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      Lan Ying, 1585 – 1664

      Lan Yings 31 mest berømte malerier

      Clearing Autumn Mists in the Chu Mountains (1630) er det maleri, som Lan Ying er bedst kendt for; det befinder sig på Cleveland Museum of Art, Cleveland. 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River (1632) og Landscape in the Style of Ancient Masters: Artist's commentary (1642) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 32 værker af Lan Ying. Her er de 31 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Lan Ying
      Lan Ying · 1585 – 1664
      Født · død
      1585 – 1664, Hangzhou
      Værker i vores katalog
      32
      Mest kendte værker
      Clearing Autumn Mists in the Chu Mountains (1630)
      Flest værker i
      Art Institute of Chicago

      De ti mest elskede malerier af Lan Ying

      Clearing Autumn Mists in the Chu Mountains (1630) af Lan Ying
      1

      Clearing Autumn Mists in the Chu Mountains

      1630 · Ink On Paper · Cleveland Museum of Art, Cleveland

      The mist clings to the rugged cliffs of the Chu Mountains, moving in slow, silent waves through the vertical expanse of the silk. A profound stillness settles over the landscape as the autumn fog begins to lift, revealing the skeletal strength of ancient pine trees clinging to the rock. Every brushstroke captures a moment of transition, where the heavy dampness of the morning meets the first clarity of light. The…

      Håndmalet oliereproduktion fra $178 17 × 59 cm
      Landscape in the Style of Ancient Masters: Artist's commentary (1642) af Lan Ying
      3

      Landscape in the Style of Ancient Masters: Artist's commentary

      1642 · Ink · Art Institute of Chicago, Chicago

      A single pine tree clings to a craggy precipice, its needles rendered in fine, sharp strokes. Below, the earth rises in jagged, textured forms, where dark ink defines the weathered skin of ancient boulders. Mist drifts through the middle ground, a pale wash that separates the solid rock from the ethereal heights. This is a world of quietude, where the mountains do not shout but whisper through the varying depths…

      Håndmalet oliereproduktion fra $178 36 × 28 cm
      Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80) (1642) af Lan Ying
      5

      Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80)

      1642 · Ink On Paper · Art Institute of Chicago, Chicago

      In this landscape, Lan Ying invites us into a world of profound stillness, one that feels as though it has been exhaled from the mist. Created in 1644, the work is a meditation on the traditions of the Yuan Dynasty, specifically looking back to the brushwork of Fang Congyi. The composition avoids a singular, central focus, opting instead for a shifting perspective that guides the eye through a series of…

      Håndmalet oliereproduktion fra $178 36 × 28 cm
      Zhi and Xu's Pure Conversation (1643) af Lan Ying
      7

      Zhi and Xu's Pure Conversation

      1643 · Ink On Paper · Cleveland Museum of Art, Cleveland

      Executed in 1643, Zhi and Xu's Pure Conversation is a traditional Chinese landscape painting rendered in monochrome ink on paper or silk. The vertical composition utilizes a high-angle perspective to depict a serene mountain landscape. In the foreground, two scholars are seated on a rocky outcrop, facing one another in a posture of dialogue or contemplation. The mid-ground is dominated by several large, gnarled pine trees featuring detailed, textured bark…

      Håndmalet oliereproduktion fra $178 21 × 48 cm
      Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374) (1642) af Lan Ying
      8

      Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)

      1642 · Ink · Art Institute of Chicago, Chicago

      In this work, we find ourselves looking through the eyes of Lan Ying, a painter who lived during the Ming Dynasty. He does not merely replicate the past; he engages in a profound dialogue with the spirit of the Yuan masters. The composition draws heavily from the aesthetic language established by Ni Zan, characterized by a sense of sparse, intentional emptiness. There is a stillness here that feels earned, a…

      Håndmalet oliereproduktion fra $178 26 × 39 cm
      Landscape in the Style of Ancient Masters: after Gao Kegong (1248-1310) (1642) af Lan Ying
      9

      Landscape in the Style of Ancient Masters: after Gao Kegong (1248-1310)

      1642 · Ink On Paper · Art Institute of Chicago, Chicago

      Mist clings to the jagged edges of mountains, blurring the line between earth and sky. In this landscape, the world feels suspended in a quiet, breathing moment. Soft, grey washes of ink drift through the valleys, creating a sense of immense depth that pulls the eye toward a pale, indistinct horizon. The composition relies heavily on the concept of emptiness, where the void is as vital as the painted forms.…

      Håndmalet oliereproduktion fra $178 36 × 28 cm Samme størrelse som originalen $186 41 × 31 cm Bestil i original størrelse →
      明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters (1642) af Lan Ying
      10

      明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters

      1642 · Ink On Paper · Metropolitan Museum of Art, New York

      Created in 1642, this landscape on paper reflects the stylistic synthesis characteristic of the Ming Dynasty. The composition centers on a gnarled pine tree, its branches reaching across the foreground with a sense of weathered resilience. Behind this focal point, mountains rise through layers of mist, their forms softened by atmospheric perspective to create a profound sense of depth. A small boat rests upon a quiet body of water, grounding…

      Håndmalet oliereproduktion fra $178 28 × 35 cm

      Lan Ying: lærreder fra 11 til 31 på ranglisten

      Autumn Landscape (1653) af Lan Ying
      #12

      Autumn Landscape

      1653 · Yale University Art Gallery

      This traditional Chinese landscape painting, executed in 1653, features a vertical composition depicting a rugged, mountainous terrain. The scene is dominated by a towering, craggy rock formation that…

      Få det malet i hånden fra $178 →

      Hvad Lan Ying har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Lan Ying's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Lan Ying Malerier fra denne liste
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 6 Landscape in the Style of Ancient Masters: Artist's commentary, Landscape in the Style of Ancient Masters: colophon by Lu Hui, dated 1912, Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River, 明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters, 明 藍瑛 紅友圖 軸 Red Friend
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 3 FLOWERING TREE, Autumn Colors at a Mountain Villa After Li Cheng (919-967), Landscape with Fisherman and Waterfall
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Clearing Autumn Mists in the Chu Mountains, Zhi and Xu's Pure Conversation
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Autumn Landscape, Landscape in the style of Li Tang
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Cold Mountains and Snowy Peaks
      Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Thatched Huts Among Ridges in Winter
      Song Art Museum, BeijingSong Art Museum Beijing 1 Landscape in the Style of Ancient Masters

      Lan Yings mest berømte lærred, årti efter årti

      1. 1630s
        Clearing Autumn Mists in the Chu Mountains (1630) af Lan Ying
        1 ud af 31

        Clearing Autumn Mists in the Chu Mountains

        Alder 45 – 54 · Cleveland Museum of Art

        The mist clings to the rugged cliffs of the Chu Mountains, moving in slow, silent waves through the vertical expanse of the silk. A profound stillness settles over…

      2. 1640s
      3. 1650s
        Cold Mountains and Snowy Peaks (1655) af Lan Ying
        Rangeret som nr. 11 ud af 31

        Cold Mountains and Snowy Peaks

        Alder 65 – 74 · Detroit Institute of Arts

        The stillness of the landscape finds its name in Cold Mountains and Snowy Peaks, a work that emerges from the brush of the artist Lan Ying. This scene…

      Lan Yings lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Lan Ying mest kendt for?Læs svaret

      Clearing Autumn Mists in the Chu Mountains (1630), Cleveland Museum of Art, Cleveland. 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River (1632) og Landscape in the Style of Ancient Masters: Artist's commentary (1642) følger efter.

      Clearing Autumn Mists in the Chu Mountains: hvor gammel var Lan Ying, da det blev malet?Læs svaret

      Lan Ying, født i 1585, var 45 år gammel: Clearing Autumn Mists in the Chu Mountains er fra 1630.

      Hvad er Lan Yings ti mest berømte lærreder?Læs svaret

      Clearing Autumn Mists in the Chu Mountains, 明 藍瑛 春江漁隱圖 軸 Hermit Fisherman on a Spring River, Landscape in the Style of Ancient Masters: Artist's commentary, Landscape in the Style of Ancient Masters: colophon by Lu Hui, dated 1912, Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80), Landscape in the Style of Ancient Masters: after Wang Meng (c. 1308-1385), Zhi and Xu's Pure Conversation, Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Landscape in the Style of Ancient Masters: after Gao Kegong (1248-1310) og 明 藍瑛 仿宋元山水圖 冊 紙本 Landscapes after Song and Yuan masters. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Lan Ying skabt?Læs svaret

      32 værker af Lan Ying er i vores katalog, dateret fra 1630 til 1655.

      Hvor hænger Lan Yings mest berømte lærreder i dag?Læs svaret

      Primært i Art Institute of Chicago (Chicago), Metropolitan Museum of Art (New York) og Harvard Art Museums (Cambridge); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Lan Ying sine mest berømte lærreder?Læs svaret

      I 1640s, som udgør 10 af de 31 værker på denne side, herunder Landscape in the Style of Ancient Masters: Artist's commentary.

      Hvilket berømt lærred af Lan Ying kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Clearing Autumn Mists in the Chu Mountains (1630); det seneste er Cold Mountains and Snowy Peaks (1655).

      Hvilke motiver malede Lan Ying mest?Læs svaret

      Mountains (10), Landscape (8) og Trees (8), fordelt på de 31 værker på denne side.

      Hvilket medie optræder hyppigst i Lan Ying's malerier?Læs svaret

      Ink On Paper, anvendt i 6 af de 31 værker på denne side.

      Hvilke malerier af Lan Ying er i Art Institute of Chicagos samling?Læs svaret

      Art Institute of Chicago, Chicago har 6 af værkerne på denne side, herunder Landscape in the Style of Ancient Masters: Artist's commentary, Landscape in the Style of Ancient Masters: colophon by Lu Hui, dated 1912 og Landscape in the Style of Ancient Masters: after Fang Congyi (active c. 1340-80).

      Hvor kan jeg købe en reproduktion af et maleri af Lan Ying?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Lan Ying

      Lan Ying Jiang Hong: A Master of Serene Landscapes

      Born in Hangzhou, Zhejiang province, during the tumultuous Ming Dynasty (1585-1664), Lan Ying, also known as Tian Shu (田叔) – “Field Master” – and later adopting the pseudonyms Diesou (蜨叟), Shi Toutuo (石頭陀), and Dongguo Laoren (东国老仁), stands as a pivotal figure in Chinese landscape painting. His life coincided with a period of significant artistic transition, bridging the expressive dynamism of the Yuan Dynasty with the refined elegance of the subsequent Ming and Qing eras. Lan Ying’s legacy rests primarily on his masterful depictions of nature, imbued with a profound sense of tranquility and informed by both Song and Yuan artistic traditions.

      Early training undoubtedly shaped Lan Ying's distinctive style. He received formal instruction at the painting academy of the Southern Song Dynasty, an institution renowned for its rigorous curriculum and emphasis on classical techniques. This foundation provided him with a deep understanding of brushwork, composition, and the fundamental principles of landscape art. However, unlike many artists who meticulously replicated established styles, Lan Ying demonstrated a remarkable ability to synthesize diverse influences into a uniquely personal vision. He particularly revered the works of Huang Gongwang (1470-1523) and Wu Zhen (1470-1538), both celebrated for their atmospheric perspective, subtle color palettes, and evocative portrayals of mountains and rivers. Their emphasis on capturing the *qi* – or vital energy – of nature is clearly reflected in Lan Ying’s own paintings.

      The Style of ‘Tienshu’ and the Pursuit of Serenity

      Lan Ying's artistic moniker, 'Tienshu,' translated as “Field Master,” hints at a core element of his work: an intimate connection with the natural world. Unlike some of his contemporaries who focused on grand, sweeping vistas, Lan Ying often depicted smaller, more contemplative scenes – rolling hills, solitary trees, and quiet streams. These landscapes are not merely representations of scenery; they are invitations to contemplation, offering viewers a moment of respite from the complexities of human affairs. His paintings frequently feature elements associated with rural life—farmers tending their fields, fishermen casting their nets—adding layers of narrative and suggesting a harmonious relationship between humanity and nature.

      A key characteristic of Lan Ying’s style is his masterful use of atmospheric perspective. He skillfully employed variations in color and tone to create the illusion of depth, conveying the vastness and grandeur of the landscape while simultaneously evoking a sense of intimacy and closeness. His brushwork is characterized by its fluidity and spontaneity, yet it remains remarkably controlled and precise. He favored a muted palette—primarily consisting of greens, browns, grays, and blues—to create a harmonious and understated effect. The absence of dramatic contrasts or bold colors contributes to the overall sense of serenity and tranquility that pervades his paintings.

      Floral and Bird Studies: Expanding Artistic Horizons

      While primarily known for his landscapes, Lan Ying also produced exquisite depictions of flowers and birds – a relatively uncommon subject matter for landscape painters during this period. These works demonstrate his keen observational skills and his ability to capture the delicate beauty of nature with remarkable accuracy. His floral paintings often feature peonies, chrysanthemums, orchids, and bamboo—all symbols laden with cultural significance in Chinese art. Similarly, his bird studies showcase a deep understanding of avian anatomy and behavior. The integration of these smaller-scale subjects into his oeuvre suggests a broader artistic curiosity and a desire to explore the full spectrum of natural beauty.

      Legacy and Historical Significance

      Lan Ying’s influence on subsequent generations of Chinese landscape painters is undeniable. His emphasis on atmospheric perspective, subtle color palettes, and contemplative compositions set a precedent for many artists who followed. His work exemplifies the Ming Dynasty's shift towards a more refined and introspective style of landscape painting, moving away from the bolder, more expressive approaches of earlier periods. The paintings attributed to Lan Ying are highly prized by collectors and museums worldwide, serving as enduring testaments to his artistic skill and profound appreciation for the beauty of the natural world. His legacy continues to inspire artists today, reminding us of the power of art to transport us to serene landscapes and evoke a sense of peace and tranquility.