Ronald Steuart, 1898 – 1988
Ronald Steuarts 1 mest berømte malerier
The cliff (1958) er det maleri, som Ronald Steuart er bedst kendt for; det befinder sig på Art Gallery of New South Wales, Sydney. Vores katalog indeholder 1 værker af Ronald Steuart. Her er de 1 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
- Født · død
- 1898 – 1988
- Værker i vores katalog
- 1
- Mest kendte
- The cliff (1958)
- Flest værker hos
- Art Gallery of New South Wales
De ti mest elskede malerier af Ronald Steuart
Hvor Ronald Steuart's lærreder hænger
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Ronald Steuart | Malerier fra denne liste |
|---|---|---|---|
 Art Gallery of New South Wales |
Sydney | 1 | The cliff |
Ronald Steuarts mest berømte lærreder, år efter år
De daterede lærreder af Ronald Steuart på denne side stammer alle fra 1958: her er de, i rækkefølge efter berømmelse.
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1958
Rangeret som nr. 1 ud af 1
The cliff
Ronald Steuarts lærreder, spørgsmål for spørgsmål
Hvilket lærred er Ronald Steuart mest kendt for?Læs svaret
The cliff (1958)
The cliff: hvor gammel var Ronald Steuart, da det blev malet?Læs svaret
Ronald Steuart, født i 1898, var 60 år gammel: The cliff er fra 1958.
Hvor mange malerier har Ronald Steuart skabt?Læs svaret
1 værker af Ronald Steuart er i vores katalog.
Hvor hænger Ronald Steuarts mest berømte lærreder i dag?Læs svaret
Primært i Art Gallery of New South Wales (Sydney); listen ovenfor nævner hvert museum og dets lærreder.
Mød maleren: Ronald Steuart
A Life in Landscape
Ronald Steuart lived a life deeply connected to the Australian landscape, a commitment reflected in his long-standing relationship with the Australian Watercolour Institute. From 1934 until his death in 1988, he remained a constant presence within that institution, eventually earning the distinction of life membership. His perspective was shaped by the light and terrain of the Australian continent, moving between the delicate control of watercolours and the weight of oils on canvas.
His technical approach allowed him to capture the essence of the land through various mediums. He was as comfortable with the fluid nature of watercolour as he was with the structured application of oil on cardboard. This versatility allowed him to document the shifting moods of the Australian scenery, from the quietude of a country lane to the ruggedness of a coastal cliff.
Recognition and Collections
The mid-century period marked a significant peak in his professional recognition. In 1958, he was awarded the Wynne Prize for his work "The Cliff," a distinction reserved for the most significant landscape paintings of Australian scenery. This achievement solidified his position among the leading landscape painters of his era.
His works have found permanent homes in several major institutions, ensuring his vision remains part of the national record:
- Art Gallery of New South Wales, Sydney
- National Gallery of Australia
- Art Gallery of South Australia
- University of New South Wales
The Visual Record
The breadth of Steuart's output is evident in the diverse subjects held in public collections. His paintings often focus on the specificities of Australian geography, such as the Hawkesbury or the coastal reaches of Ettalong. He possessed a keen eye for the subtle changes in light and atmosphere, whether capturing a "Picnic sketch" or the stillness of "Autumn Lagoon."
Even his more abstract or atmospheric works, such as "Mirage" or "Image," demonstrate a preoccupation with how light and form interact. Whether working on a small scale or a larger canvas, his focus remained on the fundamental elements of the natural world. His legacy is found in these quiet observations of the land, preserved in the halls of Australia's most important galleries.