Samson (Bairds Carryout) (1987) er det maleri, som Peter Howson er bedst kendt for; det befinder sig på Metropolitan Museum of Art, New York. Samson (Bairds Carryout) (1987) og Boxer fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 3 værker af Peter Howson. Her er de 3 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Peter Howson | Malerier fra denne liste |
|---|---|---|---|
| New York | 1 | Samson (Bairds Carryout) |
De daterede lærreder af Peter Howson på denne side stammer alle fra 1987: her er de, i rækkefølge efter berømmelse.
Samson (Bairds Carryout) (1987), Metropolitan Museum of Art, New York. Samson (Bairds Carryout) (1987) og Boxer følger efter.
Peter Howson, født i 1958, var 29 år gammel: Samson (Bairds Carryout) er fra 1987.
3 værker af Peter Howson er i vores katalog.
Primært i Metropolitan Museum of Art (New York); listen ovenfor nævner hvert museum og dets lærreder.
I 1987, som udgør 2 af de 3 værker på denne side, herunder Samson (Bairds Carryout).
Peter Howson OBE (born 1958) is a Scottish painter renowned for his powerfully emotive and often unsettling depictions of modern life. Born in London to Scottish parents, he moved with his family to Prestwick, Ayrshire, at the age of four. Raised in a deeply religious household, this early upbringing profoundly influenced his artistic trajectory; his very first painting, created at age six, was a depiction of the crucifixion.
Howson’s work has evolved through distinct phases. Initially, he became known for his raw and unflinching portrayals of masculine working-class men – figures often presented as heroic yet vulnerable. Heroic Dosser (1987) remains a seminal example of this early style. His paintings from this period are characterized by their muscular forms, gritty realism, and exploration of identity and social issues.
A pivotal moment in Howson’s career came in 1993 when he was commissioned by the Imperial War Museum as the official war artist for Bosnia/Herzegovina during the brutal conflict. This experience profoundly affected him, leading to some of his most shocking and controversial works. Paintings like Plum Grove (1994) unflinchingly documented the atrocities witnessed, including depictions of rape and violence based on direct accounts from victims. The painting Croatian and Muslim, detailing a rape, generated significant controversy due to its explicit subject matter.
Howson also served as the official war painter during the Kosovo War for *The London Times*. In more recent years, his work has increasingly explored religious themes. This shift is closely linked to his personal battle with alcoholism and drug addiction, culminating in treatment at Castle Craig Hospital in Peebles in 2000. Following this experience, he converted to Christianity, and paintings like Judas (2002) reflect both his past struggles and newfound faith.
Beyond fine art, Howson's work has reached wider audiences through album cover designs for bands like Live (*Throwing Copper*), The Beautiful South (*Quench*), and Jackie Leven (*Fairytales for Hardmen*) and even a British postage stamp celebrating engineering achievements in 1999.
Peter Howson is considered a significant figure in contemporary Scottish art, associated with the New Glasgow Boys. His unflinching honesty, powerful imagery, and willingness to confront difficult subjects have established him as a unique voice within figurative expressionism. He continues to exhibit internationally, and his work resides in numerous major collections, cementing his place as an iconic artist of our time.