Orange and Book (1817) er det maleri, som Raphaelle Peale er bedst kendt for. Artemas Ward (1727-1800) (1795) og Portrait of a Gentleman (1800) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 72 værker af Raphaelle Peale. Her er de 72 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
In this oil on canvas work, titled Orange and Book, Raphaelle Peale turns his attention to the quietude of the domestic sphere. Created in 1817, the painting captures a specific moment of stillness. It is a work that reflects the artist's early focus on the textures and forms of the natural world. Peale was a pioneer in the American tradition, often finding profound detail in the most humble of subjects.
The man sits in a quiet, three-quarter view, his gaze fixed steadily toward the right as if caught in a moment of profound contemplation. He is an elderly figure, his face etched with the dignity of a life lived through significant history. A soft, directional light spills from the upper left, carving out the high ridge of his forehead and the bridge of his nose, while casting the right side…
The artwork titled Portrait of a Gentleman is a miniature portrait painting created by the artist Raphaelle Peale. This specific piece dates to about 1800. It functions as a formal portrait of a gentleman, capturing the likeness of the subject within a small-scale format. The work is executed as a miniature, a detail that dictates the intimate scale of the composition.
In Raphaelle Peale's Portrait of a Gentleman, the subject is held within the quiet confines of an oval frame. The gentleman is captured in a bust-length view, facing forward to meet the viewer's gaze directly. Above him, a single decorative element, resembling a looped ring or a pendant, hangs suspended in the space. The background remains neutral and indistinct, a void that pushes the figure into the immediate foreground. This…
The portrait of Mrs. John Montgomery, also known as Sarah Diemer, is a monochrome study rendered in graphite on paper. The subject is depicted from the bust up, positioned within an oval border that frames her head and shoulders. Her torso is angled slightly toward the right, while her gaze remains directed forward. The background is a plain, neutral space that provides no environmental context, focusing all visual attention on…
The gaze of the subject meets us from within the delicate confines of an oval miniature. This intimate work, titled Portrait of a Gentleman, captures a man from the chest up, presenting a quiet moment of dignity. Raphaelle Peale renders the figure against a neutral background, a choice that keeps the focus entirely on the man himself. There is a stillness here, as if the subject has paused mid-breath to…
is a formal portrait by Raphaelle Peale, executed about 1810. The work presents a medium close-up of the sitter, an African American clergyman, positioned slightly off-center. He is depicted in clerical attire, holding a large book, likely a Bible, which signifies his religious authority and scholarship.
In the portrait miniature Perry Albert Cohea by Raphaelle Peale, the subject is held within the quiet confines of an oval format. This close-up perspective creates an immediate, intimate connection, drawing the eye toward a man presented in a three-quarter view. He sits centered against a soft, neutral background that allows the silhouette of his form to emerge with clarity. The composition is formal and steady, capturing a moment of…
This portrait, titled Jonathan Jones Wheeler, was painted by Raphaelle Peale in 1812. Created in the United States, the work belongs to the genre of portraiture. It offers a focused study of an individual, captured during a period when the artist was establishing his presence in the American artistic landscape.
