Det mest elskede maleri af Ryōzen er Buddhist Luohan (1400), som hænger på Freer Gallery of Art i Washington, D.C.. Vores katalog indeholder 1 værker af Ryōzen: her er de 1 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Ryōzen | Malerier fra denne liste |
|---|---|---|---|
| Washington, D.C. | 1 | Buddhist Luohan |
Hvert dateret lærred af Ryōzen på denne side er malet i 1400; her er de mest berømte først.
Buddhist Luohan (1400)
1 værker af Ryōzen er i vores katalog.
Primært i Freer Gallery of Art (Washington, D.C.); listen ovenfor nævner hvert museum og dets lærreder.
Ryōzen, also known as Ryōzen (良全) or Ryōsen (良詮), was a Buddhist painter and monk active during the Kamakura and Nanbokuchō periods in Japan. While some theories suggest he may have originated from Kyushu or Bohai—based on the inscription Kaiseijin (海西人) found on his works—he is most strongly associated with the Tōfuku-ji temple. His career represents a transitional era in Japanese art history, bridging the gap between the ancient style of the ebushi (painter-monks) and the more medieval style of the Zen monk-painters.
His artistic repertoire was diverse, encompassing both Buddhist paintings and ink wash paintings. Ryōzen’s technique involved utilizing traditional patterns, such as those of Li Longmian, while simultaneously incorporating newly introduced Chinese Buddhist painting and ink wash methods. His work is noted for its connection to Tōfuku-ji, often featuring inscriptions by Kenpō Jisen, and many of his pieces serve as imitations of the temple's existing paintings.
The following work is a significant piece associated with Ryōzen: