      Joost Schmidt · 1893 – 1948
      Født · død
      1893 – 1948, Wunstorf
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      2nd preliminary study for billiard ball poster (notes for own class) (1931)
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      Bauhaus Dessau Foundation

      Top 10 Joost Schmidt malerier: lærrederne som alle kender

      2nd preliminary study for billiard ball poster (notes for own class) (1931) af Joost Schmidt
      1

      2nd preliminary study for billiard ball poster (notes for own class)

      1931 · Drawing · Bauhaus Dessau Foundation, Dessau-Roslau

      To gaze upon this piece is not merely to look at an object, but to witness a moment suspended in the crucible of artistic thought. This 2nd preliminary study for billiard ball poster offers an intimate glimpse behind the curtain of creation, inviting us into the meticulous mind of Joost Schmidt. Far from being a finished decorative piece, this document—a sheet bearing handwritten notations and geometric markings—is a testament to…

      Håndmalet oliereproduktion fra $178 27 × 38 cm

      Hvor Joost Schmidt's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af Joost Schmidt Malerier fra denne liste
      Bauhaus Dessau Foundation, Dessau-RoslauBauhaus Dessau Foundation Dessau-Roslau 1 2nd preliminary study for billiard ball poster (notes for own class)

      Joost Schmidts mest elskede lærreder, år for år

      Hvert dateret lærred af Joost Schmidt på denne side er malet i 1931; her er de mest berømte først.

      1. 1931

      Om Joost Schmidt's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Joost Schmidt?Læs svaret

      2nd preliminary study for billiard ball poster (notes for own class) (1931)

      Hvor gammel var Joost Schmidt, da 2nd preliminary study for billiard ball poster (notes for own class) blev malet?Læs svaret

      Joost Schmidt, født i 1893, var 38 år gammel: 2nd preliminary study for billiard ball poster (notes for own class) er fra 1931.

      Hvor mange værker malede Joost Schmidt i alt?Læs svaret

      1 værker af Joost Schmidt er i vores katalog.

      Hvor kan jeg se Joost Schmidts mest berømte lærreder?Læs svaret

      Primært i Bauhaus Dessau Foundation (Dessau-Roslau); listen ovenfor nævner hvert museum og dets lærreder.

      Kan jeg købe en reproduktion af et lærred af Joost Schmidt?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Joost Schmidt: et liv i maling

      Joost Schmidt: The Geometric Poet of Weimar Bauhaus

      Joost Schmidt (Wunstorf, 5 January 1893 – Nürnberg, 2 December 1948) stands as a pivotal figure in the history of German art and design—specifically, the Bauhaus movement. Born into a modest family in Wunstorf, Germany, Schmidt’s early life was marked by hardship, shaping his unwavering dedication to artistic pursuits despite considerable obstacles posed by the rise of Nazism. His formative years instilled within him a profound appreciation for precision and form, principles that would become cornerstones of his groundbreaking aesthetic vision.
      • Early Influences & Education: Schmidt’s artistic journey commenced at the Grand Ducal Saxon Academy of Fine Art in Weimar, where he honed foundational skills in painting before immersing himself in the revolutionary environment of the Bauhaus School from 1919–1925. This immersion proved transformative, propelling him into the orbit of Max Thedy and fostering a mastery of wood carving alongside explorations of sculpture. Notably, his diploma in painting was awarded in winter semester 1913/1914.
      • The Bauhaus Breakthrough: Schmidt’s arrival at Bauhaus coincided with its inception as an experimental school for art, craft, and architecture—a crucible of modernist ideals. Under Johannes Iten and Oskar Schlemmer, he embraced the Bauhaus ethos of geometric abstraction and functional design, meticulously studying the interplay between elementary forms and spatial organization. His involvement in the weaving workshop solidified his understanding of materiality and craftsmanship alongside theoretical considerations.

      The Iconic Weimar Poster: A Synthesis of Form and Message

      Schmidt’s artistic reputation ascended dramatically with the creation of a single, unforgettable artwork—the poster for the Bauhaus Exhibition held in Weimar in 1923. This piece represents arguably the most recognizable visual manifestation of Bauhaus principles. Employing a masterful manipulation of geometric shapes—primarily rectangles and circles—Schmidt achieved an astonishing feat: conveying complex ideas about “elementary form” and “bodies” within a deceptively simple visual language. The poster’s stark aesthetic, characterized by its monochrome palette and deliberate asymmetry, became synonymous with the Bauhaus movement's commitment to clarity and rationalism.
      • Teaching & Artistic Direction: Schmidt transitioned seamlessly from student to teacher at Bauhaus, shaping generations of aspiring artists and designers. He headed the Sculpture Workshop from 1928-1930 and oversaw the Advertising, Calligraphy, Printing, and Graphic Design Department until 1932. His pedagogical approach emphasized the importance of conceptual rigor alongside technical proficiency—a legacy that continues to inspire educators today.
      • Beyond Bauhaus: Schmidt’s influence extended beyond the Bauhaus School's walls. He lectured at the College of Visual Arts in Berlin, fostering a dialogue between artistic experimentation and social responsibility. His work found its way into prominent museums like the Museum Ostdeutsche Galerie in Regensburg and was featured prominently on platforms such as bauhaus exhibition.com and joost schmidt | TopImpressionists.com.

      Geometric Vision & Lasting Legacy

      Schmidt’s artistic output spanned a diverse range of mediums—from graphic design to sculpture—all united by his unwavering devotion to geometric abstraction. His meticulous attention to detail and his profound understanding of visual harmony cemented his position as one of the foremost practitioners of modernist typography and graphic art. The Bauhaus Archive in Bühl, Germany, houses an impressive collection of Schmidt’s artworks alongside those of fellow luminaries like Adolph Menzel, Jan van de Cappelle, and Franz von Stuck—a testament to his enduring contribution to 20th-century artistic heritage. Schmidt's legacy resides not merely in the aesthetic beauty of his creations but also in their conceptual depth—a reminder that art can serve as a powerful tool for communicating complex ideas with unwavering precision.

      Further Exploration

      You can delve deeper into Schmidt’s artistic journey by visiting: