Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Leanne Tobin, født 1961

      Leanne Tobins 2 mest berømte malerier

      Ngalawan–We Live, We Remain: The Call of Ngura (Country) (2022) er det maleri, som Leanne Tobin er bedst kendt for; det befinder sig på Biennale of Sydney, Sydney. Vores katalog indeholder 2 værker af Leanne Tobin. Her er de 2 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

      Portræt af Leanne Tobin
      Leanne Tobin · født 1961
      Født · død
      født 1961, Adelaide
      Værker i vores katalog
      2
      Mest kendte
      Ngalawan–We Live, We Remain: The Call of Ngura (Country) (2022)
      Flest værker hos
      Biennale of Sydney

      De ti mest elskede malerier af Leanne Tobin

      Ngalawan–We Live, We Remain: The Call of Ngura (Country) (2022) af Leanne Tobin
      1

      Ngalawan–We Live, We Remain: The Call of Ngura (Country)

      2022 · Biennale of Sydney, Sydney

      Leanne Tobin is a multidisciplinary artist of Dharug heritage descending from the Buruberong and Wumali clans, the Traditional Custodians of the Greater Sydney region. Tobin works collaboratively with community groups, schools and institutions to tell local stories and care for Country. For rīvus, Tobin shares a Dharug creation story of an Ancestral Creator, in the form of an eel/serpent that long ago created the rivers and mountains.Tobin’s work is connected…

      Ngalawan–We Live, We Remain: The Call of Ngura (Country) (2022) af Leanne Tobin
      2

      Ngalawan–We Live, We Remain: The Call of Ngura (Country)

      2022 · Biennale of Sydney, Sydney

      Leanne Tobin is a multidisciplinary artist of Dharug heritage descending from the Buruberong and Wumali clans, the Traditional Custodians of the Greater Sydney region. Tobin works collaboratively with community groups, schools and institutions to tell local stories and care for Country. For rīvus, Tobin shares a Dharug creation story of an Ancestral Creator, in the form of an eel/serpent that long ago created the rivers and mountains.Tobin’s work is connected…

      Hvor Leanne Tobin's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af Leanne Tobin Malerier fra denne liste
      Biennale of Sydney, SydneyBiennale of Sydney Sydney 2 Ngalawan–We Live, We Remain: The Call of Ngura (Country), Ngalawan–We Live, We Remain: The Call of Ngura (Country)

      Leanne Tobins mest berømte lærreder, år efter år

      De daterede lærreder af Leanne Tobin på denne side stammer alle fra 2022: her er de, i rækkefølge efter berømmelse.

      1. 2022
        Ngalawan–We Live, We Remain: The Call of Ngura (Country) (2022) af Leanne Tobin
        1 ud af 2

        Ngalawan–We Live, We Remain: The Call of Ngura (Country)

        Alder 61 · Biennale of Sydney

        Leanne Tobin is a multidisciplinary artist of Dharug heritage descending from the Buruberong and Wumali clans, the Traditional Custodians of the Greater Sydney region. Tobin works collaboratively with…

      2. 2022
        Ngalawan–We Live, We Remain: The Call of Ngura (Country) (2022) af Leanne Tobin
        2 ud af 2

        Ngalawan–We Live, We Remain: The Call of Ngura (Country)

        Alder 61 · Biennale of Sydney

        Leanne Tobin is a multidisciplinary artist of Dharug heritage descending from the Buruberong and Wumali clans, the Traditional Custodians of the Greater Sydney region. Tobin works collaboratively with…

      Leanne Tobins lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Leanne Tobin mest kendt for?Læs svaret

      Ngalawan–We Live, We Remain: The Call of Ngura (Country) (2022)

      Ngalawan–We Live, We Remain: The Call of Ngura (Country): hvor gammel var Leanne Tobin, da det blev malet?Læs svaret

      Leanne Tobin, født i 1961, var 61 år gammel: Ngalawan–We Live, We Remain: The Call of Ngura (Country) er fra 2022.

      Hvor mange malerier har Leanne Tobin skabt?Læs svaret

      2 værker af Leanne Tobin er i vores katalog.

      Hvor hænger Leanne Tobins mest berømte lærreder i dag?Læs svaret

      Primært i Biennale of Sydney (Sydney); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Leanne Tobin sine mest berømte lærreder?Læs svaret

      I 2022, som udgør 2 af de 2 værker på denne side, herunder Ngalawan–We Live, We Remain: The Call of Ngura (Country).

