Tom Krøjer, 1942 – 2015

Tom Krøjer: De 2 mest kendte malerier

Af alle Tom Krøjer's malerier er Fundamental Forms of the Bird's-Eye View (1976) det mest berømte; det hænger på Statens Museum for Kunst i København. Blandt de 2 værker af Tom Krøjer i vores katalog er disse 2 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

Tom Krøjer · 1942 – 2015

Født · død: 1942 – 2015, Frederikssund
Værker i vores katalog: 2
Mest kendte: Fundamental Forms of the Bird's-Eye View (1976)
Flest værker hos: Statens Museum for Kunst

Tom Krøjers 10 mest fejrede malerier

Fundamental Forms of the Bird's-Eye View

1976 · Oil On Canvas · Statens Museum for Kunst, København

The canvas pulses with an energetic, restless life, presenting a dense mosaic of interlocking shapes that refuse to settle. There is no single point for the eye to rest; instead, a non-hierarchical rhythm carries the gaze across the entire surface. Primary yellows, blues, and reds collide with secondary purples, oranges, and greens, creating a complex visual puzzle that feels as though it is constantly shifting. Sharp, defined edges of polygons…

Læs om dette lærred

Jess. Reflected Image from Paris

1980 · Statens Museum for Kunst, København

Historien om maleriet

Hvor Tom Krøjer's lærreder hænger

Det museum, der rummer flest af malerierne på denne side.

Museum	By	Værker af Tom Krøjer	Malerier fra denne liste
Statens Museum for Kunst	København	2	Fundamental Forms of the Bird's-Eye View, Jess. Reflected Image from Paris

År for år: Tom Krøjers mest fejrede lærreder

Fra 1976 til 1980, i alt 5 år, fortæller Tom Krøjers daterede lærreder en kort historie: her er den, år for år.

1976

1 ud af 2
Fundamental Forms of the Bird's-Eye View
Alder 34 · Statens Museum for Kunst
The canvas pulses with an energetic, restless life, presenting a dense mosaic of interlocking shapes that refuse to settle. There is no single point for the eye to…
1980

Lærred 2 af 2
Jess. Reflected Image from Paris
Alder 38 · Statens Museum for Kunst

Dine spørgsmål om Tom Krøjers malerier, besvaret

Hvilket er det mest berømte maleri af Tom Krøjer?Læs svaret

Fundamental Forms of the Bird's-Eye View (1976)

Hvor gammel var Tom Krøjer på tidspunktet for Fundamental Forms of the Bird's-Eye View?Læs svaret

Tom Krøjer, født i 1942, var 34 år gammel: Fundamental Forms of the Bird's-Eye View er fra 1976.

Hvor mange malerier af Tom Krøjer er kendt?Læs svaret

2 værker af Tom Krøjer er i vores katalog, dateret fra 1976 til 1980.

Hvilke museer udstiller Tom Krøjers mest kendte lærreder?Læs svaret

Primært i Statens Museum for Kunst (København); listen ovenfor nævner hvert museum og dets lærreder.

Hvad er de første og de sidste af Tom Krøjers berømte lærreder?Læs svaret

Det tidligste lærred her er Fundamental Forms of the Bird's-Eye View (1976); det seneste er Jess. Reflected Image from Paris (1980).

Hvad kan jeg se af Tom Krøjer på Statens Museum for Kunst?Læs svaret

Statens Museum for Kunst, København har 2 af værkerne på denne side, herunder Fundamental Forms of the Bird's-Eye View og Jess. Reflected Image from Paris.

Tom Krøjer: malerens historie

The Evolution of Form and Color

The trajectory of Tom Krøjer begins far from the canvas, rooted in the physical labor of a mason. This foundation of manual craft provides a silent backdrop to his formal artistic training. He moves from the practicalities of construction to the experimental atmosphere of Eks-skolen in Copenhagen, eventually finding his way to the Kungliga Konsthögskolan in Stockholm. Under the guidance of Carl-Fredrik Reutersvärd, the years leading up to his 1967 graduation shape a sensibility that refuses to settle into a single mode of expression.

The 1960s are a period of restless experimentation. He moves through the realms of film and happenings, testing the boundaries of what art can be. During these years, he finds himself at Drakabygget in Skåne, staying with Jens Jørgen Thorsen. This era is defined by the influence of Fluxus and the burgeoning energy of American pop art, a period where the artist explores the edges of performance and the ephemeral.

A Shift Toward the Plane

By the 1980s, a distinct visual language emerges. The chaotic energy of his earlier experiments settles into a focused exploration of the plane. His work becomes characterized by a specific tension: the mixing of figurative and abstract elements. He utilizes a light-filled color scale to depict everyday scenes, yet these scenes are filtered through a fabulating breakdown of form. The colors are strong and clear, stripping away the unnecessary to focus on the essential geometry of the subject.

This stylistic development marks a departure from the purely experimental toward a more structured, yet still playful, approach. His paintings and drawings from this period reflect the influence of both pop art and system art, where the logic of the composition meets a sense of spontaneous invention. He becomes a member of the Grønningen artist group in 1983, a recognition of his established place within the Danish art scene.

Legacy and Recognition

His career is marked by specific milestones of institutional validation. In 1971, he receives a three-year stipend from Statens Kunstfond, a significant nod to his developing practice. His work, ranging from crayon drawings to large-scale paintings, captures a specific moment in Danish modernism where the boundaries between the high art of the academy and the subversive energy of the avant-garde began to blur.

The technical precision of his later work remains rooted in that early training, even as he pushes toward abstraction. He leaves behind a body of work that navigates the space between the recognizable world and the pure expression of color and form.

Alle 2 værker af Tom Krøjer →