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      Berthe Morisot, 1841 – 1895

      Berthe Morisot: The 100 Best-Known Paintings

      Of all Berthe Morisot's paintings, Berthe Morisot med en buket violetter (1872) is the most famous; it hangs in the Musée d'Orsay, Paris. Close behind come Et hjørne af rosenhaven (1885) and Thatched Cottage in Normandy (1865). Among the 361 works by Berthe Morisot in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portræt af Berthe Morisot
      Berthe Morisot · 1841 – 1895
      Født · død
      1841 – 1895, Bourges
      Bevægelse
      Impressionist style
      Værker i vores katalog
      361
      Mest kendte
      Berthe Morisot med en buket violetter (1872)
      Flest værker hos
      Musée Marmottan Monet

      Berthe Morisot's 10 most celebrated paintings

      Berthe Morisot med en buket violetter (1872) af Berthe Morisot
      1

      Berthe Morisot med en buket violetter

      1872 · Olie på lærred · Musée d'Orsay, Paris

      I 1872 malede Berthe Morisot et billede, der er mere end blot en scene; det er et øjeblik fanget i tiden – “The Cradle” (Le Berceau). Dette ikoniske værk, nu en del af Musée d’Orsay i Paris, giver os et indblik i den franske impreszionistiske bevægelses følsomhed og Morisot's unikke evne til at fange det flygtige og udtrykke dybe følelser gennem lys og farve. Det er en fortælling om moderlig…

      Et hjørne af rosenhaven (1885) af Berthe Morisot
      2

      Et hjørne af rosenhaven

      1885 · Olie på lærred

      Et glimt af impressionistisk ro Berthe Morisots "Et hjørne af rosenhaven" inviterer beskueren ind i en fredfyldt havescene, badet i solnedgangens bløde og varme nuancer. Dette fængslende værk er et vidnesbyrd om Morisots mesterskab inden for den impressionistiske stil, hvor hun formår at indfange naturens flygtige skønhed gennem løse penselstrøg og en levende farvepalette. Naturens essens indfanget Maleriet skildrer en frodig have, der emmer af liv med blomstrende roser i…

      Thatched Cottage in Normandy (1865) af Berthe Morisot
      3

      Thatched Cottage in Normandy

      1865 · Oil On Canvas

      To stand before Berthe Morisot’s depiction of a Thatched Cottage in Normandy is to step through a veil and into the gentle embrace of a bygone French afternoon. This painting, executed in 1865, is far more than a mere record of rural architecture; it is an immersion into the very spirit of life lived at the rhythm of the seasons. Morisot captures that quintessential joie de vivre found in the…

      Study, The Water's Edge (1864) af Berthe Morisot
      4

      Study, The Water's Edge

      1864 · Oil On Canvas

      Berthe Morisot’s “Study, The Water’s Edge,” painted in 1864, is more than just a depiction of a serene lakeside scene; it’s an intimate glimpse into the heart of Impressionism. This small canvas – measuring 60 x 73 cm – vibrates with a delicate energy, capturing not just what Morisot saw but also the fleeting emotions and sensations of that particular moment. The painting immediately draws the viewer in with its…

      In the Garden at Maurecourt (1884) af Berthe Morisot
      5

      In the Garden at Maurecourt

      1884 · Oil On Canvas · Toledo Kunstmuseum, Toledo

      In the soft, dappled sunlight of a French afternoon, Berthe Morisot’s “In the Garden at Maurecourt” invites the viewer into a sanctuary of profound stillness. Completed in 1884, this masterpiece serves as a window into the Belle Époque, capturing a moment that feels both fleeting and eternal. The scene unfolds within a lush, verdant garden—likely the Morisot estate near Maurecourt—where two young figures, including the artist’s daughter Julie, are nestled…

      Portrait of Edma (1870) af Berthe Morisot
      6

      Portrait of Edma

      1870 · Oil On Canvas · Courtauld Gallery, London

      In the soft, flickering light of a Parisian afternoon, Berthe Morisot captures more than just a likeness in her 1871 masterpiece, Portrait of Edma. This painting serves as a profound window into the intimate domesticity that defined much of the Impressionist movement’s early explorations. The subject, Edma Pontillon—Morisot’s own sister-in-law—is not presented with the stiff, formal grandeur typical of academic portraiture. Instead, she is nestled within a private, quiet moment,…

