Det mest elskede maleri af François Boucher er Diana getting out of her bath (1742). Bouguereau Song of the Angels og Madame de Pompadour (Jeanne-Antoinette Poisson, 1721 - 1764) (1758) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 377 værker af François Boucher: her er de 100 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
François Boucher created Diana getting out of her bath in 1742. The work centers on the Roman goddess Diana, portrayed in a state of nudity. She is situated within a dense forest setting, a natural environment that provides the backdrop for her emergence from the water.
The air in this 18th-century French Rococo scene vibrates with an invisible melody. At the center, the quiet devotion of Mary and the infant Jesus anchors the composition. Around them, a choir of heavenly beings gathers to perform. One angel rests on the left, another occupies the middle, while two more flank the right side. They hold lyres, flutes, and strings, their movements precise and graceful. The music of the…
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in exquisite taste and whispered intrigue. Painted around 1758 by the master hand of François Boucher, this work transcends mere likeness; it captures an ephemeral moment of cultivated grace. The subject, Jeanne-Antoinette Poisson, is presented not just as a woman of high standing, but as an embodiment…
François Boucher’s “Madame Bergeret,” completed in 1766, stands as a quintessential exemplar of Rococo artistry—a style synonymous with aristocratic refinement and sensual beauty. More than just a depiction of a woman, it's an immersive experience into the opulent aesthetic sensibilities of Louis XV’s court, capturing not merely likeness but also an idealized vision of feminine grace.
In the heart of the French Rococo era, few works capture the ephemeral magic of a summer afternoon as tenderly as François Boucher’s The Interrupted Sleep. Created in 1750, this masterpiece serves as a window into an idealized world where the rigors of reality are replaced by a soft, melodic dreamscape. The painting invites the viewer to step into a lush, sun-drenched woodland, where the boundaries between music, nature, and…
In the luminous realm of 18th-century French artistry, few works capture the ephemeral magic of twilight as profoundly as François Boucher’s The Setting of the Sun. This masterpiece serves as a breathtaking window into the Rococo era, an age defined by its pursuit of elegance, pleasure, and a certain dreamlike sensuality. As the sun descends, the canvas erupts into a dramatic and opulent spectacle, where the boundaries between the earthly…
François Boucher’s “Pastoral Scene,” painted in 1745, isn't merely a depiction of a rural landscape; it’s a carefully constructed invitation into an idealized world—a sanctuary of innocence and leisure nestled within the heart of France. The painting immediately draws the viewer in with its soft palette of browns, beiges, and muted greens, evoking a sense of gentle warmth and timeless serenity. Two young figures – a boy and girl –…
François Boucher’s “Venus at Vulcan’s Forge,” painted in 1769, isn't merely a depiction of mythological figures; it’s a vibrant embodiment of reconciliation and the potent dance between opposing forces. Rooted firmly within the opulent Rococo style that defined late 18th-century France, the painting transports us to a dramatic tableau inspired by Virgil’s *Aeneid*. Here, Venus, goddess of love and beauty, and Vulcan, god of fire and craftsmanship, find themselves caught…
In the soft, luminous atmosphere of François Boucher’s 1742 masterpiece, La Toilette, we are invited to step into a world of refined grace and quiet domesticity. This exquisite oil on canvas serves as a quintessential window into the Rococo era—a period defined by its celebration of pleasure, light, and the delicate nuances of everyday life. The scene unfolds within a richly appointed room, where the warmth of a fireplace anchors…
François Boucher’s “Boreas Abducting Oreithyia,” completed in 1769, is a captivating distillation of classical mythology rendered with the characteristic exuberance and sensual grace that defined the Rococo style. This painting, measuring an impressive 273 x 205 cm, transports us to a moment of violent disruption – a dramatic retelling of Ovid’s tale from the *Metamorphoses*, where the icy North Wind god, Boreas, forcibly claims the Athenian princess Oreithyia.