This 1821 miniature portrait presents a formal bust of P. F. Ronbeau, rendered in a grayscale palette. The subject is positioned within an oval frame, facing forward with a direct, steady gaze. His attire, consisting of a dark coat and a white shirt with a cravat, creates sharp geometric contrasts against the softer tones of his skin. The composition focuses entirely on the head and shoulders, utilizing the miniature format…
This miniature portrait painting, dating from 1815, depicts the bust of William E. Dickson. The subject is presented in a centered composition, facing directly toward the viewer with…
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In Osborne Sprigg, Raphaelle Peale centers the gaze upon a young boy and his dog. They occupy the majority of the frame, anchored within a domestic scene of…
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A collection of ripe blackberries and red raspberries rests within and around a shallow white bowl. The composition is horizontal, positioning the fruit in the lower half of…
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The quiet arrangement known as Still Life with Oranges by Raphaelle Peale captures a moment of domestic abundance. Created in 1818, this work presents a collection of fruit…
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Raphaelle Peale's "Venus Rising from the Sea – A Deception," painted in 1822, is far more than a simple depiction of a woman emerging from a bath. It’s…
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Melons and Morning Glories is an oil on canvas painting created by Raphaelle Peale in 1813. The work is held within the Smithsonian American Art Museum collection. This…
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In this 1822 oil on panel, we find ourselves invited into a private, silent moment of domesticity. The composition rests upon a flat, neutral surface, pulling the viewer…
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In this 1795 portrait, we encounter a man who would later become a significant figure in the Peale family legacy. He is depicted wearing a blue coat, accented…
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The portrait carries the gravity of a life lived in the early American era. The dark tones of his attire absorb the light, creating a silhouette that feels…
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Raphaelle Peale executed this watercolor on paper in 1795. The work, titled George Fisher, captures a man presented in a direct, frontal orientation. He gazes toward the viewer,…
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A young girl stares out from the frame, her expression heavy with a seriousness that belies her years. Her blonde hair is held in place by a delicate…
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The artwork titled Robert Oliphant is a portrait painted by Raphaelle Peale. This specific work dates to 1799. The subject of the painting is a man, depicted in…
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This portrait of Rubens Peale was executed by Raphaelle Peale around 1800. It offers a quiet glimpse into the life of the subject, who was the son of…
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Raphaelle Peale painted Corn and Cantaloupe in 1813. This oil on panel work focuses on a collection of harvest items, specifically corncobs and fruit. The composition centers on…
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A small, round pendant holds a quiet collision of faces. The outer portrait captures a young man with light hair, his gaze steady and neutral against a dark…
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The scene unfolds in a hushed, domestic stillness, where the passage of time seems to pause mid-breath. A bowl sits at the heart of the composition, overflowing with…
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In this 1813 oil painting, the quietude of a tabletop arrangement takes center stage. Three triangular slices of cheese rest upon a plate, their pale surfaces contrasting against…
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In this 1813 oil on canvas, we find ourselves in the presence of a quiet, domestic scene that captures the essence of early American naturalism. The composition centers…
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The scene unfolds upon a tabletop, where a pale, yellowish cake sits as the central figure. Slices have been removed from its body, leaving behind a jagged, inviting…
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Created in 1814, this work emerges from a period when American art primarily focused on the faces of the prominent and the powerful. While others sought to immortalize…
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The Portrait of a Gentleman is a delicate miniature portrait painting by Raphaelle Peale. Created about 1805, this work offers an intimate glimpse into the social fabric of…
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is a still life painting by Raphaelle Peale, executed in 1814. The work represents a significant moment in early nineteenth-century American art, a period when the nation's visual…
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This watercolor on ivory, dating to 1805, captures a man of distinction through a highly intimate lens. The subject is rendered from the head to the upper torso,…
