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      Robert Burrows, 1810 – 1883

      Robert Burrows: De 18 mest kendte malerier

      Af alle Robert Burrows's malerier er Evening det mest berømte; det hænger på Darlington Library i Darlington. Lige efter følger Bridge, West of Stoke Bridge, Suffolk (1847) og Gainsborough's Lane (1868). Blandt de 21 værker af Robert Burrows i vores katalog er disse 18 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Robert Burrows
      Robert Burrows · 1810 – 1883
      Født · død
      1810 – 1883
      Værker i vores katalog
      21
      Mest kendte
      Evening
      Flest værker hos
      Darlington Library

      Robert Burrowss 10 mest fejrede malerier

      Robert Burrowss malerier rangeret fra 11 til 18

      Hvad Robert Burrows har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Robert Burrows's lærreder hænger

      De 4 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Robert Burrows Malerier fra denne liste
      Darlington Library, DarlingtonDarlington Library Darlington 4 Evening, Gainsborough's Lane, Cattle on Road
      Christchurch Mansion, IpswichChristchurch Mansion Ipswich 2 Gipping near Oil Mills, Suffolk, Landscape in Christchurch Park, Suffolk
      Sunderland Museum - Winter Gardens, SunderlandSunderland Museum - Winter Gardens Sunderland 1 Gainsborough's Lane
      Sudbury Town Hall, SudburySudbury Town Hall Sudbury 1 Cattle Watering

      Årti for årti: Robert Burrowss mest fejrede lærred

      1. 1840s
      2. 1860s
      3. 1880s

      Dine spørgsmål om Robert Burrowss malerier, besvaret

      Hvilket er det mest berømte maleri af Robert Burrows?Læs svaret

      Evening, Darlington Library, Darlington. Bridge, West of Stoke Bridge, Suffolk (1847) og Gainsborough's Lane (1868) følger efter.

      Hvilke ti malerier er Robert Burrows mest kendt for?Læs svaret

      Evening, Bridge, West of Stoke Bridge, Suffolk, Gainsborough's Lane, Foxhall Road, Ipswich, Cattle Watering, River Scene, River Orwell from Gainsborough Lane, Suffolk, Orwell from Bridleway, Ipswich, Old Gippeswyck Hall, Suffolk og Back of Cauldwell Hall, Suffolk. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier af Robert Burrows er kendt?Læs svaret

      21 værker af Robert Burrows er i vores katalog, dateret fra 1847 til 1883.

      Hvilke museer udstiller Robert Burrowss mest kendte lærreder?Læs svaret

      Primært i Darlington Library (Darlington), Christchurch Mansion (Ipswich) og Sunderland Museum - Winter Gardens (Sunderland); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Robert Burrows sine mest berømte lærreder?Læs svaret

      I 1880s, som udgør 8 af de 18 værker på denne side, herunder River Scene.

      Hvad er de første og de sidste af Robert Burrowss berømte lærreder?Læs svaret

      Det tidligste lærred her er Bridge, West of Stoke Bridge, Suffolk (1847); det seneste er River Scene (1883).

      Hvilke motiver går oftest igen i Robert Burrows's malerier?Læs svaret

      Rural landscape (2) og Pastoral scene (2), fordelt på de 18 værker på denne side.

      Hvad kan jeg se af Robert Burrows på Darlington Library?Læs svaret

      Darlington Library, Darlington har 4 af værkerne på denne side, herunder Evening, Gainsborough's Lane og Cattle on Road.

      Kan jeg bestille en håndmalet kopi af et maleri af Robert Burrows?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Robert Burrows: malerens historie

      Early Life, Family and Artistic Training

      Robert Burrows was born in Ipswich, Suffolk, in 1810. He was the eldest son of a silversmith, Robert Burrows, and Elizabeth Cordy. Growing up in a household shaped by the precise work of a silversmith, he eventually moved toward the study of fine art. He traveled to London to receive his training at the Royal Academy, where he learned the formal foundations of his craft.

      His connection to the local art community in Ipswich remained strong throughout his life. Shortly after Henry Davy established the Ipswich Society of Professional & Amateur Artists in 1832, Robert Burrows joined the group. He became deeply involved in the organization's inner workings, eventually taking on the role of secretary. This involvement placed him at the center of the local creative circle during a period of significant change in how people captured the world around them.

      The Landscapes of Ipswich and Suffolk

      Burrows found his subject matter in the quiet corners of the Suffolk countryside. Much of his work focuses on the immediate surroundings of Ipswich, capturing the specific light and textures of the local terrain. He spent much of his time observing the way the landscape settled around the river valleys and the small lanes that connected the rural settlements.

      In 1866, he painted Gainsborough’s Lane, a scene that looks closely at a typical Victorian village street. The work focuses on the cottages and the cobblestones under the afternoon light. His interest in the water is evident in his 1883 depictions, such as the Orwell River from Gainsborough Lane, Suffolk, and his views of Old Cauldwell. These paintings look at the Orwell River valley, focusing on the stillness of the water and the way the light sits upon the landscape. He also turned his attention to the architecture of the region, as seen in his 1883 painting of Old Gippeswyck Hall, Suffolk.

      Technique and Artistic Style

      Burrows worked primarily with oil paints on canvas, applying pigment in thin layers to build a sense of light. His approach relied on meticulous observation and a steady hand. He favored controlled, deliberate brushstrokes that allowed him to capture the specific textures of the natural world. In his depictions of the Suffolk countryside, he focused on the way light interacts with different surfaces, particularly the movement of water and the density of foliage.

      There is a quiet precision in how he handled tonal harmony. He did not rely on sudden shifts in color but instead worked through subtle gradations to create depth. This method is evident in his treatment of landscape elements, where he sought to replicate the actual appearance of the terrain through careful layering. His work often centers on the interplay between light and shadow in rural settings, such as the following pieces:

      His method required a patient, close-up study of his subjects. By prioritizing the physical reality of textures, he achieved a sense of atmospheric depth without losing the specific details of the landscape. This focus on the tangible qualities of nature—the roughness of a path or the stillness of a river—defines his visual language.

      Legacy and Where to See the Works

      Burrows represents a specific chapter in the history of Suffolk art and photography. His landscapes offer a way to see how Victorian life was perceived in the rural countryside. By using early photographic techniques, he showed an interest in capturing reality through these new mediums. His work remains a record of the changing landscape and the way light fell across the fields and river valleys of his home.

      Several collections hold his paintings. The Darlington Library contains five of his works. In Ipswich, Christchurch Mansion holds two pieces. Other works can be found in the Sudbury Town Hall and the Sunderland Museum - Winter Gardens.