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      Cosimo Rosselli, 1439 – 1507

      De 25 mest berømte Cosimo Rosselli-malerier, rangeret

      Det mest elskede maleri af Cosimo Rosselli er The Last Supper (detail) (8) (1481), som hænger på Det Sixtinske Kapel i Vatikanstaten. The Last Supper (1481) og The Last Supper (detail) (1481) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 25 værker af Cosimo Rosselli: her er de 25 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Cosimo Rosselli
      Cosimo Rosselli · 1439 – 1507
      Født · død
      1439 – 1507, Firenze
      Bevægelse
      Renaissance
      Værker i vores katalog
      25
      Mest kendte
      The Last Supper (detail) (8) (1481)
      Flest værker hos
      Det Sixtinske Kapel

      Top 10 Cosimo Rosselli malerier: lærrederne som alle kender

      The Last Supper (detail) (8) (1481) af Cosimo Rosselli
      1

      The Last Supper (detail) (8)

      1481 · Fresco · Det Sixtinske Kapel, Vatikanstaten

      Cosimo Rosselli's “The Last Supper,” completed in 1481-82 during the High Renaissance, stands as one of the most iconic depictions of Christianity. More than just a painting; it’s a testament to artistic innovation and spiritual contemplation—a scene meticulously rendered by Rosselli and his collaborators within the grandeur of Michelangelo's Sistine Chapel.

      The Last Supper (1481) af Cosimo Rosselli
      2

      The Last Supper

      1481 · Acrylic On Canvas · Det Sixtinske Kapel, Vatikanstaten

      Cosimo Rosselli’s “The Last Supper,” painted in 1481–82 for the Sistine Chapel in Rome, isn't merely a depiction of a biblical meal; it’s a profound meditation on faith, betrayal, and the human condition. Commissioned during a period of immense artistic innovation—a time when Leonardo da Vinci was laying the groundwork for modern painting—Rosselli’s fresco stands as a testament to the Florentine Renaissance’s vibrant spirit and its masterful command of perspective…

      The Last Supper (detail) (1481) af Cosimo Rosselli
      3

      The Last Supper (detail)

      1481 · Fresco · Det Sixtinske Kapel, Vatikanstaten

      To gaze upon this detail from Cosimo Rosselli's rendition of The Last Supper is to be transported across the centuries, into a moment suspended between profound intimacy and monumental destiny. This scene, painted in 1481 within the sacred confines of the Cappella Sistina, transcends mere depiction; it captures the very breath of human drama set against the backdrop of divine revelation. Rosselli masterfully frames the final meal shared by Jesus…

      The Last Supper (detail) (1481) af Cosimo Rosselli
      4

      The Last Supper (detail)

      1481 · Acrylic · Det Sixtinske Kapel, Vatikanstaten

      Cosimo Rosselli’s “The Last Supper,” a breathtaking detail from his monumental fresco cycle within the Cappella Sistina, offers an unparalleled glimpse into the heart of the late 15th century. Completed in 1481-82 amidst a complex political reconciliation between Florence and Rome, this work transcends mere biblical narrative; it’s a profound meditation on faith, betrayal, and the human condition. More than just a depiction of Christ's final meal with his disciples,…

      The Last Supper (detail) (1481) af Cosimo Rosselli
      5

      The Last Supper (detail)

      1481 · Fresco · Det Sixtinske Kapel, Vatikanstaten

      Cosimo Rosselli’s “The Last Supper (Detail),” painted in 1481 as part of the monumental fresco cycle adorning the Sistine Chapel, is more than just a depiction of a biblical event; it's a vibrant testament to the burgeoning artistic spirit of the High Renaissance. This intimate detail captures a pivotal moment – the announcement of betrayal – with an intensity and emotional resonance that continues to captivate viewers centuries later. Commissioned…

      Portrait of a Man (1481) af Cosimo Rosselli
      6

      Portrait of a Man

      1481 · Acrylic On Canvas · Metropolitan Museum of Art, New York

      Cosimo Rosselli’s “Portrait of a Man,” painted around 1481 in Florence, is far more than a simple likeness; it's a carefully constructed tableau of status, ambition, and the burgeoning artistic currents of the High Renaissance. This remarkably preserved panel painting offers a rare window into the world of Florentine nobility, capturing not just a man’s appearance but also his projected persona – a testament to the era’s fascination with portraiture…

      The Last Supper (after restauration) (1481) af Cosimo Rosselli
      7

      The Last Supper (after restauration)

