Payag, 1595 – 1655

De 3 mest berømte Payag-malerier, rangeret

Det mest elskede maleri af Payag er Shah Shuja Hunting Nilgai (1652), som hænger på Rhode Island School of Design Museum of Art i Providence. The Battle of Samugarh (1658) og Nasiri Khan Directing the Siege of Qandahar, May 1631: Folio from the Windsor Padshahnama (1633) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 3 værker af Payag: her er de 3 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

Payag · 1595 – 1655

Født · død: 1595 – 1655, India
Værker i vores katalog: 3
Mest kendte: Shah Shuja Hunting Nilgai (1652)
Flest værker hos: Rhode Island School of Design Museum of Art

Top 10 Payag malerier: lærrederne som alle kender

Shah Shuja Hunting Nilgai

1652 · Gouache · Rhode Island School of Design Museum of Art, Providence

The scene unfolds across a layered, hilly terrain, where the high horizon line creates a sense of depth through overlapping ridges. Prince Shah Shuja is positioned within this landscape, engaged in a hunt alongside several figures. The focus of the pursuit is a Nilgai, or blue bull, moving through the vegetation. The composition uses diagonal lines of the earth to direct the eye toward the tension of the hunt, set…

Håndmalet oliereproduktion fra $228 39 × 26 cm

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The Battle of Samugarh

1658 · Gouache · Harvard Art Museums, Cambridge

A vast, bird's-eye perspective captures the chaotic scale of a large-scale military engagement. The composition is dense, filling the frame with a multitude of soldiers, cavalry, and elephants moving across a wide landscape. Earthy tones and pale washes dominate the scene, punctuated by the sharp colors of ceremonial tents and banners. Fine, precise lines define the intricate details of the figures and the organic forms of the animals, creating a…

Håndmalet oliereproduktion fra $178 37 × 27 cm

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Nasiri Khan Directing the Siege of Qandahar, May 1631: Folio from the Windsor Padshahnama

1633

Payag’s versatility is seen in this disturbing evocation of the horrors of war, in which mines are used to breach the fort defenses of Qandahar, near Hyderabad. Their explosive force sends billowing smoke littered with corpses into the sky. Like most artists in the employ of the Mughal ateliers, Payag probably held a commission in the imperial army. Certainly, his intimate knowledge of the machinery of Mughal warfare seen here…

Håndmalet oliereproduktion fra $178 27 × 37 cm Samme størrelse som originalen $342 70 × 91 cm Bestil i original størrelse →

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Hvor Payag's lærreder hænger

De 2 museer, der rummer flest af malerierne på denne side.

Museum	By	Værker af Payag	Malerier fra denne liste
Rhode Island School of Design Museum of Art	Providence	1	Shah Shuja Hunting Nilgai
Harvard Art Museums	Cambridge	1	The Battle of Samugarh

Payags mest elskede lærreder, år for år

Payag ved staffeliet gennem 20 år, fra 1633 til 1652: de mest elskede lærreder fra hvert år, i rækkefølge.

1633

Rangeret som nr. 3 ud af 3
Nasiri Khan Directing the Siege of Qandahar, May 1631: Folio from the Windsor Padshahnama
Alder 38
Payag’s versatility is seen in this disturbing evocation of the horrors of war, in which mines are used to breach the fort defenses of Qandahar, near Hyderabad. Their…
1652

Lærred 1 af 3
Shah Shuja Hunting Nilgai
Alder 57 · Rhode Island School of Design Museum of Art
The scene unfolds across a layered, hilly terrain, where the high horizon line creates a sense of depth through overlapping ridges. Prince Shah Shuja is positioned within this…

Om Payag's lærreder: dine spørgsmål besvaret

Hvad er det mest kendte maleri af Payag?Læs svaret

Shah Shuja Hunting Nilgai (1652), Rhode Island School of Design Museum of Art, Providence. The Battle of Samugarh (1658) og Nasiri Khan Directing the Siege of Qandahar, May 1631: Folio from the Windsor Padshahnama (1633) følger efter.

Hvor gammel var Payag, da Shah Shuja Hunting Nilgai blev malet?Læs svaret

Payag, født i 1595, var 57 år gammel: Shah Shuja Hunting Nilgai er fra 1652.

Hvor mange værker malede Payag i alt?Læs svaret

3 værker af Payag er i vores katalog, dateret fra 1633 til 1652.

Hvor kan jeg se Payags mest berømte lærreder?Læs svaret

Primært i Rhode Island School of Design Museum of Art (Providence) og Harvard Art Museums (Cambridge); listen ovenfor nævner hvert museum og dets lærreder.

Hvilke er Payags tidligste og seneste berømte lærreder?Læs svaret

Det tidligste lærred her er Nasiri Khan Directing the Siege of Qandahar, May 1631: Folio from the Windsor Padshahnama (1633); det seneste er Shah Shuja Hunting Nilgai (1652).

Hvilket medie malede Payag oftest i?Læs svaret

Gouache, anvendt i 2 af de 3 værker på denne side.

Kan jeg købe en reproduktion af et lærred af Payag?Læs svaret

Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

Payag: et liv i maling

early life and career

payag, an indian miniature painter, was born in 1595 and remained active until his passing in 1655. as the older brother of the renowned mughal artist balchand, payag's career likely began within the mughal court, where he honed his skills in capturing intricate details and realism.

artistic style and notable works

payag's artistic prowess is evident in his detailed and realistic paintings, often depicting scenes from the mughal court and military campaigns. one of his most notable contributions was to the padshahnama, a chronicle of the reign of shah jahan, now preserved in the royal library, windsor castle.

key artistic elements:
- detailed and realistic depictions
- mughal court and military campaign scenes
- contribution to the padshahnama
notable works:**

padshahnama (royal library, windsor castle)
various mughal court and military campaign scenes (collections at TopImpressionists.com)

legacy and influence
payag's work, though lesser known compared to his brother balchand, signifies the artistic excellence of 17th-century indian miniature painting. his contributions to the padshahnama and other mughal court depictions have solidified his place in art history. explore payag's artistic world:** * visit payag's profile on TopImpressionists.com to view more of his works: [https://TopImpressionists.com/@/payag](https://TopImpressionists.com/@/payag) * discover the padshahnama and other mughal era artworks at TopImpressionists's collection: /en/art/show/art-d3cl2x-en/
conclusion
payag, a master of indian miniature painting, left an indelible mark on the art world with his detailed and realistic works. through TopImpressionists.com, art enthusiasts can delve into payag's artistic genius and explore the rich cultural heritage of 17th-century india.

**note:** the provided links are for exploring payag's artworks and related content on TopImpressionists.com.

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