Det mest elskede maleri af Max Koch er Sylt Farmstead (1900), som hænger på Museum Kunst der Westküste i Alkersum. Vores katalog indeholder 1 værker af Max Koch: her er de 1 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Max Koch | Malerier fra denne liste |
|---|---|---|---|
| Alkersum | 1 | Sylt Farmstead |
Hvert dateret lærred af Max Koch på denne side er malet i 1900; her er de mest berømte først.
Sylt Farmstead (1900)
Max Koch, født i 1859, var 41 år gammel: Sylt Farmstead er fra 1900.
1 værker af Max Koch er i vores katalog.
Primært i Museum Kunst der Westküste (Alkersum); listen ovenfor nævner hvert museum og dets lærreder.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Max Koch was a German history painter who emerged from a family of artists, including his father Carl and his brother Georg. His artistic journey took him from the Teaching Institute of the Decorative Arts Museum Berlin to the École Nationale Supérieure des Beaux-Arts in Paris. During his career, he held a significant position as a professor at the Teaching Institute of the Decorative Arts Museum Berlin, where he led the academic master's studio for monumental, theatrical, and decorative painting.
His monumental works often graced the walls of prominent public and private buildings. Notable commissions included decorations for the Prussian House of Lords, the Prussian House of Representatives, and the Berlin-Brandenburg Academy of Sciences and Humanities. He also contributed to the decoration of the Wertheim and Tietz department stores, as well as the Lübecker Rathaus.
Koch was recognized for his work on several large-scale panoramas. These included a depiction of the Temple of Zeus for the Jubilee Exhibition of the Prussian Academy of Arts, a panorama of the Great Fire of Rome created with his brother Georg, and a collaborative work with his family and Hans Bohrdt depicting Kaiser Wilhelm II.
Beyond traditional painting, Koch explored photography, producing art nude model studies that adhered to academic criteria. His photographic works were published in two volumes:
These studies became widely known among artists and art students of his period.