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      François Clouet, 1510 – 1572

      François Clouet: De 78 mest kendte malerier

      Af alle François Clouet's malerier er Mary, Queen of Scots (1542-87) (1560) det mest berømte; det hænger på Royal Collection i London. Lige efter følger Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family og Mary, Queen of Scots (1560). Blandt de 80 værker af François Clouet i vores katalog er disse 78 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af François Clouet
      François Clouet · 1510 – 1572
      Født · død
      1510 – 1572, Tours
      Bevægelse
      Renæssance
      Værker i vores katalog
      80
      Mest kendte
      Mary, Queen of Scots (1542-87) (1560)
      Flest værker hos
      Château de Chantilly

      François Clouets 10 mest fejrede malerier

      Mary, Queen of Scots (1542-87) (1560) af François Clouet
      1

      Mary, Queen of Scots (1542-87)

      1560 · Acrylic · Royal Collection, London

      François Clouet's 1560-61 portrait of Mary, Queen of Scots is more than just a likeness; it’s a meticulously crafted window into the turbulent heart of Renaissance Scotland and France. Commissioned during her time as Dauphine of France and later Queen of Scotland, this diminutive painting – a ‘miniature’ in the truest sense – transcends its small scale to embody the complexities of a woman caught between two powerful nations and…

      Hand-painted oil reproduction from $178 25 × 39 cm
      Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family af François Clouet
      2

      Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family

      Oil On Panel · Galleria degli Uffizi, Firenze

      In the grand tapestry of the French Renaissance, few works capture the sheer weight of royal lineage as profoundly as François Clouet’s "Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family." This is not merely a portrait; it is a monumental tableau of power, a meticulously orchestrated assembly of faces that serves as a window into the heart of the 16th-century Valois court. As one…

      Hand-painted oil reproduction from $503 32 × 31 cm
      Mary, Queen of Scots (1560) af François Clouet
      3

      Mary, Queen of Scots

      1560 · Oil On Panel · Wallace Collection, London

      The portrait titled Mary, Queen of Scots is a work by the French artist François Clouet. Created in 1560, this Queen's Portrait captures the likeness of Mary, Queen of Scots (1542-87). The image focuses on the sovereign during a period of significant transition in her life.

      Hand-painted oil reproduction from $178 29 × 34 cm
      Mary, Queen of Scots (1542-1587) (1559) af François Clouet
      4

      Mary, Queen of Scots (1542-1587)

      1559 · Oil On Panel · Victoria and Albert Museum, London

      The subject is a bust-length portrait of a woman, positioned slightly off-center and facing toward the right of the frame. She is depicted with a calm expression and a steady gaze. Her attire consists of a heavy, patterned gown featuring vertical stripes and intricate embroidery. A high, structured collar frames her neck, and her head is adorned with a headpiece containing rounded pearls. A matching necklace of lustrous pearls rests…

      Hand-painted oil reproduction from $178 27 × 37 cm
      Portrait of Francis I, King of France (1540) af François Clouet
      5

      Portrait of Francis I, King of France

      1540 · Oil On Canvas · Galleria degli Uffizi, Firenze

      In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental work is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this masterpiece, they are not…

      Hand-painted oil reproduction from $178 28 × 36 cm
      Elisabeth of Austria, Queen of France (1571) af François Clouet
      6

      Elisabeth of Austria, Queen of France

      1571 · Oil On Canvas · Louvre, Paris

      In this oil painting on oak wood, a woman identified as Elisabeth of Austria, Queen of France, occupies the central foreground. She is positioned with her head turned slightly toward the side, her gaze directed away from the viewer. Her hair is long and dark, framing a face marked by a stern expression. Around her neck, she wears a prominent ruffled collar and a necklace that rests against her chest.…

      Hand-painted oil reproduction from $178 26 × 38 cm
      A Lady in Her Bath (1571) af François Clouet
      7

      A Lady in Her Bath

      1571 · Oil On Panel · National Gallery of Art, Washington

      In the quiet, luminous atmosphere of François Clouet’s “A Lady in Her Bath,” the viewer is not merely an observer but a silent guest invited into a moment of profound domestic intimacy. Painted around 1571, this masterpiece serves as a breathtaking window into the private lives of the French aristocracy during the late Renaissance. The composition unfolds with a theatrical grace, where heavy red satin drapes are pulled back like…

      Hand-painted oil reproduction from $178 30 × 33 cm Same size as the original $374 81 × 92 cm Order at original size →
      Portrait of Francis I, King of France (1540) af François Clouet
      8

      Portrait of Francis I, King of France

      1540 · Oil On Canvas · Louvre, Paris

      In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental oil on canvas is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this work, they…

      Hand-painted oil reproduction from $178 28 × 35 cm
      Unknown lady, probably an Italian, known as (1555) af François Clouet
      9

      Unknown lady, probably an Italian, known as

      1555 · Acrylic On Canvas · Château de Chantilly, Chantilly

      The world of 16th-century France was one of opulent courts, shifting alliances, and burgeoning artistic innovation. Within this vibrant landscape emerged François Clouet, a master portraitist whose meticulous skill and subtle psychological insight continue to captivate viewers centuries later. His “Unknown Lady,” painted around 1555, is not merely a likeness; it’s a carefully constructed tableau of observation, hinting at the woman's character and the era she inhabited. The painting, now…

      Hand-painted oil reproduction from $178 27 × 38 cm
      Odet de Coligny, Cardinal de Châtillon (1548) af François Clouet
      10

      Odet de Coligny, Cardinal de Châtillon

      1548 · Oil On Panel · Musée Condé, Chantilly

      Odet de Coligny, Cardinal de Châtillon is a portrait executed by François Clouet in 1548. The sitter, a prominent figure of the French Renaissance, held the positions of Bishop of Beauvais and Archbishop of Toulouse. As the nephew of Constable Anne de Montmorency, his social standing is reflected in the formal presentation of the work.

      Hand-painted oil reproduction from $178 28 × 36 cm Same size as the original $356 73 × 94 cm Order at original size →

      François Clouets malerier rangeret fra 11 til 78

      Mary, Queen of Scots (1561) af François Clouet
      #14

      Mary, Queen of Scots

      1561 · Scottish National Portrait Gallery

      This formal 16th-century portrait, executed in 1561, presents a bust-length depiction of Mary, Queen of Scots. Positioned slightly off-center, the subject faces toward the right while directing her…

      Få det malet i hånden from $178 →
      Charles IX (1570) af François Clouet
      #16

      Charles IX

      1570 · Birmingham Museum of Art

      The gaze of Charles IX, King of France, meets the viewer from across the centuries. In this portrait by François Clouet, the young monarch appears caught in a…

      Få det malet i hånden from $178 →
      Portrait of a Man (1543) af François Clouet
      #18

      Portrait of a Man

      1543 · National Gallery

      A single male figure occupies the frame in a three-quarter view, his gaze directed toward the left. The composition focuses on a bust-length presentation, where the subject's features…

      Bring dette lys hjem from $178 →
      Louise de Lorraine (1550) af François Clouet
      #27

      Louise de Lorraine

      1550 · Museum of Fine Arts, Houston

      Louise de Lorraine emerges from a deep, velvet darkness, her figure commanding the space with a quiet, regal authority. She stands centered, a pillar of dignity amidst the…

      Bring dette lys hjem from $178 →
      The Love Letter (1570) af François Clouet
      #39

      The Love Letter

      1570 · Thyssen-Bornemisza Museum

      In the quiet, shadowed corridors of the French Renaissance, few works capture the delicate tension between public propriety and private longing as poignantly as François Clouet’s "The Love…

      Få det malet i hånden from $228 →
      A Lady in Her Bath (1571) af François Clouet
      #42

