Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Mingering Mike, født 1950

      De 100 mest berømte Mingering Mike-malerier, rangeret

      Det mest elskede maleri af Mingering Mike er GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). THE FREEDOM STOMPERS (1969) og 3 FOOTSTEPS away from the altar, mingering mike the big D (1969) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 151 værker af Mingering Mike: her er de 100 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.

      Portræt af Mingering Mike
      Mingering Mike · født 1950
      Født · død
      født 1950
      Bevægelse
      Pop art
      Værker i vores katalog
      151
      Mest kendte
      GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972)

      Top 10 Mingering Mike malerier: lærrederne som alle kender

      Flere lærreder af Mingering Mike, fra 11 til 100

      Mingering Mikes lærreder, periode for periode

      Hvad Mingering Mike har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Mingering Mikes mest elskede lærreder, år for år

      Ti års maleri, fra 1968 til 1975, findes på de daterede lærreder af Mingering Mike på denne side: gå på opdagelse år for år.

      1. 1968
      2. 1968
      3. 1968
      4. 1969
      5. 1969
      6. 1969
      7. 1969
      8. 1969
      9. 1970
      10. 1970
      11. 1970
      12. 1970
      13. 1971
      14. 1971
      15. 1971
      16. 1971
      17. 1972
      18. 1972
      19. 1972
      20. 1972
      21. 1972
      22. 1973
      23. 1973
      24. 1973
      25. 1975

      Om Mingering Mike's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Mingering Mike?Læs svaret

      GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972), efterfulgt af THE FREEDOM STOMPERS (1969) og 3 FOOTSTEPS away from the altar, mingering mike the big D (1969).

      Hvor gammel var Mingering Mike, da GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON blev malet?Læs svaret

      Mingering Mike, født i 1950, var 22 år gammel: GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON er fra 1972.

      Hvad er de 10 mest berømte malerier af Mingering Mike?Læs svaret

      GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS og DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange værker malede Mingering Mike i alt?Læs svaret

      151 værker af Mingering Mike er i vores katalog, dateret fra 1968 til 1975.

      Hvornår malede Mingering Mike de mest elskede lærreder?Læs svaret

      I 1972, som udgør 45 af de 100 værker på denne side, herunder GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON.

      Hvilke er Mingering Mikes tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968); det seneste er MERCY LET THE MUSIC TAKE YOUR MIND (1975).

      Hvad malede Mingering Mike oftest?Læs svaret

      Social commentary (8), Music memorabilia (4) og Vintage vinyl (4), fordelt på de 100 værker på denne side.

      Hvilken stilart tilhører Mingering Mike's maleri?Læs svaret

      Pop art og Contemporary realism, som lærrederne på denne side viser.

      Mingering Mike: et liv i maling

      The Genesis of a Dream: Mingering Mike’s Constructed Reality

      Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.

      The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.

      The Art of the Constructed Album

      What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.

      The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.

      Rediscovery and Recognition

      For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.

      The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.

      Themes and Legacy

      While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.

      Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.