      The Bath (1886) af Berthe Morisot
      7

      The Bath

      1886 · Oil On Canvas

      To stand before Berthe Morisot’s The Bath is to step into a moment suspended in time—a breath held within the soft glow of an afternoon indoors. This painting, executed in 1886, transcends a mere depiction of daily routine; it captures the very essence of private contemplation. The scene unfolds with remarkable delicacy: a woman seated amidst the quiet rituals of self-care, brushing her hair. Morisot does not merely record what…

      The Quay at Bougival (1883) af Berthe Morisot
      8

      The Quay at Bougival

      1883 · Oil On Canvas · Nasjonalgalleriet, Oslo

      To gaze upon Berthe Morisot’s “The Quay at Bougival” is to step through a portal into the heart of French Impressionism, where the boundaries between reality and perception begin to dissolve. Completed in 1883, this exquisite oil on canvas serves as much more than a mere landscape; it is a rhythmic, breathing snapshot of life along the Seine. The scene captures the bustling waterfront of Bougival, a serene suburb of…

      Daffodils (1885) af Berthe Morisot
      9

      Daffodils

      1885 · Oil On Canvas

      To stand before Berthe Morisot’s Daffodils is not merely to observe a still life; it is to step directly into a sun-drenched, breathlessly beautiful moment captured by the brush. Painted in 1885, this work radiates the delicate spirit of Impressionism, inviting the viewer into an intimate contemplation of nature’s cyclical promise. The composition centers on a simple arrangement: vibrant yellow daffodils gathered within a vase accented with cool blue hues,…

      Young Woman Picking Oranges (1889) af Berthe Morisot
      10

      Young Woman Picking Oranges

      1889 · Oil On Canvas

      To stand before Berthe Morisot's Young Woman Picking Oranges is to step directly into a sun-dappled moment suspended in time. This exquisite oil on canvas, dating from 1889, is not merely a depiction of an afternoon chore; it is a lyrical meditation on leisure, femininity, and the very nature of light itself. Morisot, a central figure whose genius blossomed within the vibrant currents of Impressionism, captures life with an almost…

      Berthe Morisot paintings ranked 11 to 100

      The Garden at Bougival (1884) af Berthe Morisot
      #11

      The Garden at Bougival

      1884 · Musée Marmottan Monet

      Berthe Morisot’s “The Garden at Bougival,” painted in 1884, is more than just a depiction of a sun-drenched garden; it's an intimate glimpse into the heart of the…

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      Woman in Black (1878) af Berthe Morisot
      #12

      Woman in Black

      1878 · National Gallery of Ireland

      To stand before Berthe Morisot's Woman in Black is to step directly into the luminous, fleeting moments of late nineteenth-century Parisian life. This portrait, painted in 1878, transcends…

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      Little Dancer (1885) af Berthe Morisot
      #14

      Little Dancer

      1885

      To stand before Berthe Morisot's Little Dancer is not merely to observe a painting; it is to step into a suspended moment of quiet contemplation. This exquisite oil…

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      Roses (1894) af Berthe Morisot
      #15

      Roses

      1894

      In this 1894 oil on canvas, Berthe Morisot presents us with Roses, a quiet study within the flower painting genre. This work emerged during a period when the…

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      Mother and Sister of the Artist (1869) af Berthe Morisot
      #17

      Mother and Sister of the Artist

      1869 · National Gallery of Art

      In the quiet corners of art history, few works capture the ephemeral beauty of domestic life as tenderly as Berthe Morisot’s 1869 masterpiece, "Mother and Sister of the…

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      Young Girl with Basket (1892) af Berthe Morisot
      #18

      Young Girl with Basket

      1892 · Philadelphia Museum of Art

      In this 1892 oil on canvas, we find ourselves in a private, intimate space, observing a young girl seated in a wicker chair. She is captured in profile,…

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      Portrait of a Child (1894) af Berthe Morisot
      #19

      Portrait of a Child

      1894 · Philadelphia Museum of Art

      A Luminous Encounter with Innocence Portrait of a Child unfolds in a soft, golden glow that seems to emanate from within the canvas itself. A young subject sits…

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      Young Girl with Hat (1891) af Berthe Morisot
      #23

      Young Girl with Hat

      1891 · Art Institute of Chicago

      A young girl is captured in a moment of quietude, her form emerging from a dark, indistinct background. She is positioned slightly off-center, viewed from the waist up…

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      The Port of Nice (1882) af Berthe Morisot
      #33

      The Port of Nice

      1882

      Painted during a pivotal moment in art history, “The Port of Nice” reflects the burgeoning Impressionist movement’s challenge to traditional academic painting. Berthe Morisot, alongside artists like Monet…

