The Council of Gods (1624) er det maleri, som Giovanni Lanfranco er bedst kendt for; det befinder sig på Galleria Borghese, Rom. Roman Naumachia (1635) og Madonna and Child with the Infant Saint John the Baptist (1630) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 55 værker af Giovanni Lanfranco. Her er de 55 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
In the heart of Rome, a quiet intimacy unfolds within Madonna and Child with the Infant Saint John the Baptist. The Italian artist Giovanni Lanfranco breathes life into this scene, capturing a tender moment that feels as though it is happening in the present. Created about 1630–1632, the work emerges from a period of intense creative energy in the city. The figures exist in a space of soft light and…
In this large-scale oil on canvas, we find ourselves witnessing a moment of profound upheaval. The scene, titled Funeral Rites of a Roman Emperor, captures the chaotic energy of a historical transition. A diagonal composition directs the eye through a crowded, swirling mass of figures, leading upward toward the central, deceased emperor. There is a palpable sense of movement here, driven by the muscular, twisting bodies of combatants in the…
Giovanni Lanfranco’s “The Annunciation”: A Symphony of Baroque Drama Giovanni Lanfranco (1582-1647), born in Parma, Italy, stands as a pivotal figure within the flourishing Baroque artistic movement. His oeuvre is characterized by an unparalleled ability to convey emotion and grandeur through meticulously crafted compositions—a skill particularly evident in “The Annunciation,” painted circa 1610. This monumental fresco resides within San Carlo ai Catinari church in Rome, marking Lanfranco’s contribution to the…
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
The Allocution of a Roman Emperor is a significant oil on canvas by Giovanni Lanfranco. This work, also attributed to the artist as Giovanni di Stefano Lanfranco, captures a moment of intense oratorical address within a Roman setting. The painting depicts a leader delivering a formal speech to an assembly of troops and onlookers, a subject that allows for a profound exploration of human emotion and physical presence.
In the evocative engraving Christ Served by Angels, created in 1616, the Italian master Giovanni Lanfranco invites viewers into a profound moment where the earthly and the divine intersect. This work is far more than a mere religious illustration; it is a masterful display of Baroque dynamism, capturing a scene that vibrates with both tension and spiritual grace. Through his expert use of line and shadow, Lanfranco orchestrates a narrative…
We are looking at Gladiators at a Banquet, a significant work by the Italian painter Giovanni Lanfranco. This oil on canvas was executed about 1638, a period when the artist was establishing his presence within the Baroque movement. The scale of the piece is substantial, measuring 232.0 x 355.0cm, which lends a certain physical weight to the scene it depicts.
In the sweeping, dramatic tradition of the Italian Baroque, Giovanni Lanfranco’s "Norandino and Lucina Discovered by the Ogre" serves as a breathtaking window into a world where myth and peril collide. Painted in 1624, this masterpiece captures a pivotal moment of high drama: the sudden, terrifying intrusion of a monstrous force into a pastoral sanctuary. The composition is masterfully orchestrated to guide the viewer’s eye through a landscape of both…
Giovanni Lanfranco’s Coronation of the Virgin: A Baroque Masterpiece Giovanni Lanfranco stands as one of the most influential painters of the Baroque era, leaving an indelible mark on…
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In the grand tapestry of the Italian Baroque, few moments capture the intersection of the earthly and the divine as poignantly as Giovanni Lanfranco’s Mary Magdalen Raised by…
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The prophet Elijah was awakened by an angel at dawn in the wilderness. The prophet looks up at the angel pointing back with his left hand. Made in…
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In the hallowed stillness of the Cappella San Ludovico within Parma Cathedral, there exists a window into the celestial realm, captured through the masterful brush of Giovanni Lanfranco.…
Giovanni Lanfranco’s “Le Couronnement de la Vierge avec Saint Augustin et Saint Guillaume d’Aquitaine” is not merely a painting; it's an immersive theatrical experience rendered in oil on…
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Giovanni Lanfranco’s “St. Ursula and the Virgins” – A Tapestry of Faith and Tragedy The painting "St. Ursula and the Virgins," attributed to Giovanni Lanfranco, is more than…
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The air hangs heavy with a quiet, desperate intimacy as Angélica and Medoro lie upon the earth. She leans over him, her presence a soft sanctuary against the…
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Liberation of Saint Peter is an oil on canvas painting by the Italian artist Giovanni Lanfranco. Executed in Italy about 1620–1621, the work captures a specific moment of…
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The fresco "Christ and the Woman of Samaria," painted by Giovanni Lanfranco in 1620, stands as a pivotal work within the artist's oeuvre and a compelling example of…
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Giovanni Lanfranco’s “Hagar in the Wilderness” is not merely a depiction of a biblical narrative; it's a profound exploration of maternal desperation, divine mercy, and the enduring human…
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This painting shows the short stay of the artist in Piacenza, after his long activity in Rome (1602-1610). As all the painters who work in the dukedoms of…
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The Ecstasy of Saint Margaret of Cortona is an oil painting on canvas from 1622 by the Italian Baroque painter Giovanni Lanfranco. The work depicts a mystical event…
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The painting St Peter Healing St Agatha by Giovanni Lanfranco is a remarkable example of Baroque art, characterized by its dramatic use of light and shadow, as well…
