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      Mark Lindquist, født 1949

      Mark Lindquists 3 mest berømte malerier

      Akikonomu, from the Ichiboku Series (1989) er det maleri, som Mark Lindquist er bedst kendt for. Silent Witness 6 Dh0 Taciturn, from the Post Totemic Series (1995) og Ascending Bowl 3 (1981) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 3 værker af Mark Lindquist. Her er de 3 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

      Portræt af Mark Lindquist
      Mark Lindquist · født 1949
      Født · død
      født 1949, Oakland
      Værker i vores katalog
      3
      Mest kendte
      Akikonomu, from the Ichiboku Series (1989)

      De ti mest elskede malerier af Mark Lindquist

      Ascending Bowl 3 (1981) af Mark Lindquist
      3

      Ascending Bowl 3

      1981

      The Ascending Bowl 3 is a remarkable piece of art created by the renowned American sculptor, Mark Lindquist. This stunning work of art is made from walnut and measures 21 x 29 cm. It is currently housed at the prestigious Smithsonian American Art Museum in the United States. The Artist's Vision Mark Lindquist is a prominent figure in the world of woodturning, known for his innovative and pioneering techniques. His…

      Mark Lindquists mest berømte lærreder, år efter år

      Fra 1981 til 1995, 15 år med Mark Lindquist's malerier, vist år efter år gennem de mest berømte lærreder.

      1. 1981
        Ascending Bowl 3 (1981) af Mark Lindquist
        Rangeret som nr. 3 ud af 3

        Ascending Bowl 3

        Alder 32

        The Ascending Bowl 3 is a remarkable piece of art created by the renowned American sculptor, Mark Lindquist. This stunning work of art is made from walnut and…

      2. 1989
      3. 1995

      Mark Lindquists lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Mark Lindquist mest kendt for?Læs svaret

      Akikonomu, from the Ichiboku Series (1989), efterfulgt af Silent Witness 6 Dh0 Taciturn, from the Post Totemic Series (1995) og Ascending Bowl 3 (1981).

      Akikonomu, from the Ichiboku Series: hvor gammel var Mark Lindquist, da det blev malet?Læs svaret

      Mark Lindquist, født i 1949, var 40 år gammel: Akikonomu, from the Ichiboku Series er fra 1989.

      Hvor mange malerier har Mark Lindquist skabt?Læs svaret

      3 værker af Mark Lindquist er i vores katalog, dateret fra 1981 til 1995.

      Hvilket berømt lærred af Mark Lindquist kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Ascending Bowl 3 (1981); det seneste er Silent Witness 6 Dh0 Taciturn, from the Post Totemic Series (1995).

      Mød maleren: Mark Lindquist

      The Spirit of the Wood

      Mark Lindquist stands as a transformative figure in the American craft landscape, a sculptor whose hands have redefined the boundaries of woodturning. Born in Oakland, United States of America, in 1949, Lindquist emerged in the early 1970s as a vital force in the resurgence of woodturning in the United States. He is far more than a mere craftsman; he is an artist, author, and photographer who has successfully bridged the gap between the traditional craft of woodturning and the sophisticated realm of fine arts. His work is characterized by a profound empathy with the natural aesthetics of his medium, often seeking a deep, spiritual dialogue with the very trees from which his materials are sourced.

      The evolution of his practice is deeply intertwined with technical innovation and a unique philosophical approach. Alongside his father, the pioneer Mel Lindquist, he played a crucial role in developing new tools and techniques that expanded the vocabulary of the medium. One of his most significant contributions was the popularization of spalted wood—wood marked by lines of decay that create intricate, natural patterns—which he utilized to bring a new level of organic complexity to his sculptures. By introducing the aesthetic sensibilities of Asian ceramics into American woodturning, Lindquist moved the discipline away from purely functional vessels toward sculptural objects that command attention as fine art.

      Mastery and Movement

      Lindquist’s artistic journey is marked by several distinct series that showcase his versatility and conceptual depth. In the early 1980s, he created his massive, textured Totemic Series Sculptures, works that drew inspiration from the Modernist tradition of Brâncuși to create imposing, powerful forms. This was followed in 1985 by the Ichiboku series, a collection of monumental sculptures ranging from six to eight feet in height. These pieces, carved from single blocks of wood, applied ninth-century Japanese Buddhist woodcarving philosophy to Modernist formal concepts. In this series, Lindquist adopted the concept of identifying with the spirit of the tree, an approach that stands in stark contrast to much of 20th-century art by embracing a direct connection to nature rather than imposing external ideas upon it.

      His technical prowess is equally evident in his more intimate works, such as the Ascending Bowl 3, a remarkable piece crafted from walnut that demonstrates his ability to manipulate form and light. Whether working with the dark glass and wood of his Post Totemic Series or the hyperrealist textures found in his photography, Lindquist’s work consistently evokes themes of growth, resilience, and interconnectedness. His ability to synthesize diverse influences—from ancient Eastern philosophies to Western Modernism—has allowed him to create a body of work that is both technically groundbreaking and emotionally resonant.

      Legacy and Recognition

      The impact of Mark Lindquist’s career is reflected in the prestigious institutions that house his creations. His sculptures are part of permanent collections in some of the world's most renowned museums, including:

      Beyond his physical sculptures, Lindquist has left an indelible mark through his writings and teaching. His publications, such as Sculpting Wood: Contemporary Tools & Techniques, have served as essential guides for generations of woodworkers. His accolades, including being named a Fellow of the American Craft Council and receiving the New England Living Art Treasure award, underscore his status as a master of his craft. Through his dedication to both the technical evolution of woodturning and its elevation to the status of fine art, Mark Lindquist has fundamentally reconstituted the field, ensuring that the dialogue between the artist and the natural world continues to flourish.