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      Port of Gorey (1886) af Berthe Morisot
      #34

      Port of Gorey

      1886

      The Port of Gorey is a stunning oil on canvas painting by the renowned French artist Berthe Morisot, created in 1886. This beautiful representation of the ocean, measuring…

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      Girl with a Dog (1887) af Berthe Morisot
      #65

      Girl with a Dog

      1887

      Berthe Morisot's "Girl with a Dog," painted in 1887, is a captivating portrait that showcases her unique style and skill as an artist. This oil on canvas painting…

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      Hide and Seek (1873) af Berthe Morisot
      #68

      Hide and Seek

      1873

      “Hide and Seek” is an oil on canvas painting created by Berthe Morisot in 1873, showcasing a beautiful depiction of everyday life in the 19th century. This artwork…

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      Julie with Her Nurse (1880) af Berthe Morisot
      #75

      Julie with Her Nurse

      1880 · Ny Carlsberg Glyptotek

      Berthe Morisot's Julie with Her Nurse, painted in 1880, is more than just a portrait; it’s a tender exploration of motherhood and domestic life within the burgeoning Impressionist…

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      The Mandolin (1889) af Berthe Morisot
      #78

      The Mandolin

      1889

      In the delicate brushstrokes of Berthe Morisot’s The Mandolin, we find ourselves transported to a private, melodic moment captured within the fleeting essence of the Impressionist era. The…

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      Haying at Mezy (1891) af Berthe Morisot
      #79

      Haying at Mezy

      1891

      Berthe Morisot's "Haying at Mezy," painted in 1891, is a captivating example of Impressionist art that transports viewers to the serene landscapes of rural France. This oil on…

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      Julie and Eugene Manet (1883) af Berthe Morisot
      #80

      Julie and Eugene Manet

      1883

      To gaze upon Berthe Morisot’s Julie and Eugene Manet is to step directly into the luminous, fleeting moments of late nineteenth-century Parisian life. This oil on canvas, dating…

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      Rosbras (Finistere) (1866) af Berthe Morisot
      #81

      Rosbras (Finistere)

      1866

      Berthe Morisot was a French painter and one of the leading figures in the Impressionist movement. Her painting, Rosbras (Finistère), created in 1866, is a beautiful representation of…

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      Child in the Rose Garden (1881) af Berthe Morisot
      #86

      Child in the Rose Garden

      1881 · Wallraf-Richartz-Museum

      Berthe Morisot's Child in the Rose Garden, painted in 1881, is a quintessential example of Impressionism, capturing a fleeting moment of childhood innocence within a tranquil garden setting.…

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      The Basket Chair (1882) af Berthe Morisot
      #87

      The Basket Chair

      1882 · Museum of Fine Arts, Houston

      The Basket Chair is an oil on canvas created by Berthe Morisot. This work emerged in 1882, capturing a quiet moment within the garden. The paint settles upon…

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      Peasant Girl among Tulips (1890) af Berthe Morisot
      #88

      Peasant Girl among Tulips

      1890

      To gaze upon this depiction, Peasant Girl among Tulips, is to step directly into a sun-dappled moment suspended in time. The scene unfolds with an exquisite intimacy, centering…

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      Portrait of Jeanne Pontillon (1894) af Berthe Morisot
      #89

      Portrait of Jeanne Pontillon

      1894 · Musée d'Art et d'Histoire de Genève

      The Portrait of Jeanne Pontillon is a stunning oil on canvas painting created by the renowned French artist Berthe Morisot in 1894. This beautiful piece of art measures…

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      Berthe Morisot's canvases, period by period

      What Berthe Morisot painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Berthe Morisot's canvases hang

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Berthe Morisot Malerier fra denne liste
      Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 15 The Garden at Bougival, On the edge of the lake, In the apple tree
      National Gallery of Art, WashingtonNational Gallery of Art Washington 13 Two Sisters on a Couch (also known as The Sisters), Mother and Sister of the Artist, Hanging the Laundry out to Dry
      Musée d'Orsay, ParisMusée d'Orsay Paris 10 Berthe Morisot med en buket violetter, On a Bench in the Bois de Boulogne, In the Wheatfield at Gennevilliers
      Wallraf-Richartz-Museum, KölnWallraf-Richartz-Museum Köln 3 Child among the Hollyhocks, Child in the Rose Garden
      Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 2 Young Girl with Basket, Portrait of a Child
      Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 2 Young Woman, The Basket Chair
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Young Woman and Child, The Harbor at Cherbourg
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Young Girl with Hat