François Boucher's "Juno Asking Aeolus to Release the Winds," painted in 1769, is more than just a mythological scene; it’s a meticulously crafted tableau of emotional intensity, a…
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Charcoal and chalk trace the curve of a reclining goddess. In this 1751 study, the lines are loose, capturing a moment of movement before the final paint is…
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In the heart of the eighteenth century, few artists captured the ephemeral beauty of French aristocratic life as masterfully as François Boucher. His work, “The Painter in His…
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François Boucher's "The Setting of the Sun," painted in 1752, is more than just a beautiful depiction of twilight; it’s a meticulously crafted allegory brimming with symbolism and…
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François Boucher's "Young Woman Sleeping," painted around 1760, isn’t merely a depiction of repose; it’s an exquisite distillation of Rococo ideals – a shimmering tableau of beauty, innocence,…
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To gaze upon François Boucher's The Forest is to step through a veil of time and into an idealized pastoral reverie. This masterpiece, painted in 1740, captures the…
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In Vertumnus and Pomona, François Boucher explores a central myth of classical antiquity. The scene captures the moment of Vertumnus's transformation, a metamorphosis undertaken specifically to woo the…
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A Portrait of Patronage: Madame de Pompadour by François Boucher Subject: This exquisite hand-painted reproduction captures the essence of Madame de Pompadour, Jeanne-Antoinette Poisson, a figure who epitomized…
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François Boucher's "Mill at Charenton," painted in 1758, isn’t merely a landscape; it’s an invitation to step into a meticulously crafted world of Rococo delight. This idyllic scene,…
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François Boucher's “Madame de Pompadour” isn’t merely a portrait; it’s a carefully constructed tableau vivant, a shimmering distillation of 18th-century French elegance and the subtle power wielded by…
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François Boucher's "Young Country Girl Dancing," painted in 1770, is more than just a depiction of youthful exuberance; it’s a quintessential embodiment of the Rococo aesthetic – a…
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François Boucher's 1752 painting, *The Blonde Odalisque*, or *Resting Girl*, is more than a mere depiction of a nude figure; it’s a shimmering portal into the opulent and…
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François Boucher’s “The Mill,” painted in 1751 during the zenith of Rococo art, offers a glimpse into a refined aesthetic that prioritized elegance and sensual beauty. More than…
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The painting The Afternoon Meal by François Boucher is a quintessential example of the Rococo style, characterized by its delicate lines, soft colors, and intimate atmosphere. Created in…
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François Boucher’s Imaginary Landscape with the Palatine Hill from Campo Vaccino, painted in 1730 and now residing within The Metropolitan Museum of Art's collection, is more than just…
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The painting Pastorale is a work by the French artist François Boucher. Created in 1760, it captures a quiet, idealized moment within a lush landscape. This specific canvas…
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Vertumnus and Pomona is an oil on canvas by François Boucher, dating to about 1757. The work illustrates a scene from Ovid’s Metamorphoses, focusing on the Roman god…
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The air in the room feels heavy, thick with the scent of damp earth and the metallic tang of tragedy. At the center of the composition, a body…
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Venus in the Workshop of Vulcan is an oil on canvas painting by François Boucher. Executed in 1757, this mythological work centers on the figure of Venus. The…
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François Boucher's "Standing Nude Girl" isn’t merely a depiction of a female figure; it’s an immersion into the heart of Rococo elegance, a delicate dance between vulnerability and…
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Two nymphs sit nestled within a lush, green woodland, their forms arranged in a gentle diagonal that leads the eye upward. One holds a flute to her lips,…
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A Celebration of Venus: François Boucher’s Triumph Revisited François Boucher (1703-1770) stands as a cornerstone of Rococo art, embodying its opulent aesthetic and masterful manipulation of light and…
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In Landscape with a Pond, François Boucher organizes the scene around a tranquil central body of water. The composition is structured through distinct layers of foreground, middle ground,…
