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      Patrick Millard, 1902 – 1972

      De 4 mest berømte Patrick Millard-malerier, rangeret

      Det mest elskede maleri af Patrick Millard er Gulls, Lyme Regis (1950), som hænger på Goldsmiths i London. View from Trafalgar Studios, Chelsea og The Red Mill (1940) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 4 værker af Patrick Millard: her er de 4 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

      Portræt af Patrick Millard
      Patrick Millard · 1902 – 1972
      Født · død
      1902 – 1972
      Værker i vores katalog
      4
      Mest kendte
      Gulls, Lyme Regis (1950)
      Flest værker hos
      Goldsmiths

      Top 10 Patrick Millard malerier: lærrederne som alle kender

      Hvor Patrick Millard's lærreder hænger

      De 2 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Patrick Millard Malerier fra denne liste
      Goldsmiths, LondonGoldsmiths London 2 Gulls, Lyme Regis, View from Trafalgar Studios, Chelsea
      Jerwood Gallery, HastingsJerwood Gallery Hastings 1 John Minton with a Violin

      Patrick Millards mest elskede lærred fra hvert årti

      1. 1930s
      2. 1940s
      3. 1950s

      Om Patrick Millard's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Patrick Millard?Læs svaret

      Gulls, Lyme Regis (1950), Goldsmiths, London. View from Trafalgar Studios, Chelsea og The Red Mill (1940) følger efter.

      Hvor gammel var Patrick Millard, da Gulls, Lyme Regis blev malet?Læs svaret

      Patrick Millard, født i 1902, var 48 år gammel: Gulls, Lyme Regis er fra 1950.

      Hvor mange værker malede Patrick Millard i alt?Læs svaret

      4 værker af Patrick Millard er i vores katalog, dateret fra 1939 til 1950.

      Hvor kan jeg se Patrick Millards mest berømte lærreder?Læs svaret

      Primært i Goldsmiths (London) og Jerwood Gallery (Hastings); listen ovenfor nævner hvert museum og dets lærreder.

      Hvilke er Patrick Millards tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er John Minton with a Violin (1939); det seneste er Gulls, Lyme Regis (1950).

      Hvilke lærreder af Patrick Millard hænger på Goldsmiths?Læs svaret

      Goldsmiths, London har 2 af værkerne på denne side, herunder Gulls, Lyme Regis og View from Trafalgar Studios, Chelsea.

      Patrick Millard: et liv i maling

      The Lyrical Vision of Patrick Ferguson Millard

      In the tapestry of twentieth-century British art, few threads weave together the delicate strands of Romanticism and Modernism as gracefully as Patrick Ferguson Millard. Born in 1902 amidst the rugged beauty of Aspatria, Cumberland, Millard’s very origins were steeped in a profound connection to the English landscape and intellectual heritage. The son of Reverend F.L.H. Millard, his upbringing was shaped by an environment where scholarly curiosity and natural splendor coexisted. This duality—a reverence for the historical weight of the land and an openness to new aesthetic frontiers—would become the cornerstone of his artistic identity. His lineage, connected to the esteemed historian Robert S. Ferguson, anchored him to the traditions of Cumbria, yet his spirit was destined to wander far beyond the borders of his birthplace.

      Millard’s formal journey into the heart of the art world began through a series of prestigious institutions, including the Carlisle School of Art and the Liverpool School of Art, eventually leading him to the Royal Academy Schools between 1921 and 1925. It was during this formative period that he encountered the influential mentor Walter Sickert, whose guidance proved transformative. Sickert encouraged Millard to look toward the continent, prompting a journey through Paris, Italy, and Spain. This exposure to the vibrant currents of European art—the dramatic intensity of El Greco and the structural innovations of Cubism and Surrealism—deeply enriched his palette and perspective. While he absorbed these modernistic whispers, Millard remained fundamentally tethered to a more lyrical, emotive approach, seeking to capture the soul of his subjects rather than merely their geometric essence.

      A Legacy of Light and Line

      The artistry of Millard is characterized by an exquisite sensitivity to atmosphere, often described as a visual interpretation of emotion. He was not merely a painter of scenes, but a translator of moods. His work frequently echoes the pastoral legacy of Samuel Palmer, channeling a sense of quiet contemplation and the idealized beauty of the English countryside. Through delicate linework and subtle washes of watercolor, he breathed life into landscapes that felt both ancient and immediate. His mastery extended beyond the horizon of the landscape to include intimate life studies and animal drawings, where his keen understanding of anatomy and form met a soft, poetic touch.

      Beyond his personal practice, Millard’s influence permeated the academic landscape of British art education. As a lecturer and teacher, he held prestigious positions that allowed him to shape the next generation of visionaries, including notable artists such as John Minton and Michael Ayrton. His ability to bridge the gap between the traditional Victorian sensibility and the burgeoning modern era made him a vital figure in art pedagogy. His career was marked by significant accolades, including the Royal Academy Gold Medal and the Traveling Scholarship in 1925, which served as a testament to his rising prominence on the international stage.

      To reflect upon the breadth of his contribution, one might consider these defining elements of his career:

      • The Romantic Connection: A profound stylistic debt to the pastoral traditions of Samuel Palmer and the expressive power of El Greco.
      • Educational Impact: His role as a mentor and educator at institutions like St John's Wood Art School, influencing mid-century British art.
      • Technical Versatility: An ability to move seamlessly between the precision of pen and ink and the ethereal qualities of watercolor and wash.
      • Historical Synthesis: The unique ability to harmonize the scholarly, historical weight of his Cumbrian roots with the experimental spirit of European Modernism.

      Ultimately, Patrick Ferguson Millard remains a pivotal figure whose work serves as a bridge between eras. He captured the fleeting light of the English landscape and the enduring strength of tradition, leaving behind a body of work that continues to invite viewers into a world of quiet, luminous beauty.