      Decade by decade: Berthe Morisot's most celebrated canvas

      1. 1860s
        Thatched Cottage in Normandy (1865) af Berthe Morisot
        3 of 100

        Thatched Cottage in Normandy

        Alder 19 – 28

        To stand before Berthe Morisot’s depiction of a Thatched Cottage in Normandy is to step through a veil and into the gentle embrace of a bygone French afternoon.…

      2. 1870s
        Berthe Morisot med en buket violetter (1872) af Berthe Morisot
        Ranked 1 of 100

        Berthe Morisot med en buket violetter

        Alder 29 – 38 · Musée d'Orsay

        I 1872 malede Berthe Morisot et billede, der er mere end blot en scene; det er et øjeblik fanget i tiden – “The Cradle” (Le Berceau). Dette ikoniske…

      3. 1880s
        Et hjørne af rosenhaven (1885) af Berthe Morisot
        2 of 100

        Et hjørne af rosenhaven

        Alder 39 – 48

        Et glimt af impressionistisk ro Berthe Morisots "Et hjørne af rosenhaven" inviterer beskueren ind i en fredfyldt havescene, badet i solnedgangens bløde og varme nuancer. Dette fængslende værk…

      4. 1890s
        Roses (1894) af Berthe Morisot
        Canvas 15 of 100

        Roses

        Alder 49 – 54

        In this 1894 oil on canvas, Berthe Morisot presents us with Roses, a quiet study within the flower painting genre. This work emerged during a period when the…

      Your questions on Berthe Morisot's paintings, answered

      Which is the most celebrated painting by Berthe Morisot?Read the answer

      Berthe Morisot med en buket violetter (1872), Musée d'Orsay, Paris. Et hjørne af rosenhaven (1885) and Thatched Cottage in Normandy (1865) follow.

      How old was Berthe Morisot at the time of Berthe Morisot med en buket violetter?Read the answer

      Berthe Morisot, born in 1841, was 31 years old: Berthe Morisot med en buket violetter dates from 1872.

      Which ten paintings is Berthe Morisot most famous for?Read the answer

      Berthe Morisot med en buket violetter, Et hjørne af rosenhaven, Thatched Cottage in Normandy, Study, The Water's Edge, In the Garden at Maurecourt, Portrait of Edma, The Bath, The Quay at Bougival, Daffodils og Young Woman Picking Oranges. Each canvas in the ranking above comes with its year and its museum.

      How many paintings by Berthe Morisot are known?Read the answer

      361 works by Berthe Morisot are in our catalogue, dated 1863 to 1894.

      Which museums hold Berthe Morisot's best-known canvases?Read the answer

      Mostly in Musée Marmottan Monet (Paris), National Gallery of Art (Washington) og Musée d'Orsay (Paris); the list above names each museum and its canvases.

      In which years did Berthe Morisot paint the most celebrated canvases?Read the answer

      In 1880s, which gave 35 of the 100 works on this page, Et hjørne af rosenhaven among them.

      What are the first and the last of Berthe Morisot's famous canvases?Read the answer

      The earliest canvas here is Memory of the Banks of l'Oise (1863); the latest is Roses (1894).

      Which subjects return most often in Berthe Morisot's paintings?Read the answer

      Portrait (15), Women (12) og Domestic scene (10), across the 100 works on this page.

      What did Berthe Morisot usually paint with?Read the answer

      Oil On Canvas, used in 39 of the 100 works on this page.

      To which art movement does Berthe Morisot belong?Read the answer

      Impressionist style, as the canvases on this page show.

      What can I see by Berthe Morisot at the Musée Marmottan Monet?Read the answer

      The Musée Marmottan Monet, Paris holds 4 of the works on this page, among them The Garden at Bougival, On the edge of the lake og In the apple tree.