      A Lady in Her Bath

      1571 · National Gallery of Art

      The painting "A Lady in Her Bath" by François Clouet is a masterpiece of Renaissance art, showcasing the artist's exceptional skill and attention to detail. Created in 1571,…

      Bestil dette lærred from $178 →
      Le bain de Diane detalje (1565) af François Clouet
      #44

      Le bain de Diane detalje

      1565 · Musée des Beaux-Arts de Rouen

      François Clouet og Dianas Badehus – Et Portræt af Renæssancens Elegance François Clouet var en kunstner hvis navn er synonymt med den raffinerede portrætterkunst i det franske renæssance.…

      Bestil dette lærred from $178 →
      Isabelle (Isabeau) d (1547) af François Clouet
      #54

      Isabelle (Isabeau) d

      1547 · Château de Chantilly

      François Clouet’s “Isabelle (Isabeau) d’Hauteville” is not merely a portrait; it's a carefully constructed window into the world of 16th-century French courtly life. Painted in 1547, this exquisite…

      Bring dette lys hjem from $178 →
      The Bath of Diana (1550) af François Clouet
      #57

      The Bath of Diana

      1550 · Museu de Arte

      François Clouet's "The Bath of Diana," painted around 1550, isn’t merely a depiction of a Roman goddess; it’s a meticulously crafted tableau brimming with political allegory and Renaissance…

      Bestil dette lærred from $178 →
      Pierre Quthe (1562) af François Clouet
      #76

      Pierre Quthe

      1562 · Louvre

      François Clouet's “Pierre Quthe” stands as a testament to the meticulous artistry that characterized the High Renaissance in France. Executed in 1562, this oil on wood painting resides…

      Bestil dette lærred from $178 →

      François Clouets lærreder, periode for periode

      Hvad François Clouet har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor François Clouet's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af François Clouet Malerier fra denne liste
      Château de Chantilly, ChantillyChâteau de Chantilly Chantilly 7 Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux, Jossine de Pisseleu d
      National Gallery of Art, WashingtonNational Gallery of Art Washington 4 A Lady in Her Bath, A Lady in Her Bath, A Lady in Her Bath (detail)
      Musée Condé, ChantillyMusée Condé Chantilly 4 Odet de Coligny, Cardinal de Châtillon, Elisabeth of Austria, Queen of France, Marguerite of Valois
      Louvre, ParisLouvre Paris 3 Elisabeth of Austria, Queen of France, Portrait of Francis I, King of France, Pierre Quthe
      Kunsthistorisches Museum, WienKunsthistorisches Museum Wien 3 King Charles IX of France, Portrait of King Charles IX of France, Portrait of King Charles IX of France
      Royal Collection, LondonRoyal Collection London 2 Mary, Queen of Scots (1542-87), Mary, Queen of Scots (1542-87)
      Galleria degli Uffizi, FirenzeGalleria degli Uffizi Firenze 2 Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Portrait of Francis I, King of France
      Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 2 Sir William Kirkcaldy of Grange, Mary, Queen of Scots

      Årti for årti: François Clouets mest fejrede lærred

      1. 1520s
      2. 1540s
        Portrait of Francis I, King of France (1540) af François Clouet
        5 ud af 78

        Portrait of Francis I, King of France

        Alder 30 – 39 · Galleria degli Uffizi

        In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of…

      3. 1550s
        Mary, Queen of Scots (1542-1587) (1559) af François Clouet
        Lærred 4 af 78

        Mary, Queen of Scots (1542-1587)

        Alder 40 – 49 · Victoria and Albert Museum

        The subject is a bust-length portrait of a woman, positioned slightly off-center and facing toward the right of the frame. She is depicted with a calm expression and…

      4. 1560s
        Mary, Queen of Scots (1542-87) (1560) af François Clouet
        Rangeret som nr. 1 ud af 78

        Mary, Queen of Scots (1542-87)