      1481 · Acrylic On Canvas · Det Sixtinske Kapel, Vatikanstaten

      Artist and Title Cosimo Rosselli was an Italian Renaissance painter born in Florence in 1439. He is best known for his frescoes, including the one we will discuss here: The Last Supper. Size and Media This masterpiece measures 349 cm x 570 cm and was created using the fresco technique. Fresco is a painting method in which pigments are applied to wet plaster, allowing them to become part of the…

      Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic (1499) af Cosimo Rosselli
      8

      Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic

      1499 · Tempera On Panel · Scottish National Gallery, Edinburgh

      In this formal altarpiece from 1499, we find ourselves within a highly structured sacred space. The composition is centered upon Saint Catherine of Siena, who sits enthroned with a quiet, commanding presence. She is flanked by standing saints and surrounded by kneeling nuns, arranged in a pyramidal formation that directs the eye upward toward her figure. The scene is one of profound solemnity, a moment of communal devotion captured through…

      Madonna and Child with the Young Saint John the Baptist (1490) af Cosimo Rosselli
      9

      Madonna and Child with the Young Saint John the Baptist

      1490 · Tempera On Panel · Metropolitan Museum of Art, New York

      The composition centers on a tender, vertical arrangement of three figures: the Madonna, the Christ Child, and a young Saint John the Baptist. Set against a split background of ornate gold patterning and a distant, atmospheric landscape, the scene focuses on the intimate act of nursing. The Virgin wears a deep crimson tunic beneath a mantle of rich ultramarine blue, her features rendered with soft, fluid lines that define the…

      The Adoration of the Christ Child (1500) af Cosimo Rosselli
      10

      The Adoration of the Christ Child

      1500 · Oil On Panel · Rijksmuseum, Amsterdam

      The world settles into a quiet, circular hush within this tondo painting. At the very heart of the composition, the Virgin Mary kneels in prayer, her form anchored by the deep ultramarine blue of her mantle. Before her, the infant Jesus rests upon the earth, a small and precious focal point that draws every gaze toward the ground. Around them, the air feels soft and diffused, as if an overcast…

      Flere lærreder af Cosimo Rosselli, fra 11 til 25

      Madonna and Child with Angels (1483) af Cosimo Rosselli
      #11

      Madonna and Child with Angels

      1483 · Metropolitan Museum of Art

      In this tempera and gold on wood panel, we find a quiet, symmetrical arrangement that speaks to the intimate nature of Renaissance piety. The Virgin Mary is positioned…

      Bring dette lys hjem →
      Crossing of the Red Sea (1481) af Cosimo Rosselli
      #20

      Crossing of the Red Sea

      1481 · Det Sixtinske Kapel

      The Crossing of the Red Sea is a significant fresco executed by Cosimo Rosselli. Created around 1481, this work occupies a specific place within the monumental decorative program…

      Sermon on the Mount (1481) af Cosimo Rosselli
      #21

      Sermon on the Mount

      1481 · Det Sixtinske Kapel

      The fresco that is now known as “Sermon on the Mount,” painted by Cosimo Rosselli in 1481 for the Cappella Sistina within Vatican City, isn't merely a depiction…

      The Last Supper (detail) (1481) af Cosimo Rosselli
      #23

      The Last Supper (detail)

      1481 · Det Sixtinske Kapel

      Within the echoing grandeur of the Sistine Chapel in Rome lies a fresco that continues to captivate viewers centuries after its creation – Cosimo Rosselli's "The Last Supper."…

      Bring dette lys hjem →
      Scene from the Life of St Filippo Benizzi (1475) af Cosimo Rosselli
      #25

      Scene from the Life of St Filippo Benizzi

      1475 · Santissima Annunziata

      The fresco titled Scene from the Life of St Filippo Benizzi, executed by Cosimo Rosselli around 1475, depicts a significant moment from the life of the saint. The…

      Cosimo Rossellis lærreder, periode for periode

      Hvad Cosimo Rosselli har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Cosimo Rosselli's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Cosimo Rosselli Malerier fra denne liste
      Det Sixtinske Kapel, VatikanstatenDet Sixtinske Kapel Vatikanstaten 10 The Last Supper (detail) (8), The Last Supper, The Last Supper (detail)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 Portrait of a Man, Madonna and Child with the Young Saint John the Baptist, Madonna and Child with Angels
      Gemäldegalerie, BerlinGemäldegalerie Berlin 3 The Virgin and Blessing Child Enthroned with Sts. John, Augustine, Dominic, Peter and Victims of the bethemitic Child Murder, The Virgin with the Blessing Child in Glory, adored by Angels, Saints, Prayers and a Donor, The Domination of Christ
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Virgin and Child with an Angel, The Descent From the Cross
      Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 1 Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 The Adoration of the Christ Child
      Musée de Tessé, Le MansMusée de Tessé Le Mans 1 Portrait of Bartolomeo di Giovanni Berzichelli
      Musée du Petit Palais, AvignonMusée du Petit Palais Avignon 1 The Annunciation between Four Saints

      Cosimo Rossellis mest elskede lærred fra hvert årti

      1. 1450s
        Portrait of Bartolomeo di Giovanni Berzichelli (1450) af Cosimo Rosselli
        Lærred 12 af 25

        Portrait of Bartolomeo di Giovanni Berzichelli

        Alder 11 – 20 · Musée de Tessé

        The Portrait of Bartolomeo di Giovanni Berzichelli is a formal and dignified Renaissance portrait of a young man. The composition is a medium close-up, featuring the subject from…

      2. 1470s
        The Annunciation between Four Saints (1473) af Cosimo Rosselli
        13 ud af 25

        The Annunciation between Four Saints

        Alder 31 – 40 · Musée du Petit Palais

        In The Annunciation between Four Saints by Cosimo Rosselli, the sacred space unfolds through a highly structured and symmetrical arrangement. The composition divides the scene into three distinct…

      3. 1480s
        The Last Supper (detail) (8) (1481) af Cosimo Rosselli
        1 ud af 25

        The Last Supper (detail) (8)

        Alder 41 – 50 · Det Sixtinske Kapel

        Cosimo Rosselli's “The Last Supper,” completed in 1481-82 during the High Renaissance, stands as one of the most iconic depictions of Christianity. More than just a painting; it’s…

      4. 1490s
      5. 1500s
        The Adoration of the Christ Child (1500) af Cosimo Rosselli
        Rangeret som nr. 10 ud af 25

        The Adoration of the Christ Child

        Alder 61 – 68 · Rijksmuseum

        The world settles into a quiet, circular hush within this tondo painting. At the very heart of the composition, the Virgin Mary kneels in prayer, her form anchored…

      Om Cosimo Rosselli's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Cosimo Rosselli?Læs svaret

      The Last Supper (detail) (8) (1481), Det Sixtinske Kapel, Vatikanstaten. The Last Supper (1481) og The Last Supper (detail) (1481) følger efter.

      Hvor gammel var Cosimo Rosselli, da The Last Supper (detail) (8) blev malet?Læs svaret

      Cosimo Rosselli, født i 1439, var 42 år gammel: The Last Supper (detail) (8) er fra 1481.

      Hvad er de 10 mest berømte malerier af Cosimo Rosselli?Læs svaret

      The Last Supper (detail) (8), The Last Supper, The Last Supper (detail), The Last Supper (detail), The Last Supper (detail), Portrait of a Man, The Last Supper (after restauration), Saint Catherine of Siena as Spiritual Mother of the Second and Third Orders of Saint Dominic, Madonna and Child with the Young Saint John the Baptist og The Adoration of the Christ Child. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange værker malede Cosimo Rosselli i alt?Læs svaret

      25 værker af Cosimo Rosselli er i vores katalog, dateret fra 1450 til 1500.

      Hvor kan jeg se Cosimo Rossellis mest berømte lærreder?Læs svaret

      Primært i Det Sixtinske Kapel (Vatikanstaten), Metropolitan Museum of Art (New York) og Gemäldegalerie (Berlin); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Cosimo Rosselli de mest elskede lærreder?Læs svaret

      I 1480s, som udgør 12 af de 25 værker på denne side, herunder The Last Supper (detail) (8).

      Hvilke er Cosimo Rossellis tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er Portrait of Bartolomeo di Giovanni Berzichelli (1450); det seneste er The Adoration of the Christ Child (1500).

      Hvad malede Cosimo Rosselli oftest?Læs svaret

      Woman (7), Last supper (5) og Child (5), fordelt på de 25 værker på denne side.

      Hvilket medie malede Cosimo Rosselli oftest i?Læs svaret

      Tempera On Panel, anvendt i 8 af de 25 værker på denne side.

      Hvilken stilart tilhører Cosimo Rosselli's maleri?Læs svaret

      Renaissance, som lærrederne på denne side viser.

      Hvilke lærreder af Cosimo Rosselli hænger på Det Sixtinske Kapel?Læs svaret

      Det Sixtinske Kapel, Vatikanstaten har 10 af værkerne på denne side, herunder The Last Supper (detail) (8), The Last Supper og The Last Supper (detail).