      Can I order a hand-painted copy of a painting by Berthe Morisot?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Berthe Morisot: the painter's story

      A Life Immersed in Light and Intimacy

      Berthe Morisot, født i Bourges i Frankrig i 1841, var en central figur inden for Impressionistbevægelsen, men hendes historie strækker sig langt ud over blot at være en “kvindelig Impressionist.” At definere hende udelukkende efter køn nedtoner den dybtgående originalitet af hendes kunstneriske vision og hendes ubøjelige engagement i at fange livets flygtende øjeblikke. Hun var efterkommere af en borgelighedsfamilie med kunstnerisk arv – hun var slægtning til den berømte Rokoko-maler Jean-Honoré Fragonard – og modtog en uddannelse, der var usædvanlig for kvinder i hendes æra, en uddannelse, der nærede hendes indfødte talent og fremmede en livslang dedikation til maleri. Tidlige lektioner med Geoffroy-Alphonse Chocarne og Joseph Guichard gav hende grundlæggende færdigheder, men det var eksponeringen for mesterværkerne i Louvre, hvor hun kopierede værker af de gamle mestre, der virkelig antændte hendes kunstneriske sanselighed. Denne periode med streng træning lagde grundlaget for hendes senere udforskninger af lys, farve og form. Jean-Baptiste-Camille Corots indflydelse var særlig betydningsfuld; hans vægt på *plein air* maleri – at male udendørs direkte fra naturen – blev en hjørnesten i hendes tilgang, hvilket tillod hende at fange lysets og atmosfærens flygtende kvaliteter med bemærkelsesværdig følsomhed.

      Navigating the Impressionist Circle

      Morisot’s kunstneriske rejse var tæt forbundet med Édouard Manet, som hun mødte i 1864. Deres forhold var præget af gensidig respekt og intellektuel udveksling, hvor Manet fungerede som mentor og ven. Han malede hende mange gange, og skildrede hendes tilstedeværelse inden for sin egen udviklende stil. Men Morisot var ikke blot et motiv; hun deltog aktivt i den voksende Impressionistbevægelse, blev medstifter sammen med Monet, Degas, Renoir og Pissarro. I 1874 tog hun modigt til dénne gruppe af “afvist” kunstnere, hvilket udfordrede de konservative standarder for det officielle Salon. Denne første Impressionistudstilling markerede et vendepunkt i kunsthistorien, hvor den udfordrede traditionelle akademiske konventioner og banede vejen for nye former for kunstnerisk udtryk. Morisot deltog i næsten alle efterfølgende Impressionistudstillinger, og viste konstant sin unikke perspektiv og befæstede dermed sin position inden for avantgardegruppen. Hendes værker, der ofte skildrede intime scener af hjemmelivet – kvinder, der læser, mødre med børn, afslappede øjeblikke i haverne – tilbød et distinkt feminint blik, der udfordrede de dominerende samfundsmæssige normer og udvidede omfanget af acceptabelt motivmateriale for kvindelige kunstnere.

      A Distinctive Artistic Voice

      Hvad der adskiller Morisot fra andre, er ikke blot *hvad* hun malede, men *hvordan* hun malede det. Hendes penselstrøg er karakteriseret ved deres delikate flydende, en lethed af berøring, der udtrykker et indtryk af spontanitet og øjeblikkelighed. Hun benyttede sig mesterligt af brudt farve – at påføre små stykker ren pigment side om side for at skabe en skimrende effekt af lys og atmosfære. I modsætning til nogle af hendes Impressionist-kolleger, der fokuserede på store landskaber eller travle byscener, valgte Morisot ofte intime interiører og portrætter, og udforskede nuancerne i menneskelige relationer og den stille skønhed i hverdagens liv. Hendes palet er typisk blød og harmonisk, der foretrækker pastelfarver og subtile farveskift. Dette betyder ikke, at hendes arbejde mangler styrke; snarere har det en raffineret elegance og følelsesmæssig dybde, der resonerer hos seerne selv i dag. Kritikere som Gustave Geffroy anerkendte denne unikke kvalitet, og hyldede hende som en af “les trois grandes dames” (De tre store damer) af Impressionismen – sammen med Marie Bracquemond og Mary Cassatt – og anerkendte hendes betydelige bidrag til bevægelsen.

      Legacy and Lasting Influence

      Berthe Morisot’s liv blev tragisk forkortet i 1895, men hendes kunstneriske arv består. Gift med Eugène Manet, bror til Édouard, navigerede hun en verden, der ofte undervurderede kvindelige kunstnere, men hun holdt fast i sin ubødighed. Hun udstillede under sit fulde efternavn – et subtilt tegn på uafhængighed og selvbevidsthed – og udfordrede konstant traditionelle forventninger. Hendes værker er stadig bevaret i prestigefyldte samlinger rundt om i verden, og tjener som en testamente til hendes vedvarende talent og hendes afgørende rolle i at forme moderne kunst. *Woman in the Green Dress*, *The Cradle* og *Summer’s Day* er eksempler på hendes mesterskab, der inviterer seerne ind i en verden af lys, intimitet og stille refleksion.

      Alle 361 værker af Berthe Morisot →