Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Clyfford Still, 1904 – 1980

      Clyfford Stills 100 mest berømte malerier

      PH-247 (1951) er det maleri, som Clyfford Still er bedst kendt for. PH-1007 (1976) og Untitled (1946) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 160 værker af Clyfford Still. Her er de 100 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.

      Portræt af Clyfford Still
      Clyfford Still · 1904 – 1980
      Født · død
      1904 – 1980, Grandin
      Bevægelse
      Abstract expressionism
      Værker i vores katalog
      160
      Mest kendte
      PH-247 (1951)
      Flest værker hos
      Metropolitan Museum of Art

      De ti mest elskede malerier af Clyfford Still

      PH-247 (1951) af Clyfford Still
      1

      PH-247

      1951 · Oil On Canvas

      The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.

      PH-1007 (1976) af Clyfford Still
      2

      PH-1007

      1976 · Oil On Canvas

      PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.

      Untitled (1946) af Clyfford Still
      3

      Untitled

      1946 · Oil On Canvas · Metropolitan Museum of Art, New York

      Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.

      1948 C (1948) af Clyfford Still
      4

      1948 C

      1948 · Oil On Canvas

      In the vast, emotive landscape of Abstract Expressionism, few works command the room with such primal intensity as Clyfford Still’s 1948 C. This monumental canvas is not merely a painting but an immersive environment, a swirling vortex of warmth that captures the very essence of elemental energy. Dominated by a radiant palette of sun-drenched yellows and searing oranges, the work feels as though it were forged in the heart of…

      PH-923 (1974) af Clyfford Still
      5

      PH-923

      1974 · Oil On Canvas

      In the vast, emotive landscape of Abstract Expressionism, few works command the eye with such raw, elemental energy as PH-923. Created in 1974 by the master of organic abstraction, Clyfford Still, this painting serves as a profound testament to the power of non-figurative language. At first glance, the viewer is met with an expansive blue canvas, a deep and immersive field that suggests both the infinite reaches of a twilight…

      PH-160 (1957) af Clyfford Still
      6

      PH-160

      1957 · Oil On Canvas

      Created in 1957, PH-160 by Clyfford Still exists as a field of pure color. The canvas holds a dialogue between blue and yellow. These hues do not merely sit upon the surface; they occupy the space with a heavy, physical presence. The blue carries a weight that anchors the composition, while the yellow provides a sharp, sudden light. It is a quiet collision of elements.

      PH-272 (1950) af Clyfford Still
      7

      PH-272

      1950 · Oil On Canvas

      In the vast, turbulent landscape of mid-century American art, few voices resonate with as much primal intensity as that of Clyfford Still. His masterpiece, PH-272, stands as a monumental testament to the dawn of Abstract Expressionism, inviting the viewer into a world where color and texture transcend mere representation to touch the very essence of existence. Created in 1950, this work is not merely a painting but an immersive environment.…

      PH-223 (1956) af Clyfford Still
      8

      PH-223

      1956 · Oil On Canvas

      Created in 1956, this oil on canvas composition operates through a language of fractured planes and intense chromatic tension. The work avoids representational forms, opting instead for a structural arrangement of blue and white fields. A sharp, white line cuts across the upper register, creating a stark boundary that disrupts the visual flow. Below, two distinct blue areas dominate the foreground, their irregular shapes suggesting a sense of geological or…

      1950 A No. 2 (1950) af Clyfford Still
      9

      1950 A No. 2

      1950 · Oil On Canvas

      To stand before 1950 A No. 2 is to witness a profound dialogue between light and shadow, a visceral confrontation with the elemental forces of nature. As a seminal work from the height of Clyfford Still’s creative powers, this masterpiece transcends mere abstraction to become an existential landscape. The canvas erupts in a dramatic interplay of deep, pulsating reds and brilliant, sun-drenched yellows, creating a sense of movement that feels…

      1950-W (1950) af Clyfford Still
      10

      1950-W

      1950 · Oil On Canvas · Metropolitan Museum of Art, New York

      Clyfford Still's "1950-W," painted in 1950, stands as a pivotal work within the trajectory of Abstract Expressionism. More than simply a painting, it’s an immersive experience—a visceral confrontation with color and texture that speaks to the anxieties and burgeoning energy of postwar America. This piece, rendered in layers of intense yellow and gold punctuated by strategic reds and whites, isn't about depicting recognizable objects; instead, it plunges directly into the…