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The oil on canvas painting Melons and Morning Glories emerges from 1813, a moment when the quiet life of objects begins to command the attention of the American…
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In the quiet intimacy of Raphaelle Peale’s 1820 masterpiece, Still Life with Raisins, Yellow and Red Apples in Porcelain Basket, we are invited to pause and witness the…
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In Raphaelle Peale's Still Life with a Basket of Peaches, the viewer meets a quiet moment of abundance captured from a straight-on, eye-level perspective. A silver wire basket…
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In Still Life with Peaches by Raphaelle Peale, a white, perforated ceramic or metal bowl sits at the center of a quiet universe. The vessel overflows with ripe…
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A single, blemished apple sits near a cluster of dark raisins and a small, frosted cake. This arrangement, rendered in oil on panel, captures a quiet moment of…
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Still Life with Fruit, Cakes and Wine is a still life painting by Raphaelle Peale. Executed in 1821, the work originated in the United States. It belongs to…
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is a still life oil painting executed by Raphaelle Peale in 1816. The work emerged during a period when the artist was establishing himself as a specialist in…
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In Still Life with Steak, Raphaelle Peale presents a close-up arrangement of various foodstuffs that invites a quiet, steady observation. The composition is anchored by a large, prominent…
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The composition centers on a ceramic pitcher filled with white cream, positioned near a plate of ripe red strawberries. Greenery and trailing vines extend from the central arrangement,…
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The painting Still Life with Apples, Sherry, and Tea Cake is a composition featuring various fruits and drinks. The central focus of the work is a group of…
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The painting titled Fruits and Nuts in a Dish was created in 1818. This work is an oil on wood painting by Raphaelle Peale. The artist was born…
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A quiet arrangement of sustenance occupies the tabletop, rendered with a precision that emphasizes the physical weight of each object. Two bottles, positioned at the periphery, flank a…
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In this 1822 oil composition, the domestic sphere is rendered with a precision that borders on the scientific. Three apples occupy the center of the arrangement, their forms…
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In this 1822 composition, the viewer is invited into a silent, domestic space where the mundane is granted a singular focus. A large watermelon dominates the lower half…
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In this 1818 oil on canvas, Still Life with Cake presents a quiet study of domesticity and abundance. The work is attributed to Raphaelle Peale, a figure who…
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In this 1815 composition, we find ourselves in the presence of a singular, quiet moment captured on canvas. The scene is a simple arrangement of fruit upon a…
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Still Life with Strawberries and Ostrich Egg Cup is a work by Raphaelle Peale, dating to 1822. In this composition, Peale turns his attention to the quiet arrangement…
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The scene unfolds with a startlingly tactile presence, as if the viewer has just stepped into a sunlit kitchen to find a meal prepared but left momentarily untouched.…
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Lemon and Grapes is an oil on canvas painting by Raphaelle Peale. The work dates to 1818. The artist, born in 1774, was a professional painter of still…
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In this work, we see the early nineteenth-century American impulse to find significance in the domestic and the everyday. Rather than seeking the grand or the dramatic, the…
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Still Life with Wine Glass is an oil on wood painting created by Raphaelle Peale in 1818. The artist, born in Annapolis, United States, in 1774, was a…
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In Lemons and Sugar, Raphaelle Peale presents a quiet arrangement of domestic objects from about 1822. The central focus is a bowl filled with lemons, into which two…
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The scene unfolds with the quiet presence of Fox Grapes and Peaches, a work that captures a moment of stillness in 1815. In this composition, Raphaelle Peale arranges…
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Still Life with Orange and Book, painted in 1817, represents a significant moment in the development of American genre painting. Raphaelle Peale, the first professional American painter of…
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This watercolor painting, created in 1818, presents a portrait of a woman identified as Catherine Douglas Dickson. The subject is depicted from the chest up, looking directly at…
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In this 1815 composition, we find ourselves in the presence of a singular, quiet moment captured in oil. The central figure is a dried fish, a herring, resting…
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The quiet presence of Still Life with Peach meets the viewer through a delicate layer of oil on panel. Created in 1816, this work captures a singular moment…
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The quiet stillness of 1819 finds its focus in Fruit Piece with Peaches Covered by a Handkerchief (also known as Covered Peaches). This oil on panel work captures…
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The painting Still Life with Watermelon was executed by Raphaelle Peale in 1822. This work emerged from a hand that sought the quietude of the inanimate. Born in…
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In this oil on canvas work, titled Still Life with Jug and Fish, we encounter a quiet moment from the early nineteenth century. The artist, Raphaelle Peale, composed…
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Raphaelle Peale's "Still Life with Cake," painted in 1818, isn’t merely a depiction of food; it’s a carefully constructed tableau brimming with quiet contemplation and subtle social commentary.…
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This exquisite hand-painted reproduction captures the essence of Abigail Adams, a pivotal figure in early American history, as immortalized by the pioneering still life painter, Raphaelle Peale. Executed…
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The painting captures a sense of historical permanence, a snapshot of a woman existing within a specific, structured reality. The lighting pulls her forward from the dark background,…
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I 1818 skabte Raphaelle Peale, en pioner inden for amerikansk kunst og især indenfor still life-maleriet, et mesterværk kendt som “Still Life with Wine Glass”. Dette billede er…
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The Raphaelle Peale painting, Still Life with Peach, is a stunning example of American still life art. Created in 1816, this oil on panel piece is currently housed…
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Raphaelle Peale's "Still Life, Strawberries and Nuts," painted in 1822, is more than just a depiction of fruit and nuts; it’s a meticulously crafted snapshot of early 19th-century…
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Still Life with Cake is an oil on canvas work by Raphaelle Peale. Painted in 1818, this Neoclassical still life captures a quiet, domestic moment. The artist, Raphaelle…
Bring dette lys hjem fra $178 →De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Raphaelle Peale | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 10 | Jonathan Jones Wheeler, William E. Dickson, George Fisher |
 Metropolitan Museum of Art |
New York | 8 | Portrait of a Gentleman, Portrait of a Gentleman, Mrs. John Montgomery (Sarah Diemer) |
 National Gallery of Art |
Washington | 3 | A Dessert, Strawberries and Cream, Still Life with Apples, Sherry, and Tea Cake |
 Harvard Art Museums |
Cambridge | 2 | Artemas Ward (1727-1800), Perry Albert Cohea |
 Art Institute of Chicago |
Chicago | 2 | Still Life - Strawberries, Nuts, &c., Still Life, Strawberries and Nuts |
 Brooklyn Museum |
Brooklyn | 2 | Still Life with Peaches, Still Life with Cake |
 Detroit Institute of Arts |
Detroit | 2 | Still LIfe with Wine Glass, Still Life med Viniglas |
 Delaware Art Museum |
1 | The Reverend Absalom Jones |
The man sits in a quiet, three-quarter view, his gaze fixed steadily toward the right as if caught in a moment of profound contemplation. He is an elderly…
The artwork titled Portrait of a Gentleman is a miniature portrait painting created by the artist Raphaelle Peale. This specific piece dates to about 1800. It functions as…
In this oil on canvas work, titled Orange and Book, Raphaelle Peale turns his attention to the quietude of the domestic sphere. Created in 1817, the painting captures…
This 1821 miniature portrait presents a formal bust of P. F. Ronbeau, rendered in a grayscale palette. The subject is positioned within an oval frame, facing forward with…
Orange and Book (1817), efterfulgt af Artemas Ward (1727-1800) (1795) og Portrait of a Gentleman (1800).
Raphaelle Peale, født i 1774, var 43 år gammel: Orange and Book er fra 1817.
Orange and Book, Artemas Ward (1727-1800), Portrait of a Gentleman, Portrait of a Gentleman, Mrs. John Montgomery (Sarah Diemer), Portrait of a Gentleman, The Reverend Absalom Jones, Perry Albert Cohea, Jonathan Jones Wheeler og P. F. Ronbeau. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
72 værker af Raphaelle Peale er i vores katalog, dateret fra 1795 til 1822.
Primært i Smithsonian American Art Museum (Washington, D.C.), Metropolitan Museum of Art (New York) og National Gallery of Art (Washington); listen ovenfor nævner hvert museum og dets lærreder.
I 1810s, som udgør 37 af de 72 værker på denne side, herunder Orange and Book.
Det tidligste lærred her er Artemas Ward (1727-1800) (1795); det seneste er Venus Rising from the Sea - A Deception (also known as After the Bath) (1822).
Fruit (31), Still life (18) og Man (12), fordelt på de 72 værker på denne side.
Oil On Canvas, anvendt i 28 af de 72 værker på denne side.