      Kan jeg købe en reproduktion af et lærred af Cosimo Rosselli?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Cosimo Rosselli: et liv i maling

      Cosimo Rosselli (1439–1507): A Florentine Hand in Rome

      Cosimo Rosselli, born around 1439 in the vibrant heart of Florence, emerged from a family of established merchants—a background that afforded him a stable upbringing and access to the burgeoning cultural life of the Renaissance. Unlike many artists who began their training in youth, Rosselli’s artistic journey commenced relatively late, around the age of twenty. He entered the workshop of Domenico Ghirlandaio, a leading figure in Florentine painting renowned for his masterful frescoes and exquisitely detailed altarpieces. This environment was not merely an apprenticeship; it was immersion into a bustling hub of creativity where numerous assistants contributed to a constant stream of commissions. Here, Rosselli absorbed the fundamentals of drawing, composition, and the meticulous techniques that would define his early style. Ghirlandaio’s influence was profound, instilling in him a linear precision, a vibrant palette, and a narrative clarity that characterized much of his work. Yet, even within this formative period, Rosselli began to demonstrate an individual sensibility, subtly absorbing elements from earlier masters like Masaccio and Fra Angelico—artists who had already revolutionized the depiction of space, light, and emotion in painting.
      • Early Foundations: Domenico Ghirlandaio’s workshop provided Rosselli with a crucial foundation in painting techniques and compositional principles, shaping his early aesthetic sensibilities. He learned from Ghirlandaio's mastery of perspective and draughtsmanship, establishing a stylistic bedrock that would inform his subsequent endeavors.
      • Roman Experience: A pivotal moment arrived in 1481 when Rosselli received an invitation to participate in the monumental fresco cycle decorating the walls of the Sistine Chapel in Rome. This commission, alongside such luminaries as Pietro Perugino and Sandro Botticelli, marked a significant turning point in his career, catapulting him onto an international stage. The overarching theme of these frescoes was a carefully constructed parallel between the stories of Moses and Christ—a deliberate attempt to legitimize papal authority and underscore the continuity of divine law. Rosselli’s contributions focused on scenes from the Life of Jesus, showcasing his ability to translate complex narratives into visually compelling compositions.

      Florentine Commissions and a Developing Style

      Upon returning to Florence from Rome, Rosselli continued to receive a steady flow of commissions for altarpieces, frescoes, and panel paintings. His mature style blossomed during this period, characterized by refined compositions, elegant figures, and increasingly detailed landscapes. He retained the linear precision and vibrant colors he had learned from Ghirlandaio but began to incorporate elements of Perugino’s more graceful and harmonious aesthetic. Notable works from this time include frescoes for the Santissima Annunziata church—a significant commission that allowed him to showcase his evolving style on a grand scale—and numerous altarpieces adorning chapels throughout Florence. Rosselli possessed a talent for portraying the psychological states of his figures, imbuing them with a sense of inner life that resonated with contemporary audiences. He developed a distinctive approach to depicting religious scenes, emphasizing human emotions and interactions while maintaining an atmosphere of reverence and piety.

      Influences and Artistic Development

      Rosselli’s artistic journey is a compelling example of how Renaissance artists navigated the complex interplay between tradition, innovation, and patronage, leaving behind a legacy that continues to inspire and captivate audiences today. He absorbed elements from earlier masters like Masaccio and Fra Angelico, incorporating their innovations—such as realistic depictions of space and emotional expression—into his own distinctive style. This demonstrates a deep understanding of art history and a willingness to learn from those who came before him. His early training under Ghirlandaio instilled in him a meticulous attention to detail and a mastery of linear perspective, shaping the foundational principles of his artistic practice.

      Legacy and Historical Significance

      Cosimo Rosselli continued working diligently throughout the early 16th century, securing commissions from prominent Florentine families and religious institutions. However, as new artistic stars rose—Raphael and Michelangelo foremost among them—his prominence gradually diminished. He passed away in Florence around 1520, leaving behind a body of work that reflects his skill as a painter and his dedication to depicting religious themes with clarity and elegance. Today, Rosselli is remembered as a skilled Florentine artist who played an important role in the development of Renaissance art. His participation in the Sistine Chapel frescoes helped solidify Florence’s position as a leading center of artistic innovation, and his own works demonstrate his ability to synthesize diverse influences into a distinctive and refined style. While perhaps not achieving the same level of fame as some of his contemporaries, Cosimo Rosselli's contributions remain significant—a testament to his talent, dedication, and enduring legacy within the rich tapestry of Renaissance art.

      Alle 25 værker af Cosimo Rosselli →