        Alder 50 – 59 · Royal Collection

        François Clouet's 1560-61 portrait of Mary, Queen of Scots is more than just a likeness; it’s a meticulously crafted window into the turbulent heart of Renaissance Scotland and…

      5. 1570s
        Elisabeth of Austria, Queen of France (1571) af François Clouet
        Lærred 6 af 78

        Elisabeth of Austria, Queen of France

        Alder 60 – 62 · Louvre

        In this oil painting on oak wood, a woman identified as Elisabeth of Austria, Queen of France, occupies the central foreground. She is positioned with her head turned…

      Dine spørgsmål om François Clouets malerier, besvaret

      Hvilket er det mest berømte maleri af François Clouet?Læs svaret

      Mary, Queen of Scots (1542-87) (1560), Royal Collection, London. Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family og Mary, Queen of Scots (1560) følger efter.

      Hvor gammel var François Clouet på tidspunktet for Mary, Queen of Scots (1542-87)?Læs svaret

      François Clouet, født i 1510, var 50 år gammel: Mary, Queen of Scots (1542-87) er fra 1560.

      Hvilke ti malerier er François Clouet mest kendt for?Læs svaret

      Mary, Queen of Scots (1542-87), Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Mary, Queen of Scots, Mary, Queen of Scots (1542-1587), Portrait of Francis I, King of France, Elisabeth of Austria, Queen of France, A Lady in Her Bath, Portrait of Francis I, King of France, Unknown lady, probably an Italian, known as og Odet de Coligny, Cardinal de Châtillon. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier af François Clouet er kendt?Læs svaret

      80 værker af François Clouet er i vores katalog, dateret fra 1527 til 1571.

      Hvilke museer udstiller François Clouets mest kendte lærreder?Læs svaret

      Primært i Château de Chantilly (Chantilly), National Gallery of Art (Washington) og Musée Condé (Chantilly); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede François Clouet sine mest berømte lærreder?Læs svaret

      I 1560s, som udgør 25 af de 78 værker på denne side, herunder Mary, Queen of Scots (1542-87).

      Hvad er de første og de sidste af François Clouets berømte lærreder?Læs svaret

      Det tidligste lærred her er Henry d'Albret, King of Navarre (1527); det seneste er Elisabeth of Austria, Queen of France (1571).

      Hvilke motiver går oftest igen i François Clouet's malerier?Læs svaret

      Woman (21), Renaissance (19) og Man (17), fordelt på de 78 værker på denne side.

      Hvad malede François Clouet normalt med?Læs svaret

      Oil On Panel, anvendt i 36 af de 78 værker på denne side.

      Hvilken kunstretning tilhører François Clouet?Læs svaret

      Renæssance, som lærrederne på denne side viser.

      Hvad kan jeg se af François Clouet på Château de Chantilly?Læs svaret

      Château de Chantilly, Chantilly har 7 af værkerne på denne side, herunder Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux og Jossine de Pisseleu d.

      Kan jeg bestille en håndmalet kopi af et maleri af François Clouet?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      François Clouet: malerens historie

      A Legacy of Likeness: The World of François Clouet

      François Clouet, a name synonymous with the refined portraiture of the French Renaissance, emerged from a lineage steeped in artistic skill and courtly favor. Born around 1510 in Tours, France, his life unfolded against a backdrop of evolving artistic sensibilities and the opulent world of the Valois monarchy. He wasn’t merely a painter; he was a chronicler of an era, capturing the essence of kings, queens, and courtiers with a meticulousness that continues to captivate viewers today. The shadow of his father, Jean Clouet, loomed large – both artists shared not only a profession but also the familiar nickname ‘Janet,’ leading to occasional confusion in attributing their works across generations. Yet, François carved his own distinct path, blending Flemish naturalism with an emerging Italianate grace, and establishing himself as one of France’s most celebrated portraitists.