Neoclassicism, som lærrederne på denne side viser.
Smithsonian American Art Museum, Washington, D.C. har 10 af værkerne på denne side, herunder Jonathan Jones Wheeler, William E. Dickson og George Fisher.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
I det spirende landskab i det tidlige nittende århundredes amerikanske kunst, hvor portrættet herskede uantastet som det primære middel til at udtrykke status og eftermæle, turde Raphaelle Peale vende sit blik mod den stille, ofte oversete skønhed i det livløse. Peale blev født i Annapolis i 1774 og var ikke blot en maler, men en pioner, der skabte en specialiseret niche, som tidligere var blevet forsømt i den unge nations kunstneriske repertoire. Som søn af den legendariske Charles Willson Peale var hans selve eksistens vævet sammen med pulsen fra amerikanske videnskabelige og kunstneriske opdagelser. Da han voksede op i kredsen omkring en af Amerikas mest indflydelsesrige kunstneriske dynastier, blev Raphaelle opslugt af et miljø, hvor omhyggelig observation blev betragtet som både en finere kunstart og en videnskabelig nødvendighed.
Hans tidlige uddannelse var dybt forankret i denne dobbelte tradition af naturalisme og håndværk. Under sin fars vågne øje lærte Peale at se verden gennem en linse af dyb detaljerigdom, en færdighed, der senere skulle blive kendetegnende for hans modne stil. Mens hans søskende ofte valgte karriereveje inden for medicin eller naturhistorie, kanaliserede Raphaelle denne nedarvede passion for dokumentation ind i oliemaleriet på lærred. Han søgte ikke blot at repræsentere genstande; han søgte at ophøje dem. Ved at fokusere på frugtens teksturer, porcelænets glans og det organiske materiales subtile forfald, bragte han en følelse af permanens til det forgængelige og transformerede simple køkkenartikler til emner for den højeste kunst.
Den sande genialitet i Peales arbejde ligger i hans tekniske beherskelse af lys og overflade. Han blev en mester i trompe l'oeil—en teknik designet til at "bedrage øjet"—hvor han skabte illusioner så overbevisende, at beskueren ofte blev fristet til at række ud og røre ved de afbildede objekter. Hans kompositioner, såsom dem med ferskner, rosiner eller fisk, er studier i taktil virkelighed. Man kan næsten fornemme den fløjlsbløde hud på en modnende fersken eller den kølige, glatte overflade af en keramisk kande gennem hans mesterlige brug af lasur og skygge.
Peales stilistiske udvikling blev i betydelig grad formet af en bevidsthed om europæiske traditioner, især indflydelsen fra de spanske mestre, der længe havde perfektioneret stillebenskunsten. Ved at forene denne gamle verdens sofistikering med en unikt amerikansk sanselighed, skabte han værker, der føltes både globalt informerede og lokalt forankrede. Hans malerier er ofte kendetegnet ved:
Selvom hans karriere var relativt kort og sluttede med hans død i 1825, kan betydningen af Raphaelle Peales indflydelse på den amerikanske kunsts bane ikke overvurderes. Han brød portrættets monopol og beviste, at det hjemlige og det naturalistiske var værdigt til det højeste niveau af kunstnerisk hengivenhed. Dermed lagde han grundstenen for generationer af amerikanske stillebensmalere, der fulgte i hans fodspor og udforskede temaer som overflod, forfald og hverdagens skønhed.
I dag huskes Peale ikke blot som et medlem af en berømt familie, men som et enestående talent, der besad modet til at finde storhed i det små. Hans værker står som vitale vidnesbyrd om en periode i amerikansk historie, hvor nationen stadig var ved at definere sin visuelle identitet. Gennem hans penselstrøg blev det simple indhold af en kurv eller den ydmyge opstilling på et bord til evige symboler på en spirende kulturs evne til at observere, værdsætte og forevige verden omkring sig.