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In Moses and the Messengers from Canaan, the Italian Baroque painter Giovanni Lanfranco captures a pivotal moment from the Old Testament. The scene depicts the events described in…
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A heavy silence hangs over the scene, thick as the smoke of an altar. In the center, a priest moves with a practiced, solemn grace, his white robes…
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Elijah Receiving Bread from the Widow of Zarephath is an oil on canvas painting by the Italian Baroque artist Giovanni Lanfranco. The work depicts a narrative from the…
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To stand before Giovanni Lanfranco’s “Venus Playing the Harp (Allegory of Music)” is to enter a realm where the boundaries between the divine and the earthly dissolve into…
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The painting depicts a religious scene centered on a man kneeling in prayer before an altar. He is dressed in a long, hooded robe, suggesting the attire of…
Få det malet i hånden →De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Giovanni Lanfranco | Malerier fra denne liste |
|---|---|---|---|
 Museo del Prado |
Madrid | 6 | Roman Naumachia, Funeral Rites of a Roman Emperor, Gladiators Fighting |
 J. Paul Getty Museum |
Los Angeles | 3 | Madonna and Child with the Infant Saint John the Baptist, Moses and the Messengers from Canaan, Elijah Receiving Bread from the Widow of Zarephath |
 Museo di Capodimonte |
Napoli | 3 | Christ Served by Angels, Mary Magdalen Raised by Angels, Christ Served by Angels |
 Louvre |
Paris | 3 | Coronation of the Virgin with St Augustine and St William of Aquitaine, LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINE, Hagar in the Wilderness |
 Museo del Duomo e Cattedrale di Fidenza |
Fidenza | 3 | Right nave of Fidenza cathedral, Left nave of Fidenza cathedral, Fidenza cathedral inside |
 Galleria Borghese |
Rom | 2 | The Council of Gods, Norandino and Lucina Discovered by the Ogre |
 Bavarian State Painting Collections |
München | 2 | Penitent Mary Magdalene, Assumption of Mary |
 Statens Museum for Kunst |
København | 2 | The Glorification of Christ surrounded by Saints, Saint Sebastian |
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined…
Giovanni Lanfranco’s “The Annunciation”: A Symphony of Baroque Drama Giovanni Lanfranco (1582-1647), born in Parma, Italy, stands as a pivotal figure within the flourishing Baroque artistic movement. His…
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624…
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic…
The Council of Gods (1624), Galleria Borghese, Rom. Roman Naumachia (1635) og Madonna and Child with the Infant Saint John the Baptist (1630) følger efter.
Giovanni Lanfranco, født i 1582, var 42 år gammel: The Council of Gods er fra 1624.
The Council of Gods, Roman Naumachia, Madonna and Child with the Infant Saint John the Baptist, Funeral Rites of a Roman Emperor, The Annunciation, Gladiators Fighting, The Allocution of a Roman Emperor, Christ Served by Angels, Gladiators at a Banquet og Norandino and Lucina Discovered by the Ogre. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
55 værker af Giovanni Lanfranco er i vores katalog, dateret fra 1600 til 1638.
Primært i Museo del Prado (Madrid), J. Paul Getty Museum (Los Angeles) og Museo di Capodimonte (Napoli); listen ovenfor nævner hvert museum og dets lærreder.
I 1620s, som udgør 16 af de 55 værker på denne side, herunder The Council of Gods.
Det tidligste lærred her er Nativity (1600); det seneste er The Allocution of a Roman Emperor (1638).
People (7), Figures (5) og Woman (4), fordelt på de 55 værker på denne side.
Oil On Canvas, anvendt i 16 af de 55 værker på denne side.
Baroque, som lærrederne på denne side viser.
Museo del Prado, Madrid har 6 af værkerne på denne side, herunder Roman Naumachia, Funeral Rites of a Roman Emperor og Gladiators Fighting.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Giovanni Gaspare Lanfranco blev født i Parma i 1582 som den tredje søn af Stefano og Cornelia Lanfranchi. Hans kunstneriske talent blev bemærket tidligt i livet, hvilket førte til et læreforhold hos Agostino Carracci, broren til den fremtrædende bolognesiske kunstner Annibale Carracci. Han arbejdede også side om side med Sisto Badalocchio i Farnese-paladserne i Parma. Lanfrancos uddannelse fortsatte i Annibale Carraccis store værksted i Rom, hvor han bidrog til projekter som Galleria Farnese, herunder arbejdet på panelet med Polyfemos og Galatæa. Denne periode eksponerede ham for et levende kunstnerisk miljø og lagde fundamentet for hans fremtidige karriere.
Efter Annibale Carraccis død i 1609 vendte Lanfranco kortvarigt tilbage til Parma, før han i 1612 genetablerede sig i Rom. Her udviklede han en distinkt stil karakteriseret ved dynamiske kompositioner, teatralsk lyssætning og en visionær tilgang, der var særligt velegnet til loftfresker. Selvom han var påvirket af de sene værker af Ludovico Carracci og muligvis Caravaggio, udviste han også en stærk affinitet for Correggios dekorative stil. Hans tidlige værker viser en eklektisk spændvidde, der inkorporerer elementer fra forskellige mestre, mens han gradvist banede sin egen vej. Et nøgleaspekt af hans udvikling var hans evne til at skabe illusionistiske effekter i freskomaleriet, hvilket bidrog væsentligt til barokkens æstetik.
Lanfrancos karriere blomstrede under pave Paul V, som bestilte talrige værker af ham. Nogle af hans mest betydningsfulde bedrifter inkluderer:
Giovanni Lanfranco spillede en afgørende rolle i at forme det kunstneriske landskab i 1600-tallets Rom. Han var en rival til Domenichino om de store bestillingsopgaver, hvilket bidrog til en periode med intens konkurrence blandt tidens førende kunstnere. Hans innovative tilgang til freskomaleri, især hans beherskelse af illusionistiske teknikker og dramatiske kompositioner, påvirkede efterfølgende generationer af kunstnere. Lanfrancos arbejde afspejler de bredere tendenser i barokken – et fokus på dynamik, følelse og storhed – og sikrede ham en plads som en af sin tids vigtigste malere. Hans indflydelse kan ses i senere værker af Francesco Solimena og andre italienske kunstnere.
