The oath of La Fayette at theFestival of the Federation, 14 July 1790 (1791) er det maleri, som L. David er bedst kendt for; det befinder sig på Carnavalet Museum, Paris. SUYT X LA (2018) og SUYT X LA (2018) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 5 værker af L. David. Her er de 5 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af L. David | Malerier fra denne liste |
|---|---|---|---|
| Los Angeles | 4 | SUYT X LA, SUYT X LA, SUYT X LA | |
| Paris | 1 | The oath of La Fayette at theFestival of the Federation, 14 July 1790 |
228 år med L. Davids lys og farver, fra 1791 til 2018: de mest berømte lærreder fra hvert år, efter hinanden.
The oath of La Fayette at theFestival of the Federation, 14 July 1790 (1791), Carnavalet Museum, Paris. SUYT X LA (2018) og SUYT X LA (2018) følger efter.
5 værker af L. David er i vores katalog, dateret fra 1791 til 2018.
Primært i The kulturspace Foundation (Los Angeles) og Carnavalet Museum (Paris); listen ovenfor nævner hvert museum og dets lærreder.
I 2018, som udgør 4 af de 5 værker på denne side, herunder SUYT X LA.
Det tidligste lærred her er The oath of La Fayette at theFestival of the Federation, 14 July 1790 (1791); det seneste er SUYT X LA (2018).
The kulturspace Foundation, Los Angeles har 4 af værkerne på denne side, herunder SUYT X LA, SUYT X LA og SUYT X LA.
L. David is a painter whose presence in the art world is marked by a specific, localized footprint. While many artists seek the noise of global recognition, his work remains tied to specific moments and collections. His output is characterized by a focus on historical and contemporary subjects that find their way into curated spaces like the Carnavalet Museum in Paris and the kulturspace Foundation in Los Angeles. There is a sense of stillness in the way his works are held in these collections, existing as singular points of reference within the broader history of French painting.
His work spans a wide temporal range, reaching back to the late eighteenth century and extending into the modern era. This breadth suggests a hand that is as comfortable with the formal requirements of the past as it is with the sensibilities of the present. The works are not merely objects but markers of time, captured in the specific years they were rendered.
The catalog of L. David reveals a selective but deliberate body of work. His paintings are distributed across different continents, suggesting a reach that extends beyond a single studio or school. The following pieces represent the core of his known output within our records:
The distribution of these works shows a preference for institutional preservation. In Los Angeles, the kulturspace Foundation holds several pieces, including the 2018 work SUYT X LA. In Paris, the Carnavalet Museum preserves his earlier, more historical subject matter. These locations provide a framework for understanding his contribution to the visual record.
L. David is a French painter. His life is defined by the act of creation and the subsequent placement of his canvases in museums and foundations. He is a figure of the French tradition, working through the decades to leave behind a specific, documented history. His existence is tied to the pigment and the canvas, a process that continues into the present day.