      Hvilke malerier af Leanne Tobin er i Biennale of Sydneys samling?Læs svaret

      Biennale of Sydney, Sydney har 2 af værkerne på denne side, herunder Ngalawan–We Live, We Remain: The Call of Ngura (Country) og Ngalawan–We Live, We Remain: The Call of Ngura (Country).

      Mød maleren: Leanne Tobin

      Leanne Tobin: Echoes of Darug Country

      Leanne Tobin’s art is a profound conversation—a dialogue between ancestral memory, contemporary experience, and the vibrant landscapes of Western Sydney. Born in Warratah, Newcastle, in 1961, to a Darug family, her artistic journey isn't merely about creating images; it’s about reclaiming narrative, honoring heritage, and bearing witness to a complex history. Tobin’s work is deeply rooted in her cultural identity as a descendant of the Darug people, a connection that profoundly shapes her creative process and informs every brushstroke.

      Growing up amidst the rich cultural tapestry of Western Sydney, Tobin's early life was intrinsically linked to her heritage. This formative experience ignited an artistic spark, leading her to explore a unique blend of traditional and contemporary styles. Initially experimenting with acrylics, ochres, charcoal, pastel, and mixed media, she quickly developed a distinctive visual language—one characterized by bold colors, layered textures, and a palpable sense of place. Her art isn’t simply representational; it's an embodiment of Darug storytelling, infused with symbolism and deeply personal meaning.

      Tracing the Roots: Family History and Artistic Awakening

      Tobin’s artistic awakening arrived unexpectedly in 1984 or 1985. While working in the Northern Territory, a distant cousin unearthed family history, revealing the significant Darug lineage that connected her to Yarramundi, a revered chief of the Richmond Tribes. This revelation acted as a catalyst, shifting Tobin's perspective and igniting a fervent desire to understand and articulate her heritage through art. As she described, “It just made sense,” connecting her creative endeavors with her newfound familial roots.

      The story of Maria Locke, Tobin’s great-great-great grandmother, further fueled this artistic drive. Maria was a remarkable woman—a literate native who successfully petitioned Governor Darling for land rights in the early 1800s. Tobin's exploration of Maria Locke’s life and legacy became central to her work, culminating in powerful pieces like *Defending Country*, which powerfully depicted a pale-skinned woman holding a shield amidst a landscape scarred by colonial encroachment. This painting served as a poignant statement—a testament to the enduring presence of Indigenous Australians despite historical injustices.

      Moving back to Dharug Country in 1997, Tobin found herself surrounded by the natural beauty and spiritual significance of her ancestral lands. This return was transformative, providing her with the space and inspiration needed to fully embrace her artistic vision. The landscape itself became a collaborator—a source of stories, symbols, and a profound connection to the past.

      A Palette of Place: Style and Technique

      Tobin’s artistic style is immediately recognizable—a vibrant fusion of traditional Aboriginal techniques with contemporary approaches. She skillfully employs ochre pigments, echoing the earth tones and symbolic language of her ancestors, while simultaneously incorporating modern materials and methods. Her use of layered textures, bold color palettes, and evocative imagery creates a dynamic visual experience that draws viewers into the heart of Darug storytelling.

      Notable works like *Handbag* exemplify this unique style—a seemingly simple depiction of an everyday object transformed through Tobin’s distinctive brushwork and symbolic layering. Similarly, *Central Australia*, a large-scale enamel painting now housed at the Canberra Museum and Gallery, showcases her ability to capture vast landscapes while simultaneously conveying profound cultural meaning. The choice of enamel as a medium speaks volumes about her commitment to preserving traditional techniques alongside contemporary expression.

      Recognition and Legacy

      Leanne Tobin’s artistic journey has been marked by critical acclaim and significant achievements. She has consistently been a finalist in prestigious art prizes, including the Parliament of New South Wales Aboriginal Art Prize, and received the Aboriginal and Torres Strait Islander Creative Residency in 2017. Her work is held in prominent public and private collections, reflecting its growing recognition within the Australian art world.

      Beyond individual accolades, Tobin’s impact extends to her role as a cultural ambassador. Through her collaborative projects, teaching positions, and public artworks, she actively promotes Darug stories and fosters dialogue about Indigenous heritage. Her work serves as a powerful reminder of Australia's complex history—a history that demands acknowledgment, understanding, and ongoing reconciliation. Leanne Tobin’s art is not just beautiful; it’s vital – a testament to the enduring spirit of the Darug people and their profound connection to Country.