Robert Eigenberger, 1890 – 1979
De 4 mest berømte Robert Eigenberger-malerier, rangeret
Det mest elskede maleri af Robert Eigenberger er The Myth of Man Is Over (1950). The Sensual One (1929) og Saint Sebastian (1934) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 4 værker af Robert Eigenberger: her er de 4 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
- Født · død
- 1890 – 1979, Sedlec
- Værker i vores katalog
- 4
- Mest kendte
- The Myth of Man Is Over (1950)
Top 10 Robert Eigenberger malerier: lærrederne som alle kender
Robert Eigenbergers mest elskede lærred fra hvert årti
-
1920s
Lærred 2 af 4The Sensual One
-
1930s
3 ud af 4Saint Sebastian
-
1940s
4 ud af 4Quarry with City
-
1950s
Lærred 1 af 4
The Myth of Man Is Over
Om Robert Eigenberger's lærreder: dine spørgsmål besvaret
Hvad er det mest kendte maleri af Robert Eigenberger?Læs svaret
The Myth of Man Is Over (1950), efterfulgt af The Sensual One (1929) og Saint Sebastian (1934).
Hvor gammel var Robert Eigenberger, da The Myth of Man Is Over blev malet?Læs svaret
Robert Eigenberger, født i 1890, var 60 år gammel: The Myth of Man Is Over er fra 1950.
Hvor mange værker malede Robert Eigenberger i alt?Læs svaret
4 værker af Robert Eigenberger er i vores katalog, dateret fra 1929 til 1950.
Hvilke er Robert Eigenbergers tidligste og seneste berømte lærreder?Læs svaret
Det tidligste lærred her er The Sensual One (1929); det seneste er The Myth of Man Is Over (1950).
Robert Eigenberger: et liv i maling
The Life and Academic Career of Robert Eigenberger
Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.
Artistic Practice and Pseudonym
In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:
His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.