      Clyfford Still: lærreder fra 11 til 100 på ranglisten

      PH-672 (1923) af Clyfford Still
      #17

      PH-672

      1923

      A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps…

      PH-448 (1935) af Clyfford Still
      #18

      PH-448

      1935

      This black and white artwork features two naked women standing in water. One of the women appears to be pregnant, while the other has her hands raised. The…

      1950 B (1950) af Clyfford Still
      #25

      1950 B

      1950 · The Phillips Collection
      PH-1034 (1973) af Clyfford Still
      #26

      PH-1034

      1973

      The painting PH-1034 is an abstract work featuring a dominant red color palette alongside black tones. The composition is characterized by a sense of movement and energy, with…

      PH-945 (1946) af Clyfford Still
      #27

      PH-945

      1946

      PH-945 is an oil on canvas painting created in 1946. The composition features a red background accented with black and yellow elements. Within the abstract design, several black…

      PH-76 (1935) af Clyfford Still
      #28

      PH-76

      1935

      In the evocative landscape of early 20th-century figurative art, PH-76 stands as a haunting testament to the power of human emotion captured through distorted form. Created in 1935…

      PH-257 (1935) af Clyfford Still
      #29

      PH-257

      1935

      In the quiet, evocative depths of PH-257, we encounter a scene that transcends mere portraiture to become a profound meditation on human connection and solitude. Painted in 1935,…

      PH-215 (1935) af Clyfford Still
      #30

      PH-215

      1935

      The painting PH-215, dated 1935, presents a profile view of a human head positioned atop a rocky, uneven surface. The subject's mouth is open, suggesting a yawn or…

      PH-751 (1944) af Clyfford Still
      #31

      PH-751

      1944

      The canvas known as PH-751 emerges from the year 1944, a moment when Clyfford Still is actively navigating the boundaries of his own visual language. This oil on…

      PH-4 (1952) af Clyfford Still
      #32

      PH-4

      1952

      In the evocative painting PH-4, created in 1952, we are transported to a scene of profound structural presence and historical weight. At first glance, the eye is immediately…

      PH-653 (1934) af Clyfford Still
      #33

      PH-653

      1934

      PH-653 is a work by Clyfford Still, created in 1934. This piece emerged from the artist's time at Yaddo in Saratoga Springs, NY. It represents a specific moment…

      Untitled (1964) af Clyfford Still
      #34

      Untitled

      1964 · Guggenheim Museum Bilbao

      Clyfford Still’s “Untitled,” a monumental canvas from 1964, isn’t merely a painting; it’s an immersion into the heart of Abstract Expressionism and a profound meditation on American identity.…

      PH-77 (1936) af Clyfford Still
      #35

      PH-77

      1936

      In the evocative monochrome landscape of PH-77, created in 1936, we are transported to a moment of raw, unyielding human effort. This striking black and white composition captures…

      PP-104 (1952) af Clyfford Still
      #36

      PP-104

      1952

      In the pantheon of American Abstract Expressionism, few names command as much visceral respect as Clyfford Still. His work, particularly the evocative piece PP-104 from 1952, serves as…

      PH-1123 (1954) af Clyfford Still
      #37

      PH-1123

      1954

      PH-1123 is an oil painting on canvas created in 1954. The work presents a field of color characterized by irregular, fractured planes. A large section of black paint…

      PH-233 [formerly Self-Portrait] (1945) af Clyfford Still
      #39

      PH-233 [formerly Self-Portrait]

      1945 · San Francisco Museum of Modern Art

      In the mid-1940s, as the world grappled with the profound shifts of a post-war era, a new visual language was being forged in the heart of American Modernism.…

      PH-416 (1935) af Clyfford Still
      #54

      PH-416

      1935 · Nationalmuseum

      Clyfford Stills lærreder, periode for periode

      Hvad Clyfford Still har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Clyfford Still's lærreder hænger

