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      Barnaba Da Modena, 1328 – 1386

      Barnaba Da Modena: De 9 mest kendte malerier

      Af alle Barnaba Da Modena's malerier er The Virgin and Child between Saint John the Baptist and Saint Michael (1350) det mest berømte; det hænger på Musée du Petit Palais i Avignon. Lige efter følger Madonna and Child (1367) og Pentecost (1371). Blandt de 9 værker af Barnaba Da Modena i vores katalog er disse 9 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Barnaba Da Modena
      Barnaba Da Modena · 1328 – 1386
      Født · død
      1328 – 1386, Modena
      Værker i vores katalog
      9
      Mest kendte
      The Virgin and Child between Saint John the Baptist and Saint Michael (1350)
      Flest værker hos
      National Gallery

      Barnaba Da Modenas 10 mest fejrede malerier

      Virgin and Child (1370) af Barnaba Da Modena
      5

      Virgin and Child

      1370 · Oil On Canvas · Louvre, Paris

      To gaze upon this depiction of the Virgin and Child is to step directly into the devotional heart of fourteenth-century Italy. The scene unfolds with an almost palpable intimacy; the Virgin Mary, adorned in rich blue robes and crowned with regal grace, cradles her infant son close to her breast. It is a moment suspended in time—a tender communion that speaks volumes of maternal love intertwined with divine mystery. Barnaba…

      Virgin and Child (1360) af Barnaba Da Modena
      7

      Virgin and Child

      1360 · Tempera On Panel · Museum of Fine Arts, Boston

      In the quiet intimacy of Barnaba da Modena’s Virgin and Child, we are invited into a sacred moment that transcends the centuries. Created around 1360, this masterpiece serves as a profound window into the spiritual heart of the Trecento period. The painting captures a deeply human connection between the Virgin Mary and her infant son, presenting a scene where divine majesty meets maternal tenderness. As she cradles the young boy,…

      Crucifixion (1375) af Barnaba Da Modena
      9

      Crucifixion

      1375 · Tempera On Panel · Museum of Art, Indianapolis

      In the quiet sanctity of the Museum of Art in Indianapolis, there exists a window into the fourteenth century that transcends the mere passage of time. The Crucifixion by Barnaba da Modena, executed around 1375, is not merely a painting but a profound spiritual encounter. As one gazes upon this tempera on wooden panel, the viewer is immediately enveloped by the solemnity of the late medieval period. The composition centers…

      Hvad Barnaba Da Modena har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Barnaba Da Modena's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Barnaba Da Modena Malerier fra denne liste
      National Gallery, LondonNational Gallery London 2 Pentecost, Scenes of the Virgin; The Trinity; The Crucifixion
      Musée du Petit Palais, AvignonMusée du Petit Palais Avignon 1 The Virgin and Child between Saint John the Baptist and Saint Michael
      Städel Museum, FrankfurtStädel Museum Frankfurt 1 Madonna and Child
      Gemäldegalerie, BerlinGemäldegalerie Berlin 1 Madona and Child
      Louvre, ParisLouvre Paris 1 Virgin and Child
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Mourning Virgin
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Virgin and Child
      Museum of Art, IndianapolisMuseum of Art Indianapolis 1 Crucifixion

      Årti for årti: Barnaba Da Modenas mest fejrede lærred

      1. 1350s
      2. 1360s
      3. 1370s
        Pentecost (1371) af Barnaba Da Modena
        3 ud af 9

        Pentecost

        Alder 42 – 51 · National Gallery

      Dine spørgsmål om Barnaba Da Modenas malerier, besvaret

      Hvilket er det mest berømte maleri af Barnaba Da Modena?Læs svaret

      The Virgin and Child between Saint John the Baptist and Saint Michael (1350), Musée du Petit Palais, Avignon. Madonna and Child (1367) og Pentecost (1371) følger efter.

      Hvor gammel var Barnaba Da Modena på tidspunktet for The Virgin and Child between Saint John the Baptist and Saint Michael?Læs svaret

      Barnaba Da Modena, født i 1328, var 22 år gammel: The Virgin and Child between Saint John the Baptist and Saint Michael er fra 1350.

      Hvor mange malerier af Barnaba Da Modena er kendt?Læs svaret

      9 værker af Barnaba Da Modena er i vores katalog, dateret fra 1350 til 1375.

      Hvilke museer udstiller Barnaba Da Modenas mest kendte lærreder?Læs svaret

      Primært i National Gallery (London), Musée du Petit Palais (Avignon) og Städel Museum (Frankfurt); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Barnaba Da Modena sine mest berømte lærreder?Læs svaret

      I 1370s, som udgør 4 af de 9 værker på denne side, herunder Pentecost.

      Hvad er de første og de sidste af Barnaba Da Modenas berømte lærreder?Læs svaret

      Det tidligste lærred her er The Virgin and Child between Saint John the Baptist and Saint Michael (1350); det seneste er Crucifixion (1375).