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The air feels heavy with the scent of damp earth and river mist as a group of women gathers by a flowing stream. Sunlight filters through a thick,…
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The Billet-Doux is a notable work by the French artist François Boucher. This oil on canvas over wood was originally commissioned for the Chateau at Bellevue. It was…
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In this mythological painting, the celestial realm unfolds through the graceful figures of Venus and Mercury Instructing Cupid. Created by François Boucher in 1738, the work captures a…
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In this dramatic wash drawing, we find ourselves looking upward at a monumental structure that seems to rise directly from the depths of antiquity. The composition is anchored…
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In the luminous realm of eighteenth-century French painting, few names evoke the sheer elegance and sensory delight of François Boucher. His masterpiece, Venus Demanding Arms from Vulcan for…
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A young woman and a winged Cupid occupy an intimate, oval-shaped space, their presence defined by the soft textures of the Rococo style. She is draped in flowing…
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The Rising of the Sun is an oil on canvas work by the French artist François Boucher. Created around 1752 or 1753, this large-scale painting originated as a…
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To gaze upon this depiction of Hercules and Omphale is to step directly into the gilded, languid atmosphere of the mid-eighteenth century. François Boucher, a master architect of…
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In Project for a Cartouche: An Allegory of Minerva, Fame, History and Faith Overcoming Ignorance and Time, François Boucher organizes a swirling, theatrical movement around a central, empty…
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The oil on canvas painting titled A young lady holding a pug dog was executed by the artist François Boucher. This work is also identified by the alternative…
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In this oil painting from 1755, we find Saint John the Baptist in a state of profound contemplation. The composition draws the eye along a diagonal path, following…
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A solitary female figure, identified as a nymph, occupies the center of this composition. She sits amidst a landscape of dark rocks and dense foliage. The skin of…
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The painting titled River Landscape with an Antique Temple is a work by François Boucher. Created in 1762, the oil on canvas captures a specific moment of light…
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The Modiste is an oil on canvas painted by François Boucher. The artist, born in Paris, France, in 1703, captured this scene around 1746. His brush moved across…
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The portrait presents a close-up view of a young woman's profile and upper torso. Soft textures and warm skin tones define the subject, set against a deep brown…
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In this intimate scene, The Beautiful Country Woman brings a moment of domestic life into sharp focus. The French artist François Boucher, who lived from 1703 to 1770,…
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The Distorted Child is a genre painting by the French painter François Boucher. Born in Paris, France, in 1703, Boucher captured this intimate scene of parenthood through the…
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This Rococo-style oil painting depicts the mythological scene of Diana and Callisto set within a lush, wooded landscape. The composition is dynamic and pyramidal, featuring two women reclining…
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We are looking at Cupids. Allegory of Painting, an oil on canvas work by the French artist François Boucher. Created in France during the 1760s, this piece belongs…
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The scene unfolds within the quietude of Pastoral, a painting by the French artist François Boucher. Created in France about 1730, this oil on canvas captures a moment…
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A Pastoral Scene ('La Jardiniere Endormie') emerges from the brush of François Boucher, a creator who captures a moment of profound stillness. This oil on canvas presents a…
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An oval-shaped oil painting presents a pyramidal arrangement of figures set against a backdrop of soft clouds and landscape. At the center, the Virgin Mary holds the Christ…
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is an oil on canvas painting by François Boucher, executed in 1768. Also known by the alternative title Landscape With Figures Gathering Cherries, the work belongs to the…
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In A Pastoral Scene ('L'Offrande a la Villageoise'), François Boucher employs a vertical orientation to organize this idyllic encounter. The composition is anchored by two figures in the…
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The oil on canvas titled Allegory of Autumn was painted by François Boucher in 1753. This work captures a specific seasonal transition through the lens of Rococo sensibility.…
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In a quiet corner of the Charltenburg Palace, The Education of Cupid waits, suspended in a moment of divine instruction. This oil on canvas, painted by François Boucher,…
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François Boucher: Rococo Master of Myth, Sensuality, and the French Court François Boucher (1703-1770) was a pivotal figure in 18th-century French art, renowned as one of the most…
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is an oil on canvas painting by the artist François Boucher. Executed in 1745, the work depicts a mythological scene set within a wooded landscape. This specific composition…
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We are looking at The Bird Catchers, a work by François Boucher. Painted in 1748, this oil on canvas captures a specific moment of leisure within a pastoral…
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De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af François Boucher | Malerier fra denne liste |
|---|---|---|---|
 Hermitage Museum |
Sankt Petersborg | 12 | Study for The Bath of Venus, Young Woman Sleeping, Triumph of Venus |
 Metropolitan Museum of Art |
New York | 13 | The Interrupted Sleep, Imaginary Landscape with the Palatine Hill from Campo Vaccino, Washerwomen |
 Louvre |
Paris | 8 | Painter in his Studio, The Forest, The Mill |
 Los Angeles County Museum of Art |
Los Angeles | 6 | Death of Meleager, Venus and Mercury Instructing Cupid, Monument to Mignard |
 Wallace Collection |
London | 21 | The Setting of the Sun, The Modiste, Mercury Confiding the Infant Bacchus to the Nymphs |
 Scottish National Gallery |
Edinburgh | 5 | Madame de Pompadour (Jeanne-Antoinette Poisson, 1721 - 1764), A Pastoral Scene ('La Jardiniere Endormie'), A Pastoral Scene ('L'Offrande a la Villageoise') |
 Cleveland Museum of Art |
Cleveland | 5 | Head of a Young Woman, Cupids in Conspiracy, Music and Dance |
 Kimbell Art Museum |
Fort Worth | 4 | Venus at Vulcan, Boreas Abducting Oreithyia, Juno Asking Aeolus to Release the Winds |
The air in the room feels heavy, thick with the scent of damp earth and the metallic tang of tragedy. At the center of the composition, a body…
The painting The Afternoon Meal by François Boucher is a quintessential example of the Rococo style, characterized by its delicate lines, soft colors, and intimate atmosphere. Created in…
François Boucher created Diana getting out of her bath in 1742. The work centers on the Roman goddess Diana, portrayed in a state of nudity. She is situated…
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in exquisite taste and whispered…
François Boucher’s “Madame Bergeret,” completed in 1766, stands as a quintessential exemplar of Rococo artistry—a style synonymous with aristocratic refinement and sensual beauty. More than just a depiction…
François Boucher's "Young Country Girl Dancing," painted in 1770, is more than just a depiction of youthful exuberance; it’s a quintessential embodiment of the Rococo aesthetic – a…
Diana getting out of her bath (1742), efterfulgt af Bouguereau Song of the Angels og Madame de Pompadour (Jeanne-Antoinette Poisson, 1721 - 1764) (1758).
François Boucher, født i 1703, var 39 år gammel: Diana getting out of her bath er fra 1742.
Diana getting out of her bath, Bouguereau Song of the Angels, Madame de Pompadour (Jeanne-Antoinette Poisson, 1721 - 1764), Madame Bergeret, The Interrupted Sleep, The Setting of the Sun, Pastoral Scene, Venus at Vulcan, The Toilette og Boreas Abducting Oreithyia. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
377 værker af François Boucher er i vores katalog, dateret fra 1720 til 1770.
Primært i Hermitage Museum (Sankt Petersborg), Metropolitan Museum of Art (New York) og Louvre (Paris); listen ovenfor nævner hvert museum og dets lærreder.
I 1730s, som udgør 28 af de 100 værker på denne side, herunder The Afternoon Meal.
Det tidligste lærred her er The Judgement of Susannah (1720); det seneste er Young Country Girl Dancing (1770).
Woman (21), Trees (14) og Man (10), fordelt på de 100 værker på denne side.
Oil On Canvas, anvendt i 46 af de 100 værker på denne side.
Rococo elegance, som lærrederne på denne side viser.
Hermitage Museum, Sankt Petersborg har 6 af værkerne på denne side, herunder Study for The Bath of Venus, Young Woman Sleeping og Triumph of Venus.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
I de travle gader i Paris, Frankrig, begyndte historien om François Boucher den 29. september 1703. Han blev født ind i en husholdning, hvor de visuelle kunstarter allerede var en livsstil, som søn af Nicolas Boucher, en mand der tjente sit liv som blondedesigner. Denne tidlige eksponering for mønstrenes og designets kompleksitet har sandsynligvis formet den unge drengs øje for detaljen længe før, han overhovedet førte en pensel mod et lærred. Hans far gav ham de første lektioner og indprentede ham de grundlæggende færdigheder, der var nødvendige for at navigere i byens konkurrenceprægede kunstneriske cirkler.
Da drengen voksede op, fangede hans talent opmærksomheden hos dem, der allerede var etablerede i håndværket. I en alder af sytten år blev François Boucher lærling hos François Lemoyne, en mand af betydelig status. Denne undervisningsperiode var dog kort, da den unge kunstners vej tog en pludselig drejning efter kun tre måneder. Han bevægede sig fra Lemoynes vejledning til at arbejde under graveren Jean-François Cars, en overgang der gjorde det muligt for ham at mestre linjens præcision og grafikken mekanik.
Ambition og talent smeltede snart sammen i et øjebliks stor triumf. I 1720 opnåede François Boucher en udmærkelse, der ville ændre hans livs gang: han vandt det prestigefyldte Grand Prix de Rome. Denne sejr var ingen lille bedrift; den markerede ham som en spirende kraft blandt hans ligemænd og gav ham det nødvendige momentum til at bevæge sig ud over Paris' værksteder og mod de større scener i europæisk kunst.
Efter at have sikret sig det prestigefyldte Grand Prix de Rome rettede den unge kunstner sit blik mod Italien. Han ankom til Rom i 1728 for at studere ved den franske akademi, en periode, der fundamentalt skulle forme hans kunstneriske sanselighed. De klassiske idealer, han mødte i det italienske lys og i mesternes værker, lærte ham ikke blot teknik; de indpodede ham en helt ny måde at se verden på. Han følte sig draget mod de ekspressive penselstrøg og den rustikke, maleriske tilgang hos barokkens mestre – en præference, der i sidste ende ville adskille ham fra hans samtidige og de mere rigide akademiske traditioner.
Ved hjemkomsten til Frankrig gik hans opstigning gennem kunstverdenens hierarki utroligt hurtigt. Han blev optaget i Académie Royale de Peinture et de Sculpture i 1731, og i 1734 havde han allerede opnået status som historiemaler inden for akademiet. Denne formelle anerkendelse lagde fundamentet for en karriere, der snart ville bevæge sig fra den stille fordybelse i klassiske former til det travle og overdådige liv ved det franske hof. Hans tidlige succeser var bygget på dette ægteskab mellem en streng og disciplineret uddannelse og de livlige, ekspressive lærdomme, han havde erhvervet sig under sine år i udlandet.
Succes ved det franske hof krævede ofte mere end blot talent; det krævede gunsten fra dem, der besad nøglerne til den kongelige smag. François Boucher fandt en så kraftfuld allieret i Madame de Pompadour, den indflydelsesrige mæcen og elskerinde til kong Louis XV. Deres forbindelse var dyb og betydningsfuld, da hun blev hans mest fremtrædende klient og bestilte en række værker, der var med til at definere den visuelle æstetik i hendes æra. Gennem hendes støtte voksede hans ry fra at være en dygtig maler til at blive en central skikkelse i selve det franske hofs identitet.
Hans indflydelse trængte med tiden helt ind i de institutioner, der styrede den franske kunst. I 1755 blev han udnævnt til direktør for det kongelige Gobelins-manufaktur, en position, der gjorde det muligt for hans vision at udvide sig til den dekorative kunst. Han lagde også sin kunstneriske hånd på Beauvais-værkstederne, hvor hans designs blev forvandlet til vævede mesterværker. Hans kreativitet var ikke begrænset til lærredet; han bevægede sig gennem teatrets verden, hvor han designede både kostumer og scenografier, der bragte dramatiske spektakler til live. Denne alsidighed sikrede, at hans æstetik kunne mærkes i alle hjørne af det aristokratiske liv, fra paladsets vægge til teatrets scene.
Højdepunktet af hans officielle anerkendelse indtraf i 1765, da han blev udnævnt til Premier Peintre du Roi. Denne titel som kongens første maler markerede hans opstigning til toppen af sit professionelle virke. Han var blevet en mand, hvis navn var synonymt med selve epoken – en skaber, hvis værker var eftertragtede af landets højeste magthavere. Hans karriere var en stødig opstigning gennem Akademiets rækker, fra professor til rektor, og endeligt i direkte tjeneste for selve kronen.
François Boucher bevægede sig gennem kunstens verden med en forkærlighed for det lyse og det smukke, og han vendte ofte ryggen til fortidens tunge skygger. Hans penselstrøg var præget af en delikat lethed, der favoriserede lysende farver og en blød, pastelagtig palet. Han stræbte efter at indfange en følelse af nydelse og ynde, og han benyttede ofte asymmetriske kompositioner til at skabe en fornemmelse af bevægelse og ubesværet elegance. Denne tilgang gjorde det muligt for ham at transformere selv de mest alvorlige mytologiske fortællinger til scener fyldt med passion og intim erotik, hvor guderne fremstod mere som legesyge elskere end som fjerne guddomme.
Der lå en vis trodsighed i hans syn på den naturlige verden. Han bemærkede berømt, at naturen var "trop verte et mal éclairée"—for grøn og dårligt belyst—hvilket antydede, at den rå, uforfinede verden manglede den raffinement, som han søgte at tilføre den. I stedet for at skildre naturens barske virkelighed foretrak han at konstruere et idealiseret og idyllisk rige. I hans hænder blev landskabet til en scene for fritid og skønhed, et sted hvor lyset altid syntes at falde helt perfekt for at smigre huden på hans motiver.
Hans tekniske snilde rakte langt ud over selve lærredet og ind i selve teksturen af hans motiver. Han besad en metodisk opmærksomhed på detaljen, især når han skulle gengive glansen i fine stoffer eller den bløde tekstur af menneskelig hud. Denne tekniske præcision hjalp ham med at definere det visuelle sprog i den franske rokoko og skabte en verden af luksus og raffinement, der spejlede hoffets forfinede smag. Hans værker handlede ikke blot om afbildningen af en scene, men om skabelsen af en atmosfære præget af elegance og sofistikeret nydelse.
I takt med at hans talent blomstrede i Akademiets sale, søgte François Boucher at bevise sit værd gennem antikkens storslåede fortællinger. I 1734 præsenterede han Rinaldo og Armida som sit morceau de réception, et værk der signalerede hans ankomst blandt tidsalderens mestre. Dette værk gjorde det muligt for ham at demonstrere et mesterskab over det mytologiske drama og lagde grunden til en karriere defineret af stræben efter ynde og skildringen af idealiseret skønhed.
Hans pensel fandt sine mest hyppige motiver i det guddommelige og det sanselige. Omkring 1740 færdiggjorde han Venus' fødsel, et lærred der indfangede gudinden, som stiger op af havets skum. Denne fascination af det feminine og det mytologiske fortsatte ind i 1750'erne. I 1751 skabte han Venus' toilet og Venus trøster Kærligheden, værker der lagde vægt på hudens bløde teksturer og den legesyge, intime natur i hans kompositioner. Disse malerier afspejlede en verden, hvor selv guderne levede i en tilstand af raffineret fritid.
Ud over myterne blev François Bouchers hånd ofte kaldt til at indfange ligheden af dem, der holdt de franske magters tøjler. Hans Portræt af Marquise de Pompadour fra 1756 står som et betydningsfuldt minde om hans vigtigste mæcen. Gennem sådanne portrætter oversatte han hoffets elegance til et visuelt sprog præget af pastelfarver og sofistikeret fatning.
For at vidne om denne malers eftermæle må man rejse gennem mange lande, da hans penselstrøg rakte langt ud over Frankrigs grænser. I Paris huser Louvre flere af hans lærreder, som bevarer ånden fra det hofliv, han så omhyggeligt skildrede. Dem, der søger hans præg i Amerika, vil finde en stor del af hans produktion på Metropolitan Museum of Art i New York, hvor hans scener af fritid og mytologi fortsat er tilgængelige for offentligheden. Hans nærvær mærkes i mange sale, da hans kunst var eftertragtet af mange, der værdsatte elegancen i hans pensel.";p>
Omfanget af hans talent strækker sig ind i de store samlinger i både øst og vest. I Sankt Petersborg huser Eremitagen hans kunst og holder hans vision i live for dem, der vandrer gennem de enorme gallerier. Samtidig finder man i Fort Worth Kimbell Art Museum, som rummer hans værker og giver moderne beskuere mulighed for at møde de bløde paletter og mytologiske temaer, der definerede hans karriere. Hans malerier hviler i disse forskelligartede fristeder og venter på det nysgerrige øje, der vil opsøge dem.