      Inheriting a Tradition: Early Life and Artistic Formation

      The early years of François Clouet remain somewhat veiled in historical obscurity, but his artistic trajectory was undeniably shaped by the legacy of his father. Jean Clouet, originating from the Southern Netherlands, brought with him to the French court the meticulous detail and realistic approach characteristic of Flemish painting. This foundation formed the bedrock of François’s training. A pivotal moment arrived in 1541 when François inherited his father's estate, formally stepping into his artistic inheritance and assuming the responsibilities that came with it. This wasn’t simply a transfer of property; it was an assumption of a role within the very fabric of the French court. The Clouet family also enjoyed a unique connection to the Italian Renaissance through Jean’s time in Amboise, exposing François to the burgeoning ideals and innovative techniques emanating from Italy – a subtle but significant influence that would later manifest in his work. He absorbed not just technique, but an understanding of how art could serve as both documentation and celebration of power and status. He diligently studied the works of Leonardo da Vinci and other masters of Florentine painting, absorbing their principles of observation and anatomical accuracy.

      The Art of Revelation: Style and Major Works

      François Clouet’s oeuvre is defined by a remarkable precision and elegance. His portraits weren't merely likenesses; they were insightful studies of character, capturing not only physical features but also the personality and social standing of his subjects. He possessed an extraordinary ability to convey royal authority and sophistication, as evidenced in several notable depictions of Francis I – masterpieces housed in institutions like the Uffizi Gallery and the Louvre Museum. Beyond Francis I, Clouet’s brush immortalized other key figures of the era. He likely painted portraits of Catherine de' Medici at Versailles, contributing to a visual record of her influential reign. Perhaps one of his most celebrated achievements is the chalk drawing of Mary, Queen of Scots – held in the Bibliothèque nationale – a work that showcases his mastery of capturing delicate features and conveying emotional depth with astonishing subtlety. Other notable works include portraits of Elizabeth of Austria (Louvre), Marguerite of France (Chantilly), and Charles IX (Château de Chantilly). His paintings often possess a quiet dignity, a restrained elegance that reflects the refined sensibilities of the French court. The use of light and shadow – *chiaroscuro* – is subtle yet effective, adding depth and dimension to his portraits without resorting to dramatic contrasts.

      A Defining Aesthetic: Characteristics of Clouet’s Art

      Several hallmarks define François Clouet's distinctive style.
      • Elaborate Detail: A meticulous attention to detail permeates his work, evident in the intricate rendering of clothing, jewelry, and facial features – every element contributing to a sense of realism and opulence.
      • Accurate Drawing: Clouet’s portraits are grounded in precise anatomical rendering and skillful use of line, demonstrating a mastery of draftsmanship that underpinned his artistic vision.
      • Exquisite Completeness: His compositions convey a sense of wholeness and personality, going beyond mere physical representation to capture the inner life of his subjects. He didn’t just paint faces; he painted individuals.
      His paintings often possess a quiet dignity, a restrained elegance that reflects the refined sensibilities of the French court. The use of light and shadow – *chiaroscuro* – is subtle yet effective, adding depth and dimension to his portraits without resorting to dramatic contrasts.

      A Lasting Impression: Historical Significance and Legacy

      François Clouet’s contributions to French Renaissance art are profound. He played a crucial role in establishing portraiture as a prominent genre in France, elevating the status of the artist and providing invaluable visual records of the royal court. He bridged the gap between medieval artistic traditions and the emerging Renaissance ideals, incorporating naturalism and humanistic principles into his work. As a court painter for multiple French monarchs – Francis I, Henry II, Francis II, and Charles IX – he documented the lives and appearances of key figures in French history, creating a visual archive that continues to inform our understanding of this period. His meticulous style and attention to detail profoundly influenced subsequent generations of French portraitists, solidifying his place as a pivotal figure in the development of French art. François Clouet died on December 22, 1572, shortly after the tumultuous St. Bartholomew’s Day Massacre – a poignant end for an artist who had dedicated his life to immortalizing the world around him. His will offers glimpses into his personal life and financial standing, further cementing his legacy as both an artistic master and a significant figure in French society.