      Hvilke motiver går oftest igen i Barnaba Da Modena's malerier?Læs svaret

      Byzantine style (3), Virgin mary (2) og Madonna and child (2), fordelt på de 9 værker på denne side.

      Hvad malede Barnaba Da Modena normalt med?Læs svaret

      Tempera On Panel, anvendt i 2 af de 9 værker på denne side.

      Hvad kan jeg se af Barnaba Da Modena på National Gallery?Læs svaret

      National Gallery, London har 2 af værkerne på denne side, herunder Pentecost og Scenes of the Virgin; The Trinity; The Crucifixion.

      Kan jeg bestille en håndmalet kopi af et maleri af Barnaba Da Modena?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Barnaba Da Modena: malerens historie

      Barnaba da Modena (c. 1328 – c. 1386): A Byzantine Echo in Lombard Painting

      Barnaba da Modena stands as a singular figure in the artistic landscape of fourteenth-century Italy—a pioneer who bravely championed a stylistic tradition largely abandoned by his contemporaries, firmly rooted in the grandeur and spirituality of Byzantium. Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage. His activity spanned Lombardy, Piedmont, and Pisa in Tuscany, establishing him as a pivotal artist within the burgeoning cultural dynamism of the era.
      • Early Life & Training: Precise biographical details surrounding Barnaba’s formative years remain elusive. Records indicate he was active in Genoa from approximately 1364, where he secured patronage and honed his craft amidst a vibrant artistic milieu. This Genoese engagement undoubtedly exposed him to the prevailing stylistic currents of the time—a stark contrast to the increasingly naturalistic tendencies gaining traction elsewhere in Italy.
      • Byzantine Influence: Barnaba’s distinctive style is undeniably indebted to Byzantine painting, particularly its use of gold leaf and shimmering backgrounds. He meticulously replicated techniques perfected centuries earlier, prioritizing luminous color palettes and compositional schemes that emphasized symbolic grandeur rather than realistic representation. This commitment to tradition speaks volumes about his artistic sensibilities and reflects a profound understanding of the visual language of religious art.
      • Notable Works & Patronage: Barnaba’s prolific output encompassed around fifty paintings—a remarkable achievement considering the period—primarily focused on depictions of the Virgin Mary and Christ, often framed within elaborate architectural settings reminiscent of Byzantine churches. His commissions included prominent roles in Genoa’s Palazzo Ducale and contributed significantly to the artistic embellishment of ecclesiastical spaces throughout Lombardy.
      • Technique & Innovation: Despite adhering to Byzantine conventions, Barnaba demonstrated considerable technical skill—a testament to his meticulous attention to detail and masterful manipulation of pigment. His paintings exhibit a remarkable level of refinement, achieved through painstaking layering of glazes and incorporating subtle gradations of color that imbue the images with an ethereal quality.
      • Legacy & Influence: Barnaba’s artistic vision profoundly impacted subsequent generations of Lombard painters. Notably, Nicolò da Voltri continued his stylistic trajectory in Liguria until circa 1420, perpetuating Barnaba's Byzantine aesthetic and solidifying his position as a foundational figure in the development of Lombard painting. His enduring legacy resides not merely in his individual masterpieces but also in his contribution to shaping the artistic landscape of his time—a beacon of spiritual contemplation amidst the burgeoning complexities of the Renaissance.

      Major Achievements & Artistic Style

      Barnaba’s most celebrated achievements lie in his masterful execution of monumental frescoes adorning churches throughout Lombardy and Genoa. These works exemplify the pinnacle of Byzantine influence, characterized by:
      • Gold Leaf Backgrounds: Extensive use of gold leaf created radiant surfaces that evoked the splendor of imperial cathedrals—a deliberate stylistic choice reflecting Barnaba’s reverence for Byzantine iconography.
      • Symbolic Composition: Paintings prioritized conveying theological concepts through carefully orchestrated visual narratives, emphasizing spiritual significance over mere aesthetic beauty.
      • Luminous Color Palette: Barnaba skillfully employed vibrant hues—particularly blues and reds—to illuminate biblical scenes and imbue them with emotional intensity.

      Connections & Artistic Context

      Barnaba’s artistic milieu was shaped by the prevailing stylistic trends of his time, yet he steadfastly resisted the emerging naturalism championed by artists like Giotto di Bondone. He remained firmly committed to Byzantine principles—a conscious decision that distinguished him from many of his contemporaries and cemented his reputation as a champion of tradition. His work stands apart as an exceptional example of artistic integrity—a testament to his unwavering devotion to conveying spiritual truths through visual art.

      Further Exploration

      For deeper insights into Barnaba da Modena’s life and oeuvre, consult the following resources:
      • tiraboschi, Giuseppe Maria.Storia della letteratura lombarda dal secolo IX al XVI. Milano: Boccaveri Editore, 1867.

      Alle 9 værker af Barnaba Da Modena →