      De 6 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Clyfford Still Malerier fra denne liste
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 Untitled, 1950-W
      Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Row of Elevators
      The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 1 1950 B
      Guggenheim Museum Bilbao, BilbaoGuggenheim Museum Bilbao Bilbao 1 Untitled
      San Francisco Museum of Modern Art, San FranciscoSan Francisco Museum of Modern Art San Francisco 1 PH-233 [formerly Self-Portrait]
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 PH-416

      Clyfford Stills mest berømte lærred, årti efter årti

      1. 1920s
        PH-672 (1923) af Clyfford Still
        Rangeret som nr. 17 ud af 100

        PH-672

        Alder 16 – 25

        A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps…

      2. 1930s
        PH-81 (1935) af Clyfford Still
        12 ud af 100

        PH-81

        Alder 26 – 35
      3. 1940s
        Untitled (1946) af Clyfford Still
        3 ud af 100

        Untitled

        Alder 36 – 45 · Metropolitan Museum of Art

        Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top…

      4. 1950s
        PH-247 (1951) af Clyfford Still
        1 ud af 100

        PH-247

        Alder 46 – 55

        The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this…

      5. 1960s
        PP-113 (1962) af Clyfford Still
        16 ud af 100

        PP-113

        Alder 56 – 65
      6. 1970s
        PH-1007 (1976) af Clyfford Still
        2 ud af 100

        PH-1007

        Alder 66 – 75

        PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the…

      Clyfford Stills lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Clyfford Still mest kendt for?Læs svaret

      PH-247 (1951), efterfulgt af PH-1007 (1976) og Untitled (1946).

      PH-247: hvor gammel var Clyfford Still, da det blev malet?Læs svaret

      Clyfford Still, født i 1904, var 47 år gammel: PH-247 er fra 1951.

      Hvad er Clyfford Stills ti mest berømte lærreder?Læs svaret

      PH-247, PH-1007, Untitled, 1948 C, PH-923, PH-160, PH-272, PH-223, 1950 A No. 2 og 1950-W. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Clyfford Still skabt?Læs svaret

      160 værker af Clyfford Still er i vores katalog, dateret fra 1920 til 1976.

      Hvor hænger Clyfford Stills mest berømte lærreder i dag?Læs svaret

      Primært i Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) og The Phillips Collection (Washington, D.C.); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Clyfford Still sine mest berømte lærreder?Læs svaret

      I 1930s, som udgør 41 af de 100 værker på denne side, herunder PH-81.

      Hvilket berømt lærred af Clyfford Still kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er PH-274 (1920); det seneste er PH-1007 (1976).

      Hvilke motiver malede Clyfford Still mest?Læs svaret

      Color field (4), Color field painting (3) og Portrait (3), fordelt på de 100 værker på denne side.

      Hvilket medie optræder hyppigst i Clyfford Still's malerier?Læs svaret

      Oil On Canvas, anvendt i 17 af de 100 værker på denne side.

      Hvilken stilart er Clyfford Still associeret med?Læs svaret

      Abstract expressionism, som lærrederne på denne side viser.

      Hvilke malerier af Clyfford Still er i Metropolitan Museum of Arts samling?Læs svaret

      Metropolitan Museum of Art, New York har 2 af værkerne på denne side, herunder Untitled og 1950-W.

      Mød maleren: Clyfford Still

      Clyfford Still (1904-1980): En Revolutionær i Farve og Form

      Clyfford Still, født i 1904 i den barske natur af Grandin, Nord Dakota, er en central figur i udviklingen af amerikansk kunst. Hans livsforløb, præget af en urokkelig dedikation til kunstnerisk integritet og en utrættelig udforskning af form og farve, placerede ham blandt de mest indflydelsesrige inden for abstrakt ekspressionisme. Selvom han ofte er blevet overskygget af navne som Jackson Pollock og Mark Rothko, var Stills bidrag fundamentalt – han ventured ind i ikke-figurativ maleri tidligere end mange af sine samtidige, og skabte en ny visuel sprog, der ville have en dybtgående indflydelse på moderne kunst. Hans tidlige liv, tilbragt i konstant bevægelse mellem Nord Dakota, Washington og Alberta, Canada, gav ham en dyb forbindelse til den naturlige verden – en resonans, der ville skinne igennem hele hans kunstneriske karriere.

      Fra Repræsentation til Åbenbaring: Udviklingen af En Unik Stil

      Overgangen fra repræsentative værker til den radikale abstraktion, som Still er kendt for, fandt sted mellem 1938 og 1942 – en periode præget af intens eksperimentering og selvopdagelse. Denne skift var ikke blot stilistisk; den var dybt filosofisk. Han søgte at fjerne al genkendelig billedlighed, idet han mente, at sand kunstnerisk udtryk lå i at konfrontere de fundamentale elementer af maleri selv – farve, form og overflade. Tidlige værker som PH-616 (1929) giver et glimt af denne overgangsperiode, der viser hans indledende udforskning af landlivet, gengivet med en dæmpet palet og evokende symbolik. Disse malerier var ikke blot billeder; de var fyldt med længsel, en stille refleksion over den menneskelige tilstand i det store amerikanske landskab. Efterhånden som han bevægede sig mod abstraktion, forsvandt disse repræsentative elementer gradvist og blev erstattet af skarpe farveplaner, fragmenterede overflader og imponerende lodrette former. Disse var ikke blot abstrakte former; de var fyldt med rå følelser, eksistentiel angst og den sublime kraft af naturen. Han arbejdede primært med olie på lærred, anvendt med paletteknive, hvilket skabte en dynamisk interaktion mellem lys og skygge.

      Den Danske Baggrund og Kunstneriske Udvikling

      Stills tidlige liv var præget af en stærk forbindelse til den danske kultur. Hans familie havde rødder i Alberta, Canada, og han tilbragte sine første år i et miljø, der var formet af både amerikansk og canadisk indflydelse. Denne dualitet ville senere påvirke hans kunstneriske vision, hvilket manifesterede sig i en kompleks og ofte dissonant stil. Hans tidlige studier på Art Students League i New York City gav ham eksponering for den moderne kunstscene, men det var hans efterfølgende oplevelser som lærer og maler på vestkysten, der virkelig formåede at forme hans unikke syn.

      Farve og Form: Nøgler til Stills Arbejde

      Stills modne malerier er kendetegnet ved deres monumentale skala og dramatiske farvekombinationer. Han foretrak store lærred, idet han mente, at kun gennem sådan ekspansion kunne han udtrykke den fulde følelsesmæssige vægt af sin vision. Hans kompositioner præsenteres typisk for irregulære, fragmenterede farveplaner – ofte mørke og melankolske nuancer, der er afbrudt af lysere accenter. Disse former opstår ikke blot på lærredet; de synes at komme fra det, hvilket skaber en følelse af dybde og rumlig tvetydighed. Det lodrette element er særligt vigtigt i Stills arbejde, repræsenterer hvad han kaldte "den lodrette nødvendighed for livet" – en triumferende erklæring om menneskets ånd mod overvældende kræfter. 1957-D No. 1, med sine primært sorte og gule farver, der er accentueret af hvid og rød, illustrerer dette vigtige brug af farve og form til at fremkalde stærke følelsesmæssige reaktioner.

      Stills Indflydelse og Arv

      Clyfford Still’s indflydelse strækker sig langt ud over hans egen kunst. Han betragtes som en nøgleperson i udviklingen af Color Field painting, en bevægelse, der fremhævede farvens ekspressive potentiale som et uafhængigt element i kunsten. Hans ubønhørlige kunstneriske vision og afvisning af konventionelle normer banede vejen for efterfølgende generationer af abstrakte malere. Selvom han ofte distancerede sig fra den New York-kunstscene, var hans indflydelse på dens udvikling uomtvistelig. Han underviste ved forskellige institutioner, herunder Washington State University og California School of Fine Arts, og inspirerede utallige studerende til at udforske deres egen kreative potentiale. I 1959 sikrede en omfattende retrospektiv af hans arbejde på Albright-Knox Art Gallery i Buffalo, New York, hans anerkendelse som en stor kraft inden for amerikansk kunst. Måske er hans mest betydningsfulde arv The Clyfford Still Museum i Denver, Colorado, der huser en ekstraordinær samling på over 3.125 værker – repræsenterende 93 procent af hans levetidsproduktion og komplette arkiver. Dette museum giver uovertruffen adgang til bredden og dybden af hans kunstneriske vision, hvilket sikrer, at hans bidrag vil blive studeret og værdsat af kommende generationer.

      Alle 160 værker af